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C1600 & C2400 CONTROLS

CHANNEL FEATURES

1. 1/4” LINE IN

The line connectors are for connecting balanced and unbal-
anced instruments, mics, and line level sources such as
drum machines or keyboards.

2. XLR MIC IN

The balanced Mic inputs are for connect-

ing microphones that use XLR connections.

3. CHANNEL INSERT/CHANNEL DIRECT

For inserting channel effects, compressor, ETC.  Or, as a direct
output for multi-track recording.  For a direct out use a 1/4”
TRS (Tip Ring Sleeve) phone jack.  To achieve a direct out
from the channel insert to the first “click” (1/2 insert).

4. GAIN CONTROL 

Adjusts the 

GAIN

when connecting various instruments &

mics.  The type of mic (uni-directional, omnidirectional, etc)
and model will require 

GAIN

settings for each individual mic.

Monitor the 

GAIN

level with the PEAK LEDs.  If an LED is con-

stantly illuminated decrease the amount of 

GAIN

. Too much

GAIN

may cause distortion.  If distortion is present, decrease

the amount of 

GAIN

until the distortion is eliminated.  

5. LOW CUT SWITCH

75 Hz low cut filter helps eliminate unwanted low frequen-
cies from any particular channel.  Great for reducing “boom”
noise from mic stands or from acoustic/electric guitars. This
filter can also help punch up the bass by turning up the 

LOW

tone control while using the 

LOW CUT

switch.

6. MID SHIFT SWITCH

An exclusive feature giving you two different midrange
center frequencies.  This is ideal for vocals and/or instruments.
The 

MID

tone switch on each channel is easier to use than con-

ventional sweep controls because they allow you to compare
for the best vocal or instrument sound by switching between
the two MID frequencies.

7. ACTIVE 3 BAND TONE CONTROLS

The C series mixers provide studio quality tone controls with
distortion less than .009%–exceptionally clean for record-
ing & live sound.  The ±15 dB boost or cut give an overall
30 dB range for powerful EQ control. The active circuits deliver
deep bass from the 20-80 Hz 

LOW

control.  The 

MID

control

works in the 2.5k Hz range or the 700 Hz range depending
on the MID SHIFT switch.  The 

HI

control functions at 11-

20k for crisper highs.  Start out with all tone controls at their

center zero position.  Determine which position your MID
SHIFT sounds best at,then cut or boost your 

HI

MID 

and 

LOW

frequencies for each as needed.  If you are trying to mic instru-
ments such as acoustic guitar or drums, try various mics and
mic placement before adjusting your tone controls (condenser
mics work well for these applications).  Cutting and boost-
ing frequencies improperly can cause an “un-natural” sound
to your vocals or instruments.  Your goal is to achieve a nat-
ural sound for your entire performance or recording.

8. & 9. MONITOR 1 AND 2 CONTROLS

Separate MONITOR level controls for each channel allows you
to create two independent monitor mixes.  The MONITOR sig-
nals are routed to the master MON 1 & 2 faders respectively
before going to the MONITOR output connectors.  The mix
you create with the MON 1 & 2 controls can also be heard

C1600 & C2400 

1

2

3

4

7

8

9

10

11

12

13

14

15

16

17

5

6

QUICK START UP

If you’re like most new owners, you’re probably in a hurry
to plug your mixer in and use it.  Here are some brief instruc-
tions to get you going quickly. With the mixer unplugged and
the unit turned off, complete the following procedures:

1. CONNECTING AC POWER TO YOUR MIXER
•  The mixer can be used with 120 or 230VAC (it automati-
cally switches internally) 
•  Use only a grounded (3 prong) power outlet to prevent a
shock hazard.  This gives the quietest grounding for your mixer.

2. CONNECTING INPUTS TO YOUR MIXER
•  For low level balanced devices such as microphones, plug
into the balanced MIC inputs using a shielded microphone
cable with XLR ends.

