background image

page 8

page 9

page 10

page 11

INSTALLATION PRECAUTIONS

Do not mount the 24XS where it will be exposed to outside

elements or extreme temperatures. Avoid areas of severe vibration
or shock. The front bumper is out.

Use high quality, 100% shielded audio cables.

Plan on a single-point (star) grounding scheme so all compo-

nents, including the head unit, connect to a common ground
point. Use no less than 14 gauge wire for the ground connections.

Make certain that there are no fuel lines, brakes lines, electrical

wires or anything else that you don’t want to run a drill bit
through.  That includes things on the back side of that floor panel
you’re about to punch a hole in.

Make certain the 3XS is firmly mounted with screws so it won’t

come flying off the next time you blast over a speed bump.

The Speaker Wave Alignment Technology (SWAT) in your

24XS shifts the output of the crossover slightly so you can move
the dead zones in the sound pattern away from the listener’s ears.
This tilting will always go towards the output that you have
selected with the internal switches on the 24XS.  See the next
section on adjusting the Speaker Wave Alignment control for
more information.

ADJUSTING THE SPEAKER WAVE
ALIGNMENT CONTROL

The easiest method of setting the SWAT control is with a one-

third octave audio analyzer such as the AudioControl SA-3055

real-time analyzer.  With the analyzer,
simply play the pink noise test sound
through your system.  Make certain that
you have the microphone of the analyzer
at ear level in the driver’s seat for an
accurate reading.  Look at the frequency
response around the crossover frequency
where the 24XS is set.  Now adjust the
Wave Alignment control until the dropout
goes away.  You may need to change the
internal switch settings on the 24XS to
move the SWAT to the other outputs.  If
the High output is selected the dead zone
will move up towards the tweeter as you
adjust the wave alignment control towards
max.  If the switch is in the opposite
position the dead zone will move in the
opposite direction.

If you are adjusting the SWAT controls

by ear, pink noise is still your best bet for a
test source. A good piece of acoustic music
that covers the sound spectrum will also
work.  Listen to the sound of the system

while you adjust the Wave Alignment knob.  You will be able to
hear part of the music fade out as the control is moved from MIN
to MAX.  Pick the point where it sounds the best to you. Now sit
back and enjoy your new stereo for a bit while you finish your
espresso.

Making Your Own Modules

Additional crossover and PFM filter modules are available from

your authorized AudioControl dealer, or you can create custom
modules by using the following formula:

7200

Frequency (Hz)

Example- For a 2500 Hz module, the formula yields a resistor

value of: 7200÷ 2500 = 2.88 K

The 24 dB crossover module requires eight of this resistor

value; the 18 dB PFM module needs six.

Note: Use ¼ watt carbon or metal film resistors of a 5%

tolerance or better.

A QUICK LESSON ON SOUND WAVES

Waves are waves. It doesn’t matter whether they are water

splashes in the Saturday night bath tub or musical sounds bounc-
ing around your car, all waves behave the same.  If two positive
going waves collide, they add up to one bigger wave.  If a positive
and a negative wave collide they will cancel each other out.  Try it
out in your bath tub (it gives you a good excuse to splash.)

Around the crossover frequencies in a multiple speaker stereo

system, at least two speakers are trying to reproduce sound at the
same time.  Since these drivers are not coincidental (i.e. the same
point in space) the sound waves from each speaker run into each
other slightly out of sync.  This causes hot spots in the sound
dispersion pattern where waves of similar polarity meet and dead
spots where waves of opposite polarity hit.  That’s why sometimes
you have dropouts in the frequency response around crossover
points.

and now a word from the legal department...

24XS Limited Warranty

People are scared of warranties. Lots of fine print, lots of

noncooperation, months of waiting around.

Well, don’t be scared of this warranty. It’s designed to make you

rave about us to your friends. It’s a warranty that looks out for you
and helps you resist the temptation to have your friend “Who’s
good with electronics”, try to repair your AudioControl 24XS. So
go ahead and read through this warranty, then enjoy your new
component for a few days before sending in the warranty card and
comments.

“Conditional” doesn’t mean anything ominous. The Federal

Trade Commission tells all manufacturers to use the term to
indicate certain conditions have to be met before they’ll honor the
warranty.  If you honor these conditions, we will warrant all
materials and workmanship on your 24XS for FIVE YEARS from
the date you bought it if installed by an authorized AudioControl
dealer. We will fix or replace it, at our option, during that time. If
you are a “do-it-yourselfer” we will offer the same warranty for a
period of ONE YEAR.

Here are the conditions that make this warranty conditional:
1. You have to fill out the warranty card and send it to us within

15 days after you purchased your 24XS.

2. You must keep your sales slip or receipt so you have proof

when and from whom you bought your 24XS. We’re not the only
company to require this, so it’s a good habit to be in with any
stereo equipment purchase.

3. Your 24XS has to have been originally purchased from an

authorized AudioControl dealer. You do not have to be the
original owner to take advantage of the five year warranty, but the
date of the purchase is still important so be sure to get a copy of
the sales slip from the original owner.

4. You cannot let anybody who isn’t (a) The AudioControl

Factory; (b) An authorized service center; or (c) Someone autho-
rized in writing by AudioControl to service your 24XS. If anyone
other than (a), (b), or (c) messes with your 24XS, that voids the
warranty.

5. The warranty is also void if the serial number has been

altered or removed, or if the AudioControl 24XS is used improp-
erly. Now that sounds like a big loophole, but here is all we mean
by it. Unwarranted abuse is; (a) Physical damage (our mobile
products are not meant to be used as jack stands for your car); (b)
Improper connection. We have done the best we can to protect the
inputs, however, 120 volts into the jacks can fry the innards of the
poor beasty. (c) Sadistic things. This is the best mobile product we
know how to manufacture, but if you use it for the front bumper of
your Baja bug and get it full of water, things will go wrong.

Assuming you conform to numbers 1-5, and it isn’t all that hard

to do, we get the option of deciding whether to fix your old unit or
replace it with a new one.

Legalese Section

Legalese Section

Legalese Section

Legalese Section

Legalese Section

This is the only warranty given by AudioControl. This warranty

gives you specific legal rights that vary form state to state.
Promises of how well your 24XS will work are not implied by this
warranty. Other than what we’ve covered in the warranty, we have
no obligation, express or implied. Also, we will not be obligated
for direct or indirect damages to your system caused by hooking
up the AudioControl 24XS.

Failure to send in a properly completed warranty card negates

any service claims.

Zone moves this
way if high pass
is selected

Zone moves this
way if low pass
is selected

 = Resistor Value (in Kilohms)

EXAMPLE SYSTEMS

Simple Bi Amp

The Kitchen Sink & Everything System

Triamping with two 24XSs

Equalized System

Reviews: