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3.5 OUTPUT LEVEL CONTROL

This knob controls the overall output level of 

the module and drives the output level meter.  

3.6 OUTPUT LEVEL METER

This 10-sement meter provides visual feedback 

of the output level of the device.  The meter 

range if from -20dBu to +3dBu.

4.0 COMPRESSION

It you are reading this, congratulations! Learning more about

what compression is and how it benefits you will ensure

you get the best results from your COMP 500 module.

COMPRESSORS-WHAT THEY DO

The basic idea is that a wide range of input levels is automatically

“compressed” into a smaller range of output levels. After compres-

sion, sounds that were low in volume are higher in volume

and sounds that were high in volume are made lower in volume.

This results in more consistent volume levels that sit “just right”

in a mix without some parts being too loud with other parts too

soft.

PUNCH AND SUSTAIN

When a compressor reduces the volume of a loud sound, it does

so in way that is unique to each type of compressor. The time

it takes for this volume reduction to occur is called “attack”. An

attack that is too fast can change the natural character of an

instrument while too slow can lose the benefits of compression.

The COMP 500s interactive attack adapts to the input signal,

controlling volume without changing character and enhancing

punch while retaining articulation.

Typically, compression creates more sustain by raising the level

as the sound decays. This is more or less apparent, depending on 

the input signal.

3.7 ENABLE BUTTON

This is essentially a bypass for the device.  When 

the module is active this button will light up.  

The light will go off when the unit is bypassed.

3.8 LINK BUTTON

Two COMP 500 modules can be stereo linked 

when they are installed as adjacent odd/even 

pairs.  Slot 1 & 2, 3 & 4, etc. This follows API’s 

protocol for linking.  Frames made by other 

manufacturers may be different.  Check your 

frames’ manual for details on stereo linking.  

Engaging the LINK button on both modules 

will cause the module with the most gain reduc-

tion to be the master and the same amount of 

gain reduction will be applied to the adjacent 

module.  This feature helps maintain a wide 

stereo image.  The Drive and Output param-

eters  must be set  so that the gain structure is 

the same on both modules for this function to 

work properly. Pin 6 of the modules are used 

for this function.

Summary of Contents for COMP 500

Page 1: ...Owner s Manual COMP 500 OPTICAL COMPRESSOR 500 SERIES MODULE ...

Page 2: ...the equipment into an outlet on a circuit different from that to which the receiver is connected 4 Consult the dealer or an experienced radio TV technician for help CAUTION For continued protection against risk of fire replace only with the same type and rating of fuse ATTENTION pour une protection continue contre les risques d incendie ne remplacer qu avec la même valeur et même type de fusible W...

Page 3: ...00 module into place until it is positively seated in the card slot 5 Use the 2 thumb screws in the module to mount the COMP 500 front panel to the 500 series rack These screws have a pretty tight fit please be careful not to cross thread 6 Plug your 500 series rack back into the AC source and power up your rack Your COMP 500 will automatically power up with your 500 series rack TABLE OF CONTENTS ...

Page 4: ...0 1 This means that with the knob set fully clockwise for every 10dB of input signal only 1dB of signal is sent to the output 3 3 GAIN REDUCTION METER The 10 segment Gain Reduction meter pro vides visual feedback as to the amount of gain reduction measured in dB The example above would register about 12dB of gain reduction 3 4 RELEASE CONTROL The Release control determines the amount of time it ta...

Page 5: ...ack that is too fast can change the natural character of an instrument while too slow can lose the benefits of compression The COMP 500s interactive attack adapts to the input signal controlling volume without changing character and enhancing punch while retaining articulation Typically compression creates more sustain by raising the level as the sound decays This is more or less apparent dependin...

Page 6: ...aced modified or removed c Damage or deterioration 1 Resulting from installation and or removal of the unit 2 Resulting from accident misuse abuse neglect unauthorized product modification or failure to follow instructions contained in the User s Manual 3 Resulting from repair or attempted repair by anyone not authorized by Aphex 4 Occurring from shipping claims must be presented to shipper WHO IS...

Page 7: ...ment and send it to APHEX 3500 N San Fernando Blvd Burbank CA 91505 USA PH 818 767 2929 FAX 818 767 2641 INPUT Type Impedance CMRR Max Input Level comp off Max Input Level comp on OUTPUT Type Impedance Nominal Operating Level Maximum Level Level Meter Peak AUDIO Frequency Response THD THD POWER Current draw OPERATING LEVEL Switch Setting 4dBu Transformerless active balanced 40kohm balanced 20kohm ...

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