AJA KONA LH Installation And Operation Manual Download

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KONA LH/LHe Installation and Operation Manual — Using The KONA LH

QuickTime Application—1st Priority

If a running QuickTime application uses KONA LH for capture or output, it controls

the Primary format via its own menus and settings. For example, when Final Cut Pro

is active (it’s the topmost application) and has KONA LH as its “A/V Device”, then

the KONA LH'S Primary format is determined by Final Cut's “Video Playback”

submenu (under the “View” menu) or its “Audio/Video Settings...” dialog under A/V

Devices.
When a QuickTime application is in control of the KONA LH board—versus one of

the other masters—it will be indicated by a label in both the KONA Control Panel's

Formats

and

Control

tabs. The KONA LH Control Panel’s

Primary Format

menu will

also indicate that it is not active while the QuickTime application is running—it will

be grayed-out.
What can be confusing is that QuickTime applications can start and stop and change

modes—even while they are running! And the behavior of different QuickTime

applications can vary: some applications take control of the board as soon as they are

launched and don't give it up until they quit, while other applications take control of

the board only when they are the “front-most” running application and then

relinquish control when they’re not. Final Cut Pro is one of the latter type QuickTime

applications. This difference in behavior can surprise you when you click in and out of

multiple QuickTime application windows.
To illustrate such possible confusion, consider this multiple application scenario:

Open Final Cut Pro, select KONA LH as the A/V device. FCP takes control of
the board and tells it what Primary format to use. If one of the FCP windows
covers up the KONA Control Panel application (which typically happens), you
won't be able to see the

“Kona card is in use by Final Cut Pro”

message displayed

in the Control Panel, or be able to tell which format FCP has selected. (This is
why we recommend you arrange your display so you can see the Control Panel
at all times.)

Next, you want to see what the KONA card is doing, so you find the KONA
Control Panel application by clicking around on the desktop, eventually
clicking on the Control Panel to make it visible. As soon as FCP realizes it is
now running in the background, it gives up control of the KONA LH board.
The KONA Control Panel application takes away the “

...Final Cut Pro”

message.

With the Control Panel the topmost application—and in control of the
board—you now switch to a different Primary format.

However, when you click back on Final Cut Pro and bring it back to continue
your project, it becomes the master again and resets the board's Primary format
to the one determined by Final Cut’s A/V Settings dialog. To further the
surprise, if FCP's windows are covering the KONA Control Panel window, the
change will be hidden and you won’t know why the board isn't doing what you
told it earlier via the Control Panel.

The moral of the story: keep the Control Panel visible so you can learn what various

QuickTime applications are doing when they control KONA LH—and then you can

step in and change the application’s settings and Control Panel settings as desired to

get the configuration you expect.