Alesis QuadraSynth, Reference Manual

Page 1: ...ALESIS QuadraSynth S4 QuadraSynth Reference Manual...

Page 2: ...examples Chapter 4 Overview Covers the structure of sound sources within the QuadraSynth how to read and navigate through the LCD display pages how to edit parameters and how to store edited Programs...

Page 3: ...2 QuadraSynth Reference Manual...

Page 4: ...ditioning Effects 18 Setting the Effects Level 19 3 Connections 21 Basic MIDI Hookup 21 Typical Application 1 MIDI Keyboard Master Controller for Live Use 22 Using the S4 in Live Performance 22 Typica...

Page 5: ...gram 41 Pitch 41 Setting the Range and MIDI 42 Effects in Mix Mode 43 Effect Level 43 Effect 44 Naming a Mix 44 Polyphony in Mix Mode 45 Using the QuadraSynth as a Master Keyboard 45 Setting MIDI Out...

Page 6: ...s 88 Configurations 88 Reverb 95 Delay 100 Pitch 101 Mod 104 Name 105 Mix 106 8 Global Settings 107 Editing Global Parameters 107 LCD Contrast 107 Master Pitch and Master Tuning 107 Keyboard Sensitivi...

Page 7: ...ing 116 Maintenance 116 Warranty Information 116 Obtaining Repair Service 116 APPENDIX B MIDI Supplement 119 MIDI Basics 119 MIDI Hardware 119 MIDI Message Basics 120 Channel Messages Mode Messages 12...

Page 8: ...220V 50 or 60 Hz and comes with a line cord or power supply suitable for the destination to which the keyboard is shipped S4 Sound Module owners Check the label on the AC adapter to ensure that the in...

Page 9: ...ve these are designed to protect against strong surges and spikes acting somewhat like fuses in that they need to be replaced if they ve been hit by an extremely strong spike Line filters These genera...

Page 10: ...gh Alesis does not endorse any specific product chemicals such as Tweek and Cramolin when applied to electrical connectors are claimed to improve the electrical contact between connectors Basic Audio...

Page 11: ...Setting Up 10 QuadraSynth Reference Manual...

Page 12: ...fier mixer and adjust the volume The Quad Knobs To the right of the display are four knobs referred to as Quad Knobs 1 4 each with its own button These four knobs are linked to the parameters that app...

Page 13: ...PROG 1 EFFECT LCD DISPLAY 062 CONTRAST PITCH TUNE PRESET PRESET 1 VALUE 1 2 3 4 5 6 PAGE GLOBAL Playing the Demo Sequence The QuadraSynth has a built in demo sequence which demonstrates the wide varie...

Page 14: ...lay will look like this MIDI CHAN PROG 1 EFFECT QuadraTime NUMBER TYPE PRESET PRESET The current PROGram and EFFECT number are displayed and the Program s name appears in the top right The current MID...

Page 15: ...either pressing Quad Button 3 and then pressing VALUE or by turning Quad Knob 3 all the way to the right the top line of the display will change to read PROG TYPE PRESET After switching between the P...

Page 16: ...Your First Session with the QuadraSynth QuadraSynth Reference Manual 15...

Page 17: ...rd Aftertouch The action of pressing a key down after playing it is called aftertouch it is also sometimes referred to as Pressure since it corresponds to the amount of pressure being applied to the k...

Page 18: ...the VALUE or button This assumes that Quad Knob 1 is active as shown by a heavy underline beneath the NUMBER indicator If the underline does not appear press Quad Button 1 before using the VALUE butto...

Page 19: ...and press MIDI you ll select channel 1 If channel 1 is selected and you press MIDI you ll select channel 16 Use Quad Knob 3 to choose between Preset and User Programs Use Quad Knob 1 to select a Prog...

Page 20: ...udition the various preset Effects patches from PROGRAM mode Press PROGRAM and select a Program using the VALUE and buttons The display will change to Program Mode Press SELECT The display will change...

Page 21: ...9 LEVEL BUSS PITCH FILTER AMP RANGE MOD EFFECT NAME PLFO FLFO ALFO PENV FENV AENV TRACK MISC ASSIGN VOICE LEVEL EFFECT LEVEL Turn Quad Knob 1 to adjust the effect send level of the selected sound 1 4...

Page 22: ...Your First Session with the QuadraSynth QuadraSynth Reference Manual 21...

Page 23: ......

