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Pro Series 5

 Installation and Operation 

7

6.  For MIC: While again speaking/singing into the microphone at  
 

typically loud levels, adjust the mixer’s input trim control so the  

 

highest sound pressure level going into the microphone causes no  

 

input overload in the mixer, and yet permits the mixer’s channel and  

 

output level controls to operate in their “normal” range (not set too  

 

high or too low). 

 

For INSTRUMENT: While again playing the instrument at typically  

 

loud levels, adjust the receiver’s AF Level control so the highest  

 

signal level causes no input overload in the instrument amplifier and  

 

yet permits the amplifier’s input level controls to operate in their  

 

“normal” range (not set too high or too low).

Note: If the mixer cannot be adjusted to operate in its normal 
range without distortion, adjust the receiver’s AF Level control (turn 
counterclockwise) until the mixer/amplifier is no longer overloaded.   
Note: RF power may be set to high or low via the RF Power Select 
switch on the side of the UniPak

®

 transmitter. (Fig. D on page 5). While 

the high setting normally provides maximum operating range, the 
low setting will help extend battery life. The low setting may also be 
preferred in multi-channel systems, or when operating very close to the 
receiver, to reduce the possibility of interference or overload.

RF Interference

Please note that wireless frequencies are shared with other radio ser-

vices. According to Federal Communications Commission regulations, 

“Wireless microphone operations are unprotected from interference 

from other licensed operations within the band. If any interference is 

received by any Government or non-Government operation, the wireless 

microphone must cease operation...”

If you need assistance with operation or frequency selection, please con-

tact your dealer or the Audio Solutions Department at Audio-Technica U.S.

Extensive wireless information also is available on the A-T Web site at 
www.audio-technica.com.

Ten Tips to Obtain the Best Results

1.   Use only fresh alkaline batteries. Do not use “general purpose”  

 

(carbon-zinc) batteries.

2.   Position the receiver so that it has the fewest possible obstructions  

 

between it and the normal location of the transmitter. Line-of-sight  

 

is best.

3.   The transmitter and the receiver must be set to the same frequency.  

 

Set or change transmitter frequency only when its power is  

 

turned off.

4.   The transmitter and the receiver should be as close together as  

 

conveniently possible, but no less than six feet (2 m.).

5.   Yellow LED indicates the channel is set to service position  

 

(0 or 9); please select a valid operating channel (1-8).

6.   The receiver antennas should be kept away from any metal.  

7.   A receiver cannot receive signals from two transmitters at the  

 

same time.

8.   If the AF Level control of the receiver is set too high, it may over- 

 

drive the input of the mixer or clip the output of the receiver, causing  

 

distortion. Conversely, if the receiver output is set too low, the over 

 

all signal-to-noise ratio of the system may be reduced. Adjust the  

 

output level of the receiver so the highest sound pressure level  

 

going into the microphone (or the loudest instrument playing level)  

 

causes no input overload in the mixer, and yet permits the mixer  

 

level controls to operate in their “normal” range (not set too high or  

 

too low). This provides the optimum signal-to-noise for the  

 

entire system.

9.   In the UniPak

®

 transmitter, the “Mic” or “Inst” input control not in 

 

use should be set to minimum.

10.  Turn the transmitter off when not in use. Remove the battery if the  

 

transmitter is not to be used for a period of time. Unplug the  

 

receiver from the AC outlet when the system is not in use.

System Operating Frequencies

Each transmitter/receiver system operates on a choice of eight switch-
selected frequencies. Available frequencies are shown in the chart. 
All frequencies may be combined for up to 8 simultaneous operating 
channels.

Pro Series 5 Frequency Channel Plan

 

Channel 

Frequency - MHz 

TV Channel

 

542.125 

26

 

545.750 

 

551.500 

27

 

552.000 

 

557.875 

28

 

559.375 

 

560.500 

29

 

561.250

For future reference, please record your system information 

here (the serial numbers appear inside the battery 

compartment of each transmitter, and on the bottom of 

each receiver):

Receiver

 

PRO-R500         

S/N

UniPak

®

 Body-Pack Transmitter

 PRO-T501 

S/N

Handheld Dynamic

 

Microphone Transmitter 

PRO-T502

S/N

Summary of Contents for Pro Series 5

Page 1: ...01 UniPak Transmitter System PRO 501 G Guitar System PRO 501 H Headworn Microphone System PRO 501 H92 Miniature Headworn Microphone System PRO 501 H92 TH Miniature beige Headworn Microphone System PRO 501 L Lavalier Microphone System PRO 502 Handheld Microphone System ...

Page 2: ... low and high impedance inputs plus a bias connection for use with dynamic and electret condenser microphones as well as Hi Z instrument pickups The UniPak transmitter also offers separate trim controls for guitar and microphone plus switchable high low RF power The PRO T502 handheld dynamic microphone transmitter features a rugged dynamic unidirectional element designed for professional live soun...

Page 3: ...ith the Select button to permit manual selection of an operating channel in Manual Set Mode see Select button description above and 2 Automatic Scan Set Mode to initiate the automatic channel scan and selection as follows Automatic Scan Set Mode Press and hold the Set Scan button for about two seconds The current channel will flash three times quickly then the system will begin to scan for the nex...

Page 4: ...ody cover back on and screw the housing together Do not overtighten Note Remove batteries from the handheld transmitter starting at the bottom end where finger indents in the battery housing are provided for easy grip HandheldTransmitter Battery Condition Indicator After the battery is installed press and hold the Power Mute button until the indicator LED turns green Fig C It will turn red first k...

Page 5: ...unmuted operation Red LED indicates muted operation Green LED indicates unmuted operation UniPak Transmitter Input Connection Connect an audio input device microphone or guitar cable to the audio input connector on the top of the transmitter A number of Audio Technica professional microphones and cables are available separately pre terminated with a UniPak input connector see www audio technica co...

Page 6: ...ver to its storage clip when not in use PRO T502 HandheldTransmitter The Pro Series 5 handheld transmitter trim volume control Fig C on page 4 has factory pre set audio input levels Factory setting is full clockwise maximum gain Set the receiver s AF Level control to its full clockwise position maximum Fig B on page 3 While speaking singing into the microphone at typically loud levels check the AF...

Page 7: ... Position the receiver so that it has the fewest possible obstructions between it and the normal location of the transmitter Line of sight is best 3 The transmitter and the receiver must be set to the same frequency Set or change transmitter frequency only when its power is turned off 4 The transmitter and the receiver should be as close together as conveniently possible but no less than six feet ...

Page 8: ...0 kHz deviation Output Connectors Unbalanced 1 4 TS mono phone jack Balanced XLRM type Power Supply 100 240 VAC 50 60 Hz to 12V DC 1A center positive switched mode external power supply Dimensions 7 48 190 0 mm W x 1 65 42 0 mm H x 5 12 130 0 mm D Net Weight 12 9 oz 365 g Accessory Included Power supply UniPak Transmitter RF Power Output High 10 mW Low 5 mW Spurious Emissions Under Federal Regulat...

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