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possible to listen to only the frequencies that you want to filter out
of your mix.
•
When working in L/R-mode you should link the two channels
to avoid unwanted permanent “panning” of your stereo-signal
caused by uneven volume changes in the L or R channel.
•
Solo the respective section of your De-Esser on the bx2
panel. Turn up the De-Esser knob until you start hearing
some high frequencies. Adjust the frequency to be filtered
with the „f DSR“ knob and set the De-Esser knob to a value
where the De-Esser will deduct as many high frequencies as
you need to be filtered out.
•
Use the De-Esser´s LEDs to control the De-Esser´s gain
deduction.
•
When the De-Essers of both channels have been linked in
L/R-Mode, the detection signal for both channels will be a
mono-mix of both channels. (L&R)
16. MONO MAKER
The Mono Maker will mono out the bass
frequencies of your stereo mix, adjustable
from 20 Hz up to 22 kHz, using
M/S-technique even when the bx runs in
L/R-mode.
The Mono-Maker will cut off bass-frequencies of the Side-Signal
(S-channel) and will compensate this automatically in the
Mid-Section (M) of the stereo mix with a dedicated shelving EQ
in the mono-sum.
t
This is a great tool for vinyl mastering, since it is essential
to make sure that your lowest bass frequencies are mono,
otherwise the needle could jump off the groove of the vinyl
record.
Especially when you master electronic music or modern heavy
metal sounds with huge stereo bass sounds (synthesizers, low
7. Overview and Details
Summary of Contents for bx_digital V2
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