1310
Improving audio performance
Improving performance with digital audio
came with your sound card. You should also check the web page
to see if any information is available there regarding configuration of
your particular sound card in Cakewalk. When in doubt, leave these settings disabled.
(These settings are only relevant when working with sound cards at >16 bits-per-sample. You
can ignore them when operating at normal 16-bit depth.)
• Using 24-bit depth and/or high sampling rate can be costly:
While using 24-bit audio can improve the sound quality of your recordings, there are some
important drawbacks to keep in mind. Projects stored at 24-bit depth will require 50% more disk
space than those stored at 16-bits; if you have a large number of audio tracks (and keep in mind
that stereo tracks require twice as much data as mono tracks!), your audio project file can grow
very large and use up lots of disk space. Also note that recording, playing, and processing 24-bit
data utilizes more CPU resources than working with 16-bit data. This means that for a given
computer configuration, you will be able to record/play/process a smaller number of total
simultaneous tracks, and use a smaller number of simultaneous real-time effects, in a 24-bit
project than you would be able to in a 16-bit project. This is also true when working at higher
sampling rates (i.e., a 24-bit/96khz project requires substantially more computing resources than
a corresponding 16-bit/44.1khz project). Depending on the size of your project and the
configuration of your computer (CPU, RAM, disk), you may need to reconsider whether working
at the higher bit-depth/sampling rate is justified or even possible.
Some plug-ins do not function well at a 96 kHz sampling rate.
Using an audio bit depth of 24 can enhance the performance of some plug-ins, but raising the
sampling rate to 96 kHz does not offer much improvement, and can cause some plug-ins to add
unintended artifacts to the sound. Using a 24-bit, 44.1 kHz setup for your audio provides plenty of
enhanced performance for plug-ins that can take advantage of it, without risking the problems that
96 kHz audio causes with some plug-ins.
It’s also worth noting that not all audio projects benefit equally from the use of higher bit-depth/
sampling rates. Most professional sound engineers will tell you that 24-bit, higher-sampling-rate
audio is most beneficial when working with music that focuses on natural acoustic instruments and/
or vocals recorded with very high-quality microphones. The benefits of 24-bit/high-sampling-rate
recording are less audible when working with highly synthetic or highly compressed program
material, often found in contemporary popular music. You must make your own judgment about
whether the benefits of higher-capacity audio justify the extra demands it places on your computer.
Note:
Red Book Audio CDs are still 16-bit (44.1 sampling rate), so if your goal is to burn a CD,
you will have to mix down to 16-bit.
Summary of Contents for sonar x3
Page 1: ...SONAR X3 Reference Guide...
Page 4: ...4 Getting started...
Page 112: ...112 Tutorial 1 Creating playing and saving projects Saving project files...
Page 124: ...124 Tutorial 3 Recording vocals and musical instruments...
Page 132: ...132 Tutorial 4 Playing and recording software instruments...
Page 142: ...142 Tutorial 5 Working with music notation...
Page 150: ...150 Tutorial 6 Editing your music...
Page 160: ...160 Tutorial 7 Mixing and adding effects...
Page 170: ...170 Tutorial 8 Working with video Exporting your video...
Page 570: ...570 Control Bar overview...
Page 696: ...696 AudioSnap Producer and Studio only Algorithms and rendering...
Page 720: ...720 Working with loops and Groove Clips Importing Project5 patterns...
Page 820: ...820 Drum maps and the Drum Grid pane The Drum Grid pane...
Page 848: ...848 Editing audio Audio effects audio plug ins...
Page 878: ...878 Software instruments Stand alone synths...
Page 1042: ...1042 ProChannel Producer and Studio only...
Page 1088: ...1088 Sharing your songs on SoundCloud Troubleshooting...
Page 1140: ...1140 Automation Recording automation data from an external controller...
Page 1178: ...1178 Multi touch...
Page 1228: ...1228 Notation and lyrics Working with lyrics...
Page 1282: ...1282 Synchronizing your gear MIDI Machine Control MMC...
Page 1358: ...1358 External devices Working with StudioWare...
Page 1362: ...1362 Using CAL Sample CAL files...
Page 1386: ...1386 Troubleshooting Known issues...
Page 1394: ...1394 Hardware setup Set up to record digital audio...
Page 1400: ...1400 MIDI files...
Page 1422: ...1422 Initialization files Initialization file format...
Page 1463: ...1463 Misc enhancements New features in SONAR X3...
Page 1470: ...1470 Comparison...
Page 1518: ...1518 Included plug ins Instruments...
Page 1532: ...1532 Cyclone Using Cyclone...
Page 1694: ...1694 Beginner s guide to Cakewalk software Audio hardware sound cards and drivers...
Page 1854: ...1854 Preferences dialog Customization Nudge Figure 518 The Nudge section...
Page 1856: ...1856 Preferences dialog Customization Snap to Grid Figure 519 The Snap to Grid section...
Page 1920: ...1920 Snap Scale Settings dialog...
Page 2042: ...2042 View reference Surround panner...