Page 24: ...t the control device s MIDI OUT to the QuadraSynth s MIDI IN MIDI OUT MIDI IN The MIDI jack carries a replica or echo of the signal appearing at the QuadraSynth s MIDI allowing you to trigger other de...

Page 25: ...range for more information on Program mode and Mix mode see Chapter 4 When using the QuadraSynth as a master keyboard to play other MIDI devices be sure the Keyboard Mode is set to FRM MIX The Keyboar...

Page 26: ...recorded by a sequencer On playback the sequencer sends this data back into the QuadraSynth which then serves as a multitimbral sound module Mix mode The sequencer can generate data over several chan...

Page 27: ...which is the same as the sequencer s MIDI OUT About the Keyboard Mode In a Mix the QuadraSynth s keyboard may be set up in several ways using the Keyboard Mode parameter found on Page 2 of Global mod...

Page 28: ...quencer For most sequencer applications the S4 s Mix Group Channel parameter on page 2 of the Global display should be set to OFF See page 109 for more information Pedal and Footswitch Hookup The Quad...

Page 29: ...QuadraSynth The other end should emit a soft red light it is not dangerous to look directly at this light Recording Digital Audio Once the fiber optic connection is made between the QuadraSynth and AD...

Page 30: ...Connections QuadraSynth Reference Manual 29...

Page 31: ......

Page 32: ...om the Programs and Mixes This location can have the same number as the Program being effected or the Program can select an Effect Patch in a different location Example Suppose Effect Patch location 0...

Page 33: ...rmanent memory Each Program can select any one of the 256 Effect Patches Large Hall Chorus etc In some cases the Program is heavily dependent on its effect in others the effect is more subtle In Progr...

Page 34: ...and set the effects mix how much reverb delay and chorus on the output of each effect bus Global Edit Mode Use Global Edit mode to set various parameters which effect the entire instrument such as ov...

Page 35: ...MIDI monitor and selection strip Selects different MIDI channels for the programs in mix mode a thick underline indicates the selected channel monitors keyboard and incoming MIDI activity thick lines...

Page 36: ...ode they select the basic MIDI channel the QuadraSynth will receive and transmit MIDI messages on In Mix mode they are used to select one of the 16 Programs for viewing and editing Quad Knob Editing T...

Page 37: ...edback concerning a parameter s value Each of the four columns has an associated Quad Knob and Button the leftmost column monitors Quad Knob Button 1 the second from left column monitors Quad Knob But...

Page 38: ...ons Press the PAGE button to advance to the next higher numbered page or PAGE to return to the next lower numbered page To adjust a parameter on a page either Turn the associated Quad Knob 1 4 Press t...

Page 39: ...neously press both the VALUE and buttons Comparing Edited and Stored Versions When you edit a Program or Mix you are actually editing a copy which is in a temporary edit buffer Therefore to retain the...

Page 40: ...or data transfer function When storing edited Mixes Programs or Effects into the User bank you will use the first page of Store mode for more information about the other pages of Store mode see Chapt...

Page 41: ...he memory location to which you want to store the Effects Patch using Quad Knob 1 or the VALUE and buttons Press STORE again to complete the operation Store a Mix While in either Mix mode or Mix Edit...

Page 42: ...appear in the display You will lose your changes if you remain in the same mode and recall a different Mix Program by pressing the MIX PROGRAM SELECT 1 0 buttons To audition Programs before overwriti...

Page 43: ...ELECT twice until EDITING PROGRAM appears under the MIX number in the display Press STORE The top line of the display will read STORE PRG AT XXX where XXX is a User Program number from 000 127 Use Qua...

Page 44: ...can split the keyboard into as many as 16 zones as is demonstrated on Preset Mix 00 Transmit on different MIDI channels simultaneously Receive up to 16 MIDI channels from an external sequencer with e...

Page 45: ...oard Mode FRM MIX MIDI Out MIDI In Keyboard Sound 1 Sound 2 Sound 3 Sound 4 Understanding the Edit Buffers In Mix mode there are 16 edit buffers one for each channel plus another buffer for the Mix pa...

Page 46: ...und Higher numbers give higher levels Pan 3 to 3 or PG This determines the position of the selected channel When set to PG the panning setting will be that of the Program assigned to the selected chan...

Page 47: ...he low note and high note values are set beyond where you want to play Look at the MIDI MONITOR section of the display A thick line will appear above any active MIDI channels as you play notes or send...

Page 48: ...ly one Effect Patch active per Mix However the Mix s Effect Patch still has 4 independent effect buses and you can decide the effect send level and routing from each Program layer to the effects proce...

