background image

9

Operating Manual - PROTEA SYSTEM II  4.24C  Crossover / System Processor

slope for every application, so experiment to see which one sounds most pleasing in a specific system.  Ashly factory
default presets use all 24dB/octave Linkwitz-Riley filters in the crossover section, but of course they can be changed
to suit the application.

Crossover illustration from Protea System Software, showing two way crossover at 1KHz.

In addition to the frequency and slope, crossover filters can be selected as having Butterworth, Bessel, or

Linkwitz-Riley response.  These refer to the shape of a filter's slope at the cut-off frequency, affecting the way two
adjacent pass bands interact at the crossover point.  24db/octave Linkwitz-Riley filters produce a flat transition through
the crossover region, assuming both overlapping filters are set to the same frequency, slope, and response type.  24dB/
oct Linkwitz-Riley filters are the industry standard, the easiest to use, and the filter type recommended by Ashly
.
Other filter types are available, but may require polarity switching or other adjustments for proper results.  The follow-
ing paragraphs offer a summary of the three filter types as used in the 4.24C crossovers.

Butterworth
Butterworth filters individually are always -3dB at the displayed crossover frequency and are used because

they have a "maximally flat" passband and sharpest transition to the stopband.  When a Butterworth HPF and LPF of
the same crossover frequency are summed, the combined response is 3dB.  With 12dB per octave Butterworth
crossover filters, one of the outputs must be inverted or else the combined response will result in a large notch at the
crossover frequency.

Bessel
These filters, as implemented on the 4.24C, are always -3dB at the displayed crossover frequency.  Bessel

filters are used because they have a maximally flat group delay.  Stated another way, Bessel filters have the most linear
phase response.  When a Bessel HPF and LPF of the same crossover frequency are summed, the combined response is
+3dB for 12dB/oct, 18dB/oct, and 48dB/oct Bessel filters, and -2dB for 24dB/oct Bessel filters.  One of the outputs
must be inverted when using either 12dB/oct or 18dB/oct Bessel crossover filters or else the combined response will
have a large notch.

Linkwitz-Riley
The 12 dB/oct, 24dB/oct and 48dB/oct Linkwitz-Riley filters individually are always -6dB at the displayed

crossover frequency, however the 18dB/oct Linkwitz filters individually are always -3dB at the displayed crossover
frequency.  The reason for this is that Linkwitz-Riley filters are defined in terms of performance criterion on the
summing of two adjacent crossover HPF and LPF filters, rather than defined in terms of the pole-zero characteristics of
individual filters.  The 18dB/oct Linkwitz-Riley individually are 18dB/oct Butterworth filters in that they have
Butterworth pole-zero characteristics and also satisfy the criterion for Linkwitz-Riley filters.

When a Linkwitz-Riley HPF and LPF of the same displayed crossover frequency are summed, the combined

response is always flat.  With 12dB/oct Linkwitz-Riley crossover filters, one of the outputs must be inverted or else the
combined response will have a large notch at the crossover frequency.

Summary of Contents for PROTEA SYSTEM II 4.24C

Page 1: ...O INC 847 Holt Road Webster NY 14580 9103 Phone 585 872 0010 Toll Free 800 828 6308 Fax 585 872 0739 w w w ashly c o m 4 24C 24 Bit Digital Crossover and System Processor Operating Manual Digital Audi...

Page 2: ...4 1 Function Keys and Data Wheel 5 4 2 Presets 5 4 3 Input Select 5 4 4 Output Select 5 4 5 LED Indicators 5 4 6 Audio Functions 6 4 6a Gain 6 4 6b EQ 6 4 6c Delay 7 4 6d Crossover 8 4 6e Limit 10 4 7...

Page 3: ...esence of important operating and maintenance instructions in the literature accompanying the device The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the u...

Page 4: ...control parameters Five segment LED arrays on each input and output provide audio level information and mute status Protea System Software The computer interface uses Ashly PROTEA SYSTEM SOFTWARE for...

Page 5: ...powered up the last working preset is loaded displaying the number and name last used before the unit was turned off Any modifications made to that preset before saving it will remain in the working...

Page 6: ...ters 1st order fil ters use a gentle 6dB per octave slope while 2nd order filters use a 12dB per octave slope for more a pronounced boost or cut All shelving filters have a boost cut range of 15dB Low...

Page 7: ...ndwidth is adjustable from about 1 64 octave to four octaves and the lower the bandwidth the less audible the filter action will be Finding the problem frequency is relatively easy but finding the bes...

Page 8: ...tput delay Note Although delay in the 4 24C is adjusted only by time the corresponding dis tance in both feet and meters is always shown as well 4 6d Crossover Xover Crossover functions on the Protea...

Page 9: ...per octave Butterworth crossover filters one of the outputs must be inverted or else the combined response will result in a large notch at the crossover frequency Bessel These filters as implemented o...

Page 10: ...ss some of the initial transient Similarly a very short release time can make the audio sound uneven while a very long release time can create pumping or breathing characteristics depending on the kin...

Page 11: ...pressing the Copy button a second time to complete the action 4 7d Mute The Protea 4 24C allows the user to mute both inputs and outputs When muted an input or output s red Mute LED is lit When an inp...

Page 12: ...ady saved within the 4 24C Other function messages are system exclusive A comprehensive PDF document detailing complete MIDI implementation of Protea products is available on the Ashly Web Site MIDI D...

Page 13: ...l assignment within the 4 24C is done in the Util menu and should match the MIDI channel selected within the crossover section of Protea System Software Note If the 4 24C is connected to the PC RS 232...

Page 14: ...gram is the same whether from the web site or from a disk and is called Pssinstl exe There is currently no version available for Mac computers To install Protea System Software double click on Pssinst...

Page 15: ...roperly set up gain structure Do not use the 4 24C for dramatic increases in level but rather optimize the signal source for a nominal 0dBu output Forgot the password See section 4 7e 7 2 RS 232 MIDI...

Page 16: ...9 7Hz to 21 9kHz Off Available Filter Types 12dB Oct Butterworth 12dB Oct Bessel 12dB Oct Linkwitz Riley 18dB Oct Bessel 18dB Oct Linkwitz Riley 24dB Oct Butterworth 24dB Oct Bessel 24dB Oct Linkwitz...

Page 17: ...nd return the warranty card that came with your product Fill out the information below for your records Model Number _____________ Serial Number ________________ Dealer __________________________ Date...

Page 18: ...____ Bandwidth PEQ _________ EQ Filter no 3 Filter Type ______________ Frequency__________ Boost Cut ________ Bandwidth PEQ _________ EQ Filter no 4 Filter Type ______________ Frequency__________ Boos...

Page 19: ..._____ Output Delay ______________________________ Output EQ EQ Filter no 1 Filter Type ______________ Frequency__________ Boost Cut ________ Bandwidth PEQ _________ EQ Filter no 2 Filter Type ________...

Page 20: ...Limiter Mute 7 HpfLpf EQ Delay Gain Limiter Mute 4 HpfLpf EQ Delay Gain Limiter Mute 6 HpfLpf EQ Delay Gain Limiter Mute 8 HpfLpf EQ Delay Gain Limiter Mute A D Input Mute Input EQ Input Meter LEDs I...

Reviews: