The River, User Manual
PAGE
27
PAGE
27
VII.
synthesis parameters
We now see in detail all of The River synthesis parameters.
1. OSCILLATOR 1/2
1. OSCILLATOR 1/2
These are two real VCO capable of producing three types of exclusive waves and interact synchronization.
at. The parameters to VCO1 and VCO2
at. The parameters to VCO1 and VCO2
32-16-8-4:
Octave VCO in feet. To access the row 4 ', press a second time rank 8. In this case, the buttons 16 'and 8' are
32-16-8-4:
Octave VCO in feet. To access the row 4 ', press a second time rank 8. In this case, the buttons 16 'and 8' are
illuminated.
DLFO (0 ... 400):
VCO pitch of modulation by the DLFO (digital, for all the voice assigned to the same channel)
DLFO (0 ... 400):
VCO pitch of modulation by the DLFO (digital, for all the voice assigned to the same channel)
LFO or LFO / ENV (0 ... 400):
VCO Pitch Modulation LFO (analog, for voice). For VCO2 the OSC2 ENV option selects the
LFO or LFO / ENV (0 ... 400):
VCO Pitch Modulation LFO (analog, for voice). For VCO2 the OSC2 ENV option selects the
modulation source. Button lit is the filter envelope, otherwise the LFO.
choice of the waveform of the VCO:
•
Sawtooth
•
triangle
•
Pulse variable width (PW)
The sawtooth wave is the brightest, ideal for strings, brass or low greasy. The wave triangle is much softer, useful for flute
sounds or organs. The pulse wave is an intermediate useful for the clarinet sound or low acidulous. By varying its width by an
LFO sinusoidal average speed, creates strings or richer webs with waves sawtooth.