Page 49: ...Mix When Program Link is on the Channel parameter Quad Knob 4 determines which channel s 1 16 Program will select the Effect EFX 1 to 16 When the Link parameter is turned on see above the EFX MIDI Cha...

Page 50: ...a wide variety of ways to set the MIDI output It is very easy in Program Mode you just use the MIDI and buttons to set the MIDI channel for the whole instrument But when using the QuadraSynth in Mix...

Page 51: ...s will not respond to the keyboard they will continue to respond to incoming MIDI messages on their respective channels however Use the MIDI and buttons to hear each channel in turn OUT 1 OUT 16 The Q...

Page 52: ...processors while keyboard players treated them as musical instruments Therefore patch cords connected the inputs and outputs of the various signal generating and processing modules which is why partic...

Page 53: ...ograms and 128 user editable programs Program Sound Layers The simplest method of programming is to take one voice process it through the filter and amp sections and if desired add some effect to it H...

Page 54: ...he voice filter and amp modules each have direct modifiers Pitch LFO Filter LFO Amp Envelope which affect how each will function in the Program You can layer these sounds together or divide them into...

Page 55: ...resent Frequency Response Curve Cutoff Frequency Filter Amplitude Frequency 00 99 The cutoff parameter changes the frequency at which the high frequency response starts to roll off Lower values give a...

Page 56: ...it less bright or have no effect on the filter at all You have the freedom to set modulation any way you want even in ways that are the opposite of what they would be on an acoustic instrument If a b...

Page 57: ...as the Alesis QuadraVerb It is a complete digital signal processing unit with four input buses simultaneous multiple effects and flexible signal routing Sound Sends 1 4 Main L Main R Aux L Aux R Effe...

Page 58: ...de you can assign 10 different drum sounds to 10 different keys in that layer If all four sounds in a Program are placed in Drum Mode you could assemble 40 drum sounds In Drum mode individual drums ca...

Page 59: ...lected group or OFF no sample selected Each group has a variety of samples from which you can choose although some groups such as waves have more samples than others Here is a chart listing the variou...

Page 60: ...ice Choir Aahs Choir Oohs Voice EFX1 Voice EFX2 Voice EFX3 SndFX Zap Attk 1 Zap Attk 2 Zap Attk 3 Mini Attk Pop Pop Attk Bottle Hit Metal Attk1 Metal Attk2 SambaWhstl Drums Stndrd Kit Rock Kit 1 Rock...

Page 61: ...in the display Note that only one Effect Patch can be selected by a Program unlike most other program functions you can t select Effect 12 on Program Sound 1 Effect 24 on Program Sound 2 etc The effe...

Page 62: ...ch The higher the number either positive or negative the greater the amount of pitch change for a given amount of aftertouch Tip Aftertouch is useful for creating keyboard controlled string bend effec...

Page 63: ...intains a constant glide rate regardless of the pitch difference between notes Rate 0 to 99 Sets the glide duration Higher numbers give longer glide times The Rate value is affected by the Portamento...

Page 64: ...r parameters are set to raise it dynamically no sound will pass through the filter at all there will be silence If the Amp settings are wide open and you can t hear anything check the Filter Frequency...

Page 65: ...9 to 99 At 00 the filter LFO has no effect Higher positive values increase the amount of filter LFO modulation Negative values give the same apparent effect but with reversed LFO phase i e if the filt...

Page 66: ...s of the same samples BrtRhdsVel is made up of BrtRhdsHrd and BrtRhdsSft to two or more sounds then use the appropriate velocity curves for each sound in a three way velocity split sound 1 would use c...

Page 67: ...e of the keyboard This is ideal for creating splits e g bass in the lower octave and a half piano in the middle three octaves and strings in the upper octave Lower Limit MIDI note 000 to 127 C 2 to G8...

Page 68: ...either let s say you played a loud note with the sustain pedal held followed by a soft note the second note would abruptly cut off the first On a real piano the string would still be resonating from t...

Page 69: ...e attack Using release velocity to increase decrease the release time of an envelope so quick releases of the keys cut off the end of the sound while slow key releases allow the sound to fade away gra...

Page 70: ...ee the MIDI supplement in the back of this manual Of these controller 7 which controls channel volume is one of the most frequently used Example Assign the filter cutoff as the destination and you can...

Page 71: ...nvelope Decay Filter Envelope Sustain Decay Filter Envelope Release Filter Envelope Amp Amplitude LFO Speed Amplitude LFO Amp Amplitude LFO Delay Amplitude Envelope Delay Amplitude Envelope Attack Amp...

