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INTRODUCTION

The ADASTRA 900 series of amplifiers are designed for industrial use in factories,
offices and public buildings. Two (952.966) or three (952.969 and 952.972) microphone
inputs are provided. In addition a LINE input is also available which can be used for
music sources and similar higher signal sources. There is also an output suitable for
feeding the ADASTRA 952.975 slave amplifier in the same series thus making amplifier
stacking a possibility. Provision is made for connecting to either 100 volts to line or low
impedance loudspeakers. The amplifier can be used from either a 220-volt AC or a 24-
volt DC power source. Within the packaging will be found a 3 core 230-volt mains lead
terminated with a IEC connector at one end and a 13 amp plug top fused at 5 amps at
the other.

NOTE:

If you are connecting the amplifier to two-wire power source i.e. have no earth

pin available then essential that a suitable wire is run from the chassis binding post
adjacent to the mains lead on the rear to a proven earth.

FRONT PANEL

viewed from left to right. See the front page for a diagram.

Three controlled channels are provided.
MIC 1 and MIC 2 are on the extreme left with the LINE, BASS and TREBLE cut controls
towards the right hand side. The MASTER control is next with the signal monitoring and
the mains on/off switch at the extreme right.

REAR PANEL

viewed from left to right. See the front page for a diagram.

On the left is found the IEC input incorporating a mains fuse. Next is the chassis binding
post with the DC input terminals adjacent to the loudspeaker termination. Towards the
right there is the SLAVE OUT phono socket which can be used for recording purposes.
Next are the LINE OUT and LINE IN sockets followed by the mono jack socket for MIC 2
with the VOX (ducking) on/off switch adjacent. At the extreme right is the XLR3 socket
for MIC 1.
See the specification panel for full technical details.

PROTECTION 

The amplifier is automatically protected for short, open circuit and

overheating. A short or open circuit on the loudspeaker line is indicated by the POWER
indicator pulsing slowly on and off. Overheating in excess of 105°C is protected by a
thermal cut out and if this occurs then the amplifier will cut out completely. The cause
is usually by the placing of papers on top of the amplifier or by enclosing it in a poorly
ventilated place. If this happens remove any restrictions on ventilation and leave the
amplifier switched off for five minutes. This will restore the protection circuits to their
monitoring mode. If the fault had existed for some time then the fuse located adjacent
to the IEC connector on the rear panel may also need replacement. In this case the
POWER indication on the front panel will fail to illuminate.

INSTALLATION

MIC1 is for a balanced microphone on an XLR3 socket: twin screened wire (ADASTRA
Z3 or Z323) should be used for connection. Termination follows the convention i.e. pin 1
– Screening; pin 2 - Signal go; pin 3 – Signal return.
MIC 1 has the added facility of being able to duck all other inputs on the presence of a
signal. No additional wiring is required and the switch to activate this facility (VOX) will
be found at the rear.

MIC 2, and MIC 3 when fitted, are for unbalanced low impedance microphones and are
terminated with rear mounted  jack sockets. Single screened wire (ADASTRA Z1 or Z21)
should be used for connection the inner core being connected to the tip with the outer
screening to the body of the mono jack plug.

If it is necessary to connect balanced microphone to one of the unbalanced inputs then
of the two inner screened wires one should be connected to the jack plug tip whilst the
other is connected to the jack plug body together with the outer screening.

Compact disc and tape players will use the LINE IN phono (RCA) socket and need to be
terminated with a phono (RCA) plug, the live (inner) wire going to the central pin with
the outer screening being soldered to the body.
If a recording facility is required then suitable feed can be found by using the SLAVE
OUT socket at the rear. Connect as for players (see above)
This socket can also be used for distributing a signal to up to ten ADASTRA 952.975
slave amplifiers.

Caution Care must be taken when fitting any connectors to avoid damaging the cable or
the connector through excessive heat from the soldering tool.

LOUDSPEAKERS

All connections to the loudspeaker terminals should be made suing suitable spade lugs
crimped or soldered to the loudspeaker cables. Any other method can give rise to short
circuit. There is provision for both 100 volts line and low impedance loudspeakers but it
is not advisable to use both together.

