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2

3

4

5

5

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Power button

 

Power button turns on the power of the unit. Please note that hard bypass is enabled also when power is off,

and that the unit always switches to active mode after power is switched on.

 

Active button

 

Active button switches the unit between hard bypass and active mode. The FlexBase is active when the

light is on.

 

Level

 

Level dial controls the level of the low frequency extension provided by the FlexBase. The right setting depends 

on your speaker model sensitivity, your room low frequency absorption, and your personal preference and 

application. During song-writing, fun and vibey settings might be preferred over more “correct” ones.  FlexBase 

allows easy adjustment as work progresses. While it is common practice to write or start the mix with a slightly 

elevated low frequency for mastering use as well as for optimal mix translation, a more neutral setting tends to 

be more beneficial.

 

Tip for finding a balanced setting: Use the Active Button to switch between active and bypass mode to find a 

(neutral) setting where the low frequency response is extended but not exaggerated by the FlexBase. Tweak 

your setting to taste as needed.

 

Crossover Frequency

 

Crossover Frequency control allows you to choose how much of the low frequency range you want the FlexBase 

to handle. The higher the frequency, the less heavy lifting is required from your main pair of speakers. This will 

help to keep the midrange clean, especially at high SPL levels. A lower crossover frequency setting allows a 

subtle add-on of the missing lowest octave(s) to your main speaker without changing the sound character you 

are familiar with. As a general rule, the smaller the main speaker, the higher the crossover frequency.

Choosing the right crossover frequency can greatly help in achieving the smoothest low frequency response 

in your room. As speaker placement greatly affects the low end response, adjusting the placement of the 

problematic frequency range between the monitors or the FlexBase can be surprisingly efficient when battling 

room modes (a certain frequency which is either exaggerated or almost lost, especially in smaller rooms).  

60-300 Hz is typically an area where rooms present their biggest problems. It is therefore worth experimenting if 

the room response can be improved with the crossover adjustments.

In order to achieve the purest possible signal path, the variable crossover is implemented by switching between 

16 discrete filter configurations. Depending on your input signal and monitor setup, you might hear this switching 

between steps as a faint “click” for each step. This is normal behaviour and similar to stepped high-end level 

attenuators.

Note:

 The higher the crossover frequency, the more important it becomes to run the FlexBase in stereo mode 

(please see Adjusting the stereo spread).

  

Adjusting the stereo spread

 

This control allows you to gradually move from a more traditional mono response to a full stereo image. The 

best setting depends on several aspects such as how wide your main pair stereo image is as well as on your 

personal preference.

Please note that although it is true that localizing the sound direction becomes increasingly difficult as frequency 

decreases, polarity and phase differences between left and right channels are certainly detected all the way 

down to the human hearing limits. This is one reason why traditional subwoofers can deceive you and ruin mix 

translation to other systems.

Front panel controls

 

Summary of Contents for FlexAmp500

Page 1: ...Handmade in Finland create FlexBase25 System Reference Manual...

Page 2: ...diagram Technical specifications Settings recall sheet 3 4 6 7 8 9 10 FlexBase25 delivery contains i 1 pc Amphion FlexBase25 2U Amplifier Crossover 1 pc Amphion FlexBase25 Tower 1 pc Neutrik Speakon...

Page 3: ...translating decisions an engineer needs to have access to the stereo information throughout the whole frequency band Mono subwoofers stem from a movie format and tend not to be sufficiently resolving...

Page 4: ...2 1 483 mm 19 2U 89 mm 3 3 4 5 4 Front panel controls...

Page 5: ...th As a general rule the smaller the main speaker the higher the crossover frequency Choosing the right crossover frequency can greatly help in achieving the smoothest low frequency response in your r...

Page 6: ...LFE signal such as the 1 in a 5 1 monitoring setup Sensitivity is 10dB compared to the main inputs and there is no built in low pass filtering applied In other words the crossover frequency does not a...

Page 7: ...HPF LPF HPF LPF AMP AMP FLEXBASE SPEAKER CROSSOVER FREQUENCY STEREO WIDTH LOW FREQ LEVEL LEFT INPUT RIGHT INPUT RIGHT OUTPUT LEFT OUTPUT LFE INPUT LFE LINK OUT 7 Block diagram...

Page 8: ...eter bridge it is advisable to raise the FlexBase to be more in line with the monitors by lifting the unit from the floor using solid non resonating material eg bricks or slabs A good starting point i...

Page 9: ...One way closed box stereo 2 x 25 cm 10 aluminum driver Active 4th order 35 260 Hz 117dB 20 260 Hz 3dB low pass 35 Hz 200 kHz 3dB high pass 50 kg 110 lb Output power Distortion Signal to noise ratio E...

Page 10: ...125 170 60 240 80 215 105 195 35Hz 260Hz 150 Mono Stereo 10dB 10dB SETTING NAME DATE 125 170 60 240 80 215 105 195 35Hz 260Hz 150 Mono Stereo 10dB 10dB SETTING NAME DATE 125 170 60 240 80 215 105 195...

Page 11: ...125 170 60 240 80 215 105 195 35Hz 260Hz 150 Mono Stereo 10dB 10dB SETTING NAME DATE 125 170 60 240 80 215 105 195 35Hz 260Hz 150 Mono Stereo 10dB 10dB SETTING NAME DATE 125 170 60 240 80 215 105 195...

Page 12: ...Amphion Loudspeakers Ltd Factory Headquarters Vitostie 1864 70800 Kuopio Finland Tel 358 17 2882 100 info amphion fi amphion fi Reference Manual Version 1 3 20 02 2019...

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