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In this patch we are using the Gemini in Cascade Mode, so the Dual/Cascade and Invert switches are both in the up position.

By feeding a signal first through a LP (low pass) filter, and then feeding it through a second filter set to HP (High pass) we 

create a BP (band pass) filter. The first question would be.... why bother? We already have a BP filter on each of the individual 

filters........BUT the individual fiters are each 6dB slope when set to  BP filter, wheras if we combine the two filters together we 

can get a BP filter with a 12dB slope, which has a higher Q and covers a narrower band. And of course we also have the option 

of fading from LP response (VCF 1 only) and BP responce (VCF1 and VCF 2 in series) by using the AUDIO MIX control, and we 

can automate this cross fading by patching an external CV to the MIX CV jack.

We are feeding the audio into IN 1, however do note that there is no patch cable in the IN 2 input - it is not needed as in 

CASCADE mode OUT 1 is normalised (connected) to IN 2 internally, so the single input is automatically patched to both VCF 1 

and VCF 2.

The D-FCV IN input is fed from the contour generator, and here we have the D-FCV Mix control at mid point, so that the D-FVC 

control signal is being sent equally to VCF 1 and VCF 2.

We have also included a variant on this patch (lower picture) which shows the inverse output from an envelope generator 

being used as the control voltage to automate the control of the Audio mix from Low Pass to Band pass response, obviously 

other modulation sources can also be used for this, and the effective range of the control is 0V to +5V to cross fade fully when 

the Audio Mix control is set to fully clockwise.                . 

Note:  The numbers used to illustrate control knob positions do not relate to the markings on the module itself, but are simply a scale from zero to 10 with 5 

being the control centre position. For attenuverters the control positions are  -10 to +10, with zero being centre position for the control knob.

GEMINI 2412 - PATCHING EXAMPLES

3  - Cascade Mode - creating a 12dB BP filter by combining LP and HP filters

0

1

3

3

0

0

10

Gate 1

Output 1

10

10

0

0

0

3

5

3

8

8

1

0

5

2

0

0

4

5

5

5

10

  16’

0

0

HP

LP

CASCADE

VCF 2

5

0

0

0

0

0

0

Cascade Mode - creating a 12dB BP filter by combining LP and HP filters

With added CV control of AUDIO MIX

Cascade Mode - creating a 12dB BP filter by combining LP and HP filters

10

10

Gate 1

Output 1

10

0

0

0

3

5

3

8

8

1

0

5

2

0

0

4

5

5

5

10

  16’

0

0

HP

LP

CASCADE

VCF 2

5

0

0

0

0

0

0

1V/Oct IN 

1V/Oct IN 

Summary of Contents for Gemini 2412

Page 1: ...ix of VCF1 OUT 1 against VCF2 OUT 2 is controlled by the setting of the Audio Mix control with the output routed to the D OUT jack Dual Parallel INVERTED Mode this is the same as Dual mode however the...

Page 2: ...Cascade switch This connection is made using the internal switch on the IN 2 jack socket and is connected if no jack socket is connected but if a patch cable is insered into IN 2 then this connection...

Page 3: ...ance VCF 2 Frequency Vary 2 Control VCF 2 Mode Freq CV 2 Level INPUT 2 Level VCF 2 Output VCF 2 RES CV 1V Oct Input VCF 2 FCV IN VCF 2 Input VCF 2 LP Out VCF 2 BP Out VCF 2 HP Out 6 7 5 4 3 14 13 12 1...

Page 4: ...with this control setting so in this case it acts as a offset control 5 VCF MODE Switch This selects the filter type that is routed to the OUT jack 7 and to the central mixing bus 6 INPUT Level This i...

Page 5: ...rates from a VCO The accepted signal range is 5V to 5V Any voltages higher or lower than this will be capped to 5 or 5V Maximum permissible voltage to this input is 12V 13 BP Output This is the Band...

Page 6: ...cted in Dual Parallel or Cascade Series DUAL VCF 1 input is normalised to VCF 2 input so that the same signal is presented to both filters and the AUDIO MIX control 15 cross fades between the outputs...

Page 7: ...re the two VCF s are mixed together This is the only output that combines the mix of VCF 1 and VCF 2 so to use the DUAL CASCADED and DUAL INVERTED modes this jack must be used as the output All of the...

Page 8: ...f oscillation jumpers There are a few points to note about self oscillation mode 1 Because we have to force the circuitry into self oscillation the resulting signal level is quite high around 19V p p...

Page 9: ...ale buffer can be a useful addition if the self oscillation mode is used often and accurate 1V Octave scaling is required it allows scaling to be adjusted from the front panel without having to remove...

Page 10: ...of the Envelope CV so it will close down rather than open up the filter cutoff point The bass voice is fed to Gemini VCF 2 from the lower VCO This time on the Gemini we are using the OUT 2 jack and th...

Page 11: ...F 1 and VCF 2 are set to Band Pass and have quite a large amount of resonance added we get some classic vowel sounds and sweeping between the filters gives interesting tonal variation Try different se...

Page 12: ...D FCV Mix control at mid point so that the D FVC control signal is being sent equally to VCF 1 and VCF 2 We have also included a variant on this patch lower picture which shows the inverse output from...

Page 13: ...lockwise from zero to 10 fades between single 12dB LP configuration VCF 1 only and 24dB configuration VCF 1 and VCF 2 cascaded in series You will not that the 24dB setting sounds duller and less brigh...

Page 14: ...ired panning range We have also shown a dual envelope generator to control the cutoff of each filter individually obviously this is optional and and is shown as one of many modulation possibilities Pl...

Page 15: ...lly a Linear or Hybrid suppy Also there are a few Eurorack modules which are badly behaved and can introduce noise back onto onto the Eurorack power rails too the way to find these is to disconnect al...

Page 16: ...s then test tracking again E Scale 2 This trimmer adjusts the 1V Octave tracking of VCF 2 Turning it anti clockwise reduces shortens the scaling and turning clockwise increases scaling Note For use by...

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