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artist series

 live sound microphones

ATM450

Cardioid Condenser Instrument Microphone

Features

•  Uncompromising sound quality for overheads, percussion,  
  acoustic guitar, strings and other acoustic instruments
•  Unique side-address stick design maximizes placement options  
  with minimal obstructions
•  Cardioid polar pattern reduces pickup of sounds from the sides  
  and rear, improving isolation of desired sound source
•  Rugged all-metal design and construction for years of trouble  
  free use
•  Isolation clamp provides secure mounting, versatile positioning,  
  and effective dampening of unwanted mechanical noise 
•  Integral 80 Hz high-pass filter switch and 10 dB pad switch 

Description

The ATM450 is a fixed-charge condenser microphone with a cardioid 
polar pattern. It is designed specifically for use on overheads, percussion, 
acoustic guitar, strings and other acoustic instruments in professional 
live-sound and studio applications. 

The microphone requires 11V to 52V phantom power for operation.

The cardioid polar pattern of the microphone is more sensitive to sound 
originating directly in front of the element, making it useful for controlling 
feedback and reducing pickup of unwanted sounds.

The output of the microphone is a 3-pin XLRM-type connector.

The microphone is equipped with a switchable 10 dB pad and a switch 
that permits choice of flat response or low-frequency roll-off (via integral 
80 Hz high-pass filter).

The microphone is enclosed in a rugged housing. The included AT8471 
isolation clamp permits mounting on any microphone stand with 

5

/

8

"-27 

threads. A windscreen and a soft protective pouch are also included.

Operation and Maintenance

The ATM450 requires 11V to 52V phantom power for operation.

Output is low impedance (Lo-Z) balanced. The signal appears across Pins 
2 and 3; Pin 1 is ground (shield). Output phase is “Pin 2 hot”— positive 
acoustic pressure produces positive voltage at Pin 2.

To avoid phase cancellation and poor sound, all mic cables must be wired 
consistently: Pin 1-to-Pin 1, etc.

An integral 80 Hz high-pass filter provides easy switching from a flat 
frequency response to a low-end roll-off. The roll-off position reduces 

the pickup of low-frequency ambient noise (such as traffic, air-handling 
systems, etc.), room reverberation and mechanically coupled vibrations. 
To engage the high-pass filter, use the end tip of a paperclip or other 
small pointed instrument to slide the switch toward the “bent” line.

The microphone is also equipped with a switchable 10 dB pad that 
lowers the microphone’s sensitivity, thus providing higher SPL capability 
for flexible use with a wide range of users and system configurations. 
To engage the 10 dB pad, use the end tip of a paperclip or other small 
pointed instrument to slide the switch toward the -10 position.

Avoid leaving the microphone in the open sun or in areas where 
temperatures exceed 110° F (43° C) for extended periods. Extremely high 
humidity should also be avoided.

Architect’s and Engineer’s Specifications

The microphone shall be a fixed-charge condenser. It shall have a 
cardioid polar pattern with a uniform 120° angle of acceptance and 
a frequency response of 40 Hz to 20,000 Hz. The microphone shall 
operate from an external 11V to 52V DC phantom power source. It shall 
be capable of handling sound input levels up to 152 dB (162 dB with  
10 dB pad) with a dynamic range of 127 dB. Nominal open-circuit output 
voltage shall be 8.9 mV at 1V, 1 Pascal. Output shall be low impedance 
balanced (200 ohms). 

The output of the microphone shall be a 3-pin XLRM-type connector.

The microphone shall be equipped with a switchable 10 dB pad and a 
switch that permits choice of flat response or 80 Hz low-frequency roll-off.

The microphone shall be 126.9 mm (5.00") long and have a diameter of 
21.0 mm (0.83"). Weight shall be 98 grams (3.5 oz). The microphone shall 
include an isolation clamp, a windscreen and a soft protective pouch.

The Audio-Technica ATM450 is specified.

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