Page 72: ...r rate of the LFO For fast modulation increase this value For slower modulation decrease this value Delay 00 to 99 This is the amount of time that is to occur before the LFO kicks in Sometimes it is d...

Page 73: ...but whenever a new note is played the LFO is retriggered instead of continuing from wherever it may be in its cycle Pitch LFO Page 2 Level 00 to 99 This is the base output level of the Pitch LFO If yo...

Page 74: ...ase this value Delay 00 to 99 This is the amount of time that is to occur before the LFO kicks in Sometimes it is desirable to have modulation come in a moment or two after a note has been played rath...

Page 75: ...lied Amp LFO Page 1 The Amp LFO is usually used to add tremolo to a sound The se Amp LFO variables will have an effect only if the AMP LFO DEPTH in the AMP function is set to a value other than 0 or i...

Page 76: ...are set to 00 and the Mod Wheel parameter is set to 99 the Mod Wheel will have no effect on the tremolo from the ALFO Aftertouch 99 to 99 This is the modulation amount of Aftertouch over the Amp LFO...

Page 77: ...ero level Pitch Envelope Page 2 Delay 00 to 99 This is the amount of time that the envelope will wait before doing anything very useful if you want to affect one element of a sound sometime after the...

Page 78: ...se segment If a long delay is set and the envelope has not reached the attack segment before the note is released the envelope will remain at 0 However if Freerun is turned on the envelope will contin...

Page 79: ...rom peak level to a level of 98 before the Sustain Release portion of the envelope begins Release 00 to 99 Eventually you will let go of the note that you ve been holding either by releasing the note...

Page 80: ...s timing doubles or halves over a range of two octaves Sustain Pedal On or Off This determines whether or not the Sustain Pedal will have an effect on the envelope When turned on holding down the Sust...

Page 81: ...the envelope will head for Depending on the setting of the Sustain Decay control see below the envelope will either hold at the sustain level until you release the note on the keyboard or decay to 0 a...

Page 82: ...higher end of the keyboard will result in a faster envelope cycle playing toward the lower end of the keyboard will result in a slower envelope cycle However this does not effect the attack time but o...

Page 83: ...ty s control over the sound s volume just the way you want 0 100 POINTS 0 1 2 3 4 5 6 7 8 9 10 AAA AAA A A AA AA AA A A A A AA AA AA AA A A A A A AA AA AA AA AA AA A A A A A A AA AA AA AA AA AA AA A A...

Page 84: ...9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z _ a b c d e f g h i j k l m n o p q r s t u v w x y z Misc This enables and disables Drum Mode which allows you to assign individual drum sounds t...

Page 85: ...Kick PillowKic Elect Kick Snare Studio Snr TurboSnare PiccoloSnr Crisp Snr Power Snr Dance Snr Rimshot Side Stick Hi Hat Closed Hat Edge Hat Open Hat FootClosed Toms Hi Pwr Tom Lo Pwr Tom Hi Mid Tom M...

Page 86: ...r sound more high frequencies while playing softer will result in a duller sound less high frequencies When this parameter is set to 0 velocity will have no affect on the filter Use Quad Knob 4 to sel...

Page 87: ...the very beginning of the drum sample is played setting this to 99 will cause the entire drum sample to play Use Quad Knob 4 to select the drum 1 10 you wish to edit Mute Group Off 1 2 or 3 This is a...

Page 88: ...45 the sound will be copied into sound 2 of Program 45 Press STORE to copy the sound Initializing Programs If you want to start programming from scratch you can easily reset all parameters to their d...

Page 89: ...Editing Programs 88 QuadraSynth Reference Manual...

Page 90: ...of multiple effects processors patched together at the end of each effect send Example In one configuration effect send 3 has its own separate reverb while in another configuration it has its own del...

Page 91: ...parameters Quad Knob 3 turns on and off the Link function Quad Knob 4 lets you select which Channel 1 16 of the Mix you wish to link to If Link is on and you set the Channel to 1 then the Mix will au...

Page 92: ...mber of pages available in the bottom left corner Use the PAGE and buttons to scroll through a function s pages Use the EDIT 1 button to select which of the four effect sends you want to edit the EDIT...

Page 93: ...eir default settings each time you change the configuration Each Configuration is a unique arrangement of multiple effect blocks distributed across the four effect sends Some effect sends may have thr...