Low Impedance loudspeakers should he connected in a series parallel arrangement
such that the total load is never less than 8 ohm. i.e. two 4 ohm loudspeakers could be
connected in series and connected between the common and the 8 ohm tap. Care
should be taken with this arrangement that the volume level is carefully controlled, as it
is possible to damage loudspeakers by using too high a volume setting.

The 100 volt line loudspeakers should be connected to the common and the 100 volt
line terminals taking care that the sum of the wattage of all the loudspeakers on he line
does not exceed the total power available from the  amplifier.

Please Note that all the loudspeaker terminals are fully floating with respect to chassis.
In the event of cross talk to other services or instability then it may be beneficial if the
‘com’ terminal is strapped to the earth binding post.

Please remember that a low impedance loudspeaker system requires heavy cable
feeding the loudspeakers to minimize losses. For a widespread installation (i.e. a
factory system) it is far better and more cost effective to use the 100 volt line system-
See ADASTRAGEN sheet no. 5 for further information.

MOUNTING BRACKETS.

These will be found in the packaging with the mains lead. The mounting holes can be
used in one of two ways:
1. As ears for use when mounting the amplifier into an equipment rack.
2. To mount the amplifier on top of a shelf.

BATTERY OPERATION

A 24V (for 120W, 952.972 & 952.975) or a 12V (for 30W, 952.966 & 60W, 952.969)
battery can be connected using suitable spade lugs crimped and soldered to the battery
cables. Care must be taken to ensure that the terminals lie in the spaces provided and
do not swing to one side and thus short out on the mounting screws. Polarity should be
observed when connecting to the amplifier although there is reverse polarity protection.
The power output will be reduced on battery working, the output also depending on the
state of the battery.

Please note that the power switch does not control the 12V/24V supply to the amplifier.
If battery On/Off control is required then a separate switch will need to be installed
remote to the amplifier.

SETTING UP

When all connections have been made, check that all controls are at zero then plug the
mains lead provided into the amplifier and the 13 amp plug top into a suitable 230 volt
socket. Depress the double pole power switch on the right-hand side of the front panel.
Observe that the POWER LED illuminates.
Advance the MASTER control to 6 on its scale then using a local microphone in MIC 1
socket slowly advance its volume control whilst speaking into the microphone. Observe
the SIGNAL indicator on the right hand side whilst doing so. As the control  is advanced
the indicator will start flashing in time with the peaks of speech. This indicates that a
signal is being passed to the loudspeakers. The control should be set such that the
peaks of sound keep the SIGNAL indicator almost continuously lit but that the PEAK
indicator only shows on rare occasions or not at all.Continuous illumination of the PEAK
led indicates that the amplifier is being overloaded. If the MIC 1 control is at maximum
without achieving the desired output then it will be necessary to increase the MASTER
setting a little and recommence the setting up procedure until a satisfactory level of
output is achieved.

It may be that, before this setting can be achieved, a howl-round point is reached
where the system appears to become unstable, if this is so then the nearest
loudspeaker and the microphone you are using are in each others’ sound fields and
need to be repositioned the one with the other. If the 100 volt line system is being
employed you can reset the nearer loudspeaker to a lower wattage tap to minimize the
howl-round.

The object of this setting-up exercise is to balance the MASTER  and MIC 1 controls
such that neither is at a very low or a very high setting in relation to each other. When
this initial setting-tip procedure has been completed try the other input channels in a
similar manner. Make a note of the control settings for future reference.

Most tape and CD players have additional level controls of their which can be usefully
employed to fine balance their volume levels with the LINE or the AUX control.

The bass and treble cut controls should initially be set to their minimum (anti-
clockwise) positions for setting up. Once this has been carried out then these can be
set for personal taste. However when speech is being transmitted into a noisy or
reverberant environment then intelligence can he significantly improved by rotating the
bass cut control fully clockwise. When horn type loudspeakers are in use then the
control must be set fully clockwise to minimize  the risk of low frequency damage to
the loudspeakers.

