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ENV1 – Attack/Decay

The ENV1 is a simple, yet extremely useful, voltage controlled Attack / Decay Envelope Generator 
which can also spring into work as an interesting oscillator. There are three modes of operation, plus 
three rate ranges:

A/S/R Mode 

 Gated Attack / Sustain / Release – The output ramps and holds while the input Gate is 

high. When the Gate signal goes low again the output decays to zero. If the Attack portion has not 
completed by the time the Gate goes back to low, the Envelope immediately changes to Release.

A/D Mode

 –

 Triggered Attack / Decay – The rising edge of an input Gate initiates a complete 

Attack/Decay cycle.

Loop Mode

 –

 Free Running - The output continually ramps up and down at rates determined by the 

attack and decay settings. (note that unlike usual VCOs the output signal is unipolar 0 to +10v)

3-way Rate Switch

 – 

Fast/Mid/Slow - The Fast setting is primarily for audio rate oscillations (envelopes 

in this mode are too fast!). The Mid setting offers 'regular' envelope lengths and is suitable for higher-
rate LFOs in loop mode. The Slow setting may prove too slow for envelope use, but can give very slow 
oscillations in Loop mode.

Note – the controls may seem backwards! Shorter attack/decay times are set by turning UP the controls 
– this is based on what makes sense in Loop mode (turning up increases pitch).

The Gate Input has an internal comparator so any waveform going over c.+1v will produce a gate, so 
either traditional gates or other waveforms can be used. (eg. Try feeding a VCO waveform into the Gate 
input)

The End Out socket provides a means to chain sequential events – the output is High (+10v) when 
inactive and goes Low (0v) for the entire cycle of the Envelope before returning High. To achieve 
'sequential triggering' take the End Out of one Env into the Gate input of the next Env – as soon as the 
first Env completes, the second one will fire.

The Attack and Decay times are set along with independent modulation depth controls – these are 
polarizing to allow positive or negative effect (centre gives no modulation - but the dials do not have a 
centre-detent). Independent or inverted control of the two CV inputs proves a very useful feature. In 
Loop Mode the Attack / Decay controls allow interesting waveshaping Oscillator effects, moving the 
signal from triangle to saw for example. Note that the circuit uses Vactrols which result in quite a slewed 
control response, especially as slower times are dialed in.

An interesting further use is to feed an audio signal into the gate input – each Mode setting giving 
different results:
i) 

Audio SubDivision

 → feed an oscillator into the Gate, set mode to AD and begin with Attack & Decay 

turned fully clockwise → this gives tracking of the oscillator rate. Now gradually turn down the attack 
and you'll hear the pitch dropping in harmonic divisions.
ii) 

Audio Sync-effects

 → similar setup as before, but switch to Loop mode. Now adjust the Decay rate 

and hear audio oscillator sync.
iii) 

Filter-like effects

 can be achieved in ASR mode - adjust Attack for low-pass filtering and Decay to do 

something that sounds more like high-pass. 

Summary of Contents for 1Frame SynthVoice

Page 1: ...g the lines of traditional subtractive synthesis VCO VCF VCA The patchable modular approach not only gives great scope and versatility around such areas but also opens up many more esoteric arenas for...

Page 2: ...ity of connections 1 4 Jack Sockets are employed for Input Output from the system these provide the required ground connection that is not present when solely using banana plugs Black banana sockets a...

Page 3: ...tract from the setting given by the Master control a 0 10v signal will add to the setting given by the Master control Consider a VCA mplifier which is swept from fully closed at one extreme to fully o...

Page 4: ...nect external CV Gate signals either via the jack to banana connectors on the Mini Power or via custom interface cables Note that due to the signal amplitudes within the system most audio signals will...

Page 5: ...attenuated and fully right the signal passes non inverted with unity gain INTERNAL UNIPOLAR The joystick generates a DC output voltage rising from zero volts at fully left to 10 volts at fully right...

Page 6: ...es or other waveforms can be used eg Try feeding a VCO waveform into the Gate input The End Out socket provides a means to chain sequential events the output is High 10v when inactive and goes Low 0v...

Page 7: ...ck to the FM CV input and adjust Linear FM depth to suit Using different phase outputs as the self FM signal will give different end results ramp waves or parabolas A quasi noise source can be achieve...

Page 8: ...mixes an inverted signal while in the centre position no signal is passed This proves an extremely useful module for mixing both audio and or control signals the operation is basically the same as for...

Page 9: ...om zero output with the Folds dial fully counter clockwise and with the first little turning of the Folds dial or external CV the response is exactly like a regular VCA But the interest comes when the...

Page 10: ...Resonance also has main dial plus CV modulation with depth control Note that such filters do not offer self oscillation resonance but interesting areas can be achieved through patching check otoskope...

Page 11: ...the CTL2 Joystick to achieve this The Amplitude Modulation AM mode can be thought of as a little bonus it does not behave as a true VCA in that it doesn t take the signal down to zero but gives a very...

Page 12: ...banana switchable between positive and inverted phases useful for feeding signals back through the system Out2 passes through a master level control before output on Mono 1 4 Jack On the rear PCB are...

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