Page 94: ...N RIGHT DELAY 1 1 REVERB FX SEND 3 FX SEND 4 PITCH 2 DELAY 2 AMP AMP PITCH 3 DELAY 3 AMP DELAY 4 AMP 1 2 1 2 1 2 1 2 BAL BAL BAL BAL BAL BAL BAL 2 3 1 2 3 1 4 MIX REVERB 1 REVERB 2 REVERB 3 REVERB 4 D...

Page 95: ...ch dry signal and how much effected signal are sent to the Reverb effect For example the Reverb 2 block allows you to send signal to the reverb from four different points in the second effects chain t...

Page 96: ...D 3 AMP MIX 1 REVERB 1 REVERB 2 DELAY 1 PITCH 1 AMP PITCH AMP AAAAAAA AAAAAAA AAAAAAA AAAAA AAAAA AAAAA AAAAA PITCH 3 PITCH AAAAAAA AAAAAAA AAAAAAA AAAAAAA REVERB AMP REVERB 3 FX SEND 4 REVERB 4 AMP A...

Page 97: ...nd finally a stereo Reverb effect Send 2 has no effects of its own but can be routed to the same Reverb effect as send 1 Send 3 is routed through a mono Pitch effect and then a stereo Reverb effect Se...

Page 98: ...3 1 4 MIX REVERB 1 REVERB 2 REVERB 3 REVERB 4 DELAY 1 DELAY 2 DELAY 3 DELAY 4 PITCH 1 PITCH 2 PITCH 3 AMP Pitch 1 Delay 1 Reverb 1 Lezlie Mono delay Plate 1 Plate 2 Hall Room Large Gate Reverse Pitch...

Page 99: ...send 1 which emulates a rotating speaker effect commonly heard with organ sounds This is followed by a Delay effect before going to the single stereo Reverb effect Sends 2 and 3 have Pitch modules pr...

Page 100: ...the Delay output the Delay input the Pitch output and the uneffected send input dry signal You can then adjust a balance between these and set an overall input level Input 1 In configurations 1 and 3...

Page 101: ...rent because of the fewer input choices the Reverb has in this Configuration Send Input Levels If Configuration 1 is selected and you press EDIT 1 to advance to effect send 2 the display will now show...

Page 102: ...Here you will find parameters for selecting the Reverb type adjusting Pre Delay Time and Pre Delay Mix Reverb Type The QuadraSynth has seven different reverb types all stereo each of which simulates a...

Page 103: ...nction Pre Delay Mix Quad Knob 4 allows you to mix the amount of Pre Delay into the Reverb signal path This gives you the ability to hear a bit of the Reverb before the loudest part of the Reverb the...

Page 104: ...he most important of these and the loudest is the First Reflection Usually in nature there is a space of time between the First Reflection and all of the other reflections that make up the reverb soun...

Page 105: ...o The Mono Delay has the advantage of twice the available delay time or 799 ms in Configuration 1 1199 ms in Configuration 2 Delay Pages 2 and 3 In Page 2 of the Delay Function you will find the remai...

Page 106: ...actual difference between the normal uneffected signal and the effected signal So that you can better understand the differences between the Pitch type effects and therefore better apply them to your...

Page 107: ...ging came into being The effect of Flanging is achieved by splitting and slightly delaying one part of the signal then varying the time delay again with an LFO The delayed signal is then mixed back wi...

Page 108: ...entuated Delay Input Quad Knob 2 can adjust the level of the signal coming from the Delay output going into the Pitch Input The Delay Input parameter is only available when editing a effects bus which...

Page 109: ...ion will have two parameters Use Quad Knob 1 to adjust the Resonator tuning and Quad Knob 3 to adjust the Resonator Decay Mod The Mod function lets you control various effects parameters from the vari...

Page 110: ...d then some Mod Destination parameters will be listed more than once For example the Delay Time parameter will appear four times D1 Time D2 Time D3 Time and D4 Time In the case of Pitch where you can...

Page 111: ...b but in Configuration 2 the order is Delay Pitch Reverb Pitch Level Adjusting this value will cause the Pitch Output Level to increase or decrease The Pitch Output level is the level for the Pitch Se...

Page 112: ...LCD Contrast In Page 1 of Global Edit mode Quad Knob 1 adjusts the LCD Display Contrast 00 to 121 Whenever the GLOBAL button is pressed the display will always revert to Page 1 with the Display Contra...