INTERFERENCE

Whilst this equipment complies in all respects with EMC legislation its use in an
industrial environment where there are many potential sources of interference means
that steps may need to be taken to minimize any difficulties.

Always check that the amplifier has a good earth. In the event of interference secure
the services of a qualified electrician to carry out tests on the socket in use to ensure
that a low resistance earth path exists.

Do not position the amplifier very close to large transformers. television monitors and
computers

OPERATION MANUAL - ADASTRA 900 SERIES

GB

WARNING: DO NOT CONNECT THE MAINS SUPPLY TO THE AMPLIFIER UNTIL ALL

THE NECESSARYINPUT AND OUTPUT CONNECTIONS HAVE BEEN MADE.

CIRCUIT DIAGRAMS ARE AVAILABLE ON REQUEST

Summary of Contents for 952.966

Page 1: ...R AMPLIFIER 120W MIC 3 AUX 0 10 952 969 MIXER AMPLIFIER 60W 952 966 MIXER AMPLIFIER 30W Operation Manual 952 966 3 CHANNEL 30W RMS MIXER AMPLIFIER 952 969 4 CHANNEL 60W RMS MIXER AMPLIFIER 952 972 4 CHANNEL 120W RMS MIXER AMPLIFIER 952 975 120W RMS SLAVE AMPLIFIER ...

Page 2: ...56 4dBV balanced 1 5mV 56 4dBV balanced 1 5mV 56 4dBV balanced Mic2 1 5mV 56 4dBV unbalanced 1 5mV 56 4dBV unbalanced 1 5mV 56 4dBV unbalanced Mic3 1 5mV 56 4dBV unbalanced 1 5mV 56 4dBV unbalanced Aux 300mV 10 4dBV unbalanced 300mV 10 4dBV unbalanced Line 300mV 10 4dBV unbalanced 300mV 10 4dBV unbalanced 300mV 10 4dBV unbalanced Input impedance Mic 5kΩ 5kΩ 5kΩ Aux line 10kΩ 10kΩ 10kΩ Input Connec...

Page 3: ...damage loudspeakers by using too high a volume setting The 100 volt line loudspeakers should be connected to the common and the 100 volt line terminals taking care that the sum of the wattage of all the loudspeakers on he line does not exceed the total power available from the amplifier Please Note that all the loudspeaker terminals are fully floating with respect to chassis In the event of cross ...

Page 4: ...itgang Het is belangrijk om bij een laagohmige configuratie er op toe te zien dat luidsprekers nooit overbelast worden dit om onherstelbare schade aan de installatie te voorkomen De 100V luidsprekers moeten aangesloten worden op de common en 100V connectoren het totale vermogen van de luidsprekers mag nooit groter zijn dan het maximale vermogen van de versterker Alle luidsprekeruitgangen zijn zwev...

Page 5: ...s peuvent être connectés en série et branchés entre le commun et le niveau de puissance 8 ohms Dans cette configuration il faut contrôler de près le niveau du volume puisqu un volume trop élevé risque d endommager les haut parleurs Il faut connecter les haut parleurs de ligne 100V à la borne commune et à la fiche de ligne 100V en veillant à ce que la somme de la puissance de tous les haut parleurs...

Page 6: ...den es ist jedoch nicht ratsam beide zusammen zu benutzen Niederohmige Lautsprecher müssen in einer Serie parallel Konfiguration angeschlossen werden so dass die Gesamtlast niemals unter 8 Ohm liegt d h zwei 4 Ohm Lautsprecher können in Serie und zusammen an die gemeinsame Buchse und die 8 Ohm Anzapfung angeschlossen werden Bei dieser Konfiguration muss besonders sorgfältig der Lautstärkepegel bea...

Page 7: ...ger undgås Såvel 100V liniesystemer som alm lavimpedante 8 ohm systemer kan tilsluttes Benyt ikke begge systemer samtidig Lavimpedante systemer må enten serie eller parallelforbindes således at den nominelle impedans på 8 ohm overholdes Et eksempel kunne være 2 stk 4 ohms højttalere der i serieforbindelse samlet bliver 8 ohm 100V liniesystemer tilsluttes 100V terminalen og COMMON Vær helt sikker p...

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