391
Comping
Arranging and editing
Comping
There are various methods you can use to record your best performance.
Comping
refers to the
process of recording multiple takes, then assembling a final “composite” track by combining the best
parts from each take.
While some musicians can perform a flawless performance in a single take, most people typically
record several takes so they have a few alternative versions of the same performance in case there
are any mistakes they want to fix later.
Instead of using punch recording to painstakingly record multiple short “perfect” takes, it is often a
better approach to record multiple longer takes, even if they contain mistakes, then isolate the best
parts from each take. This approach is usually more relaxed and allows you to capture a better
performance.
SONAR makes comping very easy and transparent. You simply click or drag across the takes you
want to keep, and SONAR automatically mutes all other overlapping takes on the same track.
There are three primary methods you can use to comp in SONAR:
•
Comping record mode.
The default recording mode in SONAR is called Comping. When
recording, previously recorded material on the track is not heard. When a recording is done, the
newly recorded material is unmuted and all other takes are muted for the duration of the new
material. Each take appears on its own Take lane, with the newest take on top. For details, see
•
Manual comping.
When Take lanes are visible on a track, you can use the Smart tool
or
Comping tool
to isolate overlapping takes. Simply click or drag across a take, and all other
overlapping takes in the same track are muted. For details, see
“Comping with the Smart tool and
•
Speed comping.
After recording multiple takes, you can audition any individual take, use
keyboard shortcut keys to audition other takes and then select which take you want to use. For
details, see
You can use one or more of the different methods to create a perfect comp. SONAR will even apply
configurable crossfades between takes automatically, and you can quickly “flatten” the final comp to
a new Take lane and mute the original takes.
Summary of Contents for sonar x3
Page 1: ...SONAR X3 Reference Guide...
Page 4: ...4 Getting started...
Page 112: ...112 Tutorial 1 Creating playing and saving projects Saving project files...
Page 124: ...124 Tutorial 3 Recording vocals and musical instruments...
Page 132: ...132 Tutorial 4 Playing and recording software instruments...
Page 142: ...142 Tutorial 5 Working with music notation...
Page 150: ...150 Tutorial 6 Editing your music...
Page 160: ...160 Tutorial 7 Mixing and adding effects...
Page 170: ...170 Tutorial 8 Working with video Exporting your video...
Page 570: ...570 Control Bar overview...
Page 696: ...696 AudioSnap Producer and Studio only Algorithms and rendering...
Page 720: ...720 Working with loops and Groove Clips Importing Project5 patterns...
Page 820: ...820 Drum maps and the Drum Grid pane The Drum Grid pane...
Page 848: ...848 Editing audio Audio effects audio plug ins...
Page 878: ...878 Software instruments Stand alone synths...
Page 1042: ...1042 ProChannel Producer and Studio only...
Page 1088: ...1088 Sharing your songs on SoundCloud Troubleshooting...
Page 1140: ...1140 Automation Recording automation data from an external controller...
Page 1178: ...1178 Multi touch...
Page 1228: ...1228 Notation and lyrics Working with lyrics...
Page 1282: ...1282 Synchronizing your gear MIDI Machine Control MMC...
Page 1358: ...1358 External devices Working with StudioWare...
Page 1362: ...1362 Using CAL Sample CAL files...
Page 1386: ...1386 Troubleshooting Known issues...
Page 1394: ...1394 Hardware setup Set up to record digital audio...
Page 1400: ...1400 MIDI files...
Page 1422: ...1422 Initialization files Initialization file format...
Page 1463: ...1463 Misc enhancements New features in SONAR X3...
Page 1470: ...1470 Comparison...
Page 1518: ...1518 Included plug ins Instruments...
Page 1532: ...1532 Cyclone Using Cyclone...
Page 1694: ...1694 Beginner s guide to Cakewalk software Audio hardware sound cards and drivers...
Page 1854: ...1854 Preferences dialog Customization Nudge Figure 518 The Nudge section...
Page 1856: ...1856 Preferences dialog Customization Snap to Grid Figure 519 The Snap to Grid section...
Page 1920: ...1920 Snap Scale Settings dialog...
Page 2042: ...2042 View reference Surround panner...