Page 113: ...rve parameter in Program Edit which determines how a sound will respond to incoming velocity information either from the keyboard or from MIDI In Keyboard Transpose QuadraSynth only In Page 2 of Globa...

Page 114: ...arameter enabled as well notes will NOT double trigger as you might expect The S4 is smart enough to know you really don t want to waste voices unnecessarily Controller A D Assignment The QuadraSynth...

Page 115: ...on the same MIDI channel as selected by this parameter from whichever bank Preset or User is currently selected Program change messages received on any other channel other than the one selected by thi...

Page 116: ...Global Settings QuadraSynth Reference Manual 115 to record onto ADAT from the QuadraSynth be sure to turn on the 48 kHz Clock Input function For more on connecting the BNC to BNC cable see page 25...

Page 117: ......

Page 118: ...ert the card into the sound card slot on the back panel of the QuadraSynth or front panel of the S4 Press STORE Use either PAGE or to select Page 6 of the Store function This selects the SAVE TO CARD...

Page 119: ...LL TO MIDI Press STORE to transmit the data out the MIDI Out connector To send a single Program via MIDI Follow steps through in the instructions above Use Quad Knob 1 to select a Program You may sele...

Page 120: ...nd any one of the Mixes and Effects are sent via Page 5 To be able to exactly duplicate a Program in the future make sure that you also store the Effect Patch that the Program uses unless you re sure...

Page 121: ...MIDI Transfer And Storage Operations 120 QuadraSynth Reference Manual...

Page 122: ...the channel s you wish to control via MIDI Make sure the Keyboard Mode Global p 2 is set to FRM MIX Notes sustain continuously Sustain pedal was plugged in after power was turned on Turn off power and...

Page 123: ...original purchaser against defects in material and workmanship for a period of 1 year for parts and 90 days for labor from the date of purchase Complete terms of the Limited Warranty are stated on the...

Page 124: ...he problem include your name and a phone number where Alesis can contact you if necessary as well as instructions on where you want the product returned Alesis will pay for standard one way shipping b...

Page 125: ...APPENDIX A Troubleshooting 124 QuadraSynth Reference Manual...

Page 126: ...ot only the types of musical events written into sheet music but other parameters as well such as amount of pitch bend or degree of vibrato MIDI Hardware MIDI compatible devices usually include both M...

Page 127: ...to a key being pressed down values range from 000 lowest note to 127 highest note Middle C is 60 Note Off Corresponds to a key being released values are the same as note on Velocity Corresponds to dy...

Page 128: ...se 2 0 127 18 General Purpose 3 0 127 19 General Purpose 4 0 127 32 63 Least Significant Bits Controllers 0 31 0 127 64 Sustain Pedal 0 or 127 65 Portamento On Off 0 or 127 66 Sustenuto Pedal 0 or 127...

Page 129: ...raSynths This data often contains information about individual instrument programs Timing Clock A master tempo source such as a sequencer emits 24 timing messages clocks per quarter note Each device s...

Page 130: ...127 Velocity Note On Note Off O O O O After Touch Key s Ch s O O O O Pitch Bender O O Control Change 0 120 O O Prog Change True O1 0 127 O1 0 127 0 127 System Exclusive O O System Common Song Pos Son...

Page 131: ...ALFO Trigger ALFO 1 4 70 ALFO Waveform ALFO 1 1 70 Attack Amp AENV 1 1 76 Attack Filter FENV 1 1 74 Attack Pitch PENV 1 1 71 Decay Amp AENV 1 2 76 Decay Filter FENV 1 2 74 Decay Pitch PENV 1 2 72 Dru...

Page 132: ...m PLFO 1 1 67 Pitch Wheel Range Filter Filter 2 1 60 Pitch Wheel Range Pitch Pitch 2 1 57 Portamento Pitch 3 1 58 Portamento Rate Pitch 3 3 58 Range Lower limit Range 1 1 62 Range Upper Limit Range 1...

Page 133: ...3 44 Effect Number Effect 1 1 44 Effect Type Effect 1 3 44 Keyboard QS only Range 2 4 43 MIDI In Range 2 1 43 MIDI Out Range 2 3 43 MIDI Group S4 only Range 2 4 43 Name Mix Name 1 10 1 44 Program Eff...

Page 134: ...ame 44 output 41 pan 41 Pitch 41 octave 42 semitone 42 range 42 Mix Group Channel 109 Mix Mode 13 16 28 39 Modulation Wheel 15 Name Effects Patch 105 Mix 44 Program 79 outputs 9 PAGE 31 32 pedal 24 10...