•  For high level unbalanced devices such as instruments &
Keyboards, plug into the LINE input jacks using a shielded
cable with 1/4” phone plugs. Adjust the GAIN knob for the
mic or line input being used.

3. TURNING YOUR MIXER ON
• Adjust all channel FADERS and master LEVEL controls to
their OFF positions 
• Adjust all channel’s HIMID, and BASS controls and the
two master 9 Band Graphic EQ’s to their center position.
• Adjust all the Channel “PAN” controls to their center position. 
•  Turn the mixer on by the rear panel POWER SWITCH and
watch for the POWER LED to come on.  Your mixer is now
ready to operate. 

Summary of Contents for C1600

Page 1: ...45 82052 Capacitor 82PF 500V Ceramic 5 C96 45 82052 Capacitor 82PF 500V Ceramic 5 C97 45 39052 Capacitor 39PF 500V Ceramic 5 C98 45 39052 Capacitor 39PF 500V Ceramic 5 C99 45 39052 Capacitor 39PF 500V Ceramic 5 D1 60 75320 LED Red small 204HD 3mm T 1 0 D10 60 75340 LED Yellow small 204YD 3mm T 1 0 D11 60 75340 LED Yellow small 204YD 3mm T 1 0 D12 60 75330 LED Green small 204GD 3mm T 1 0 D13 60 753...

Page 2: ...s within the console a double sided printed circuit board FR 4 fire rated carefully guards the circuit traces with a copper shield running over the traces This reduces RF interference and crosstalk substantially The printed circuit board has plated through holes which means that every component is soldered securely in three places on the bottom in the hole and on top This offers unsurpassed compon...

Page 3: ... The HI control functions at 11 20k for crisper highs Start out with all tone controls at their center zero position Determine which position your MID SHIFT sounds best at then cut or boost your HI MID and LOW frequencies for each as needed If you are trying to mic instru ments such as acoustic guitar or drums try various mics and mic placement before adjusting your tone controls condenser mics wo...

Page 4: ...ts output jack EFF 2 AND EFF 3 21 MASTER RETURN EFFECTS 2 3 Return up to 4 mono or 2 stereo effects from 2 stereo con trols You can also send effects to your MON 1 speakers 22 MASTER LEFT RIGHT FADERS These faders send the main stereo mix created by all channel faders to the main balanced and unbalanced output connectors The left and right signals will be identical if you do not pan your individua...

Page 5: ...5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 30 50 0 12 24 12 6 3 4 5 6 1 2 3 4 1 2 1 2 3 4 1 30 50 0 12 24 12 6 30 50 0 12 24 12 6 30 50 0 12 24 12 6 30 50 0 12 24 12 6 C2400 L R TAPE OUT TAPE IN RTN 2 L EFF 2 RTN 2 R RIGHT RTN 3 L EFF 3 RTN 3 R MON 2 LEFT MON 1 PHONES 18 12 6 0 6 12 18 24 30 PEAK L R POWER CONCERT SERIES 63 125 250 500 1K 2K 4K 8K 16K 0 8 4 4 8 12 12 EQ 2 EQ 1 LEFT MON 1 E...

Page 6: ...0 HI GAIN 0 15 15 0 15 15 0 15 15 MID LOW 0 10 5 0 10 5 0 10 5 PFL MUTE PEAK C L R PAN SIG 0 12 24 30 50 12 6 LO CUT MID SHIFT 1 2 MON MON 1 2 3 EFF EFF 0 10 5 0 50 HI GAIN 0 15 15 0 15 15 0 15 15 MID LOW 0 10 5 0 10 5 0 10 5 PFL MUTE PEAK C L R PAN SIG 0 12 24 30 50 12 6 LO CUT MID SHIFT 1 2 MON MON 1 2 3 EFF EFF 0 10 5 0 50 HI GAIN 0 15 15 0 15 15 0 15 15 MID LOW 0 10 5 0 10 5 0 10 5 PFL MUTE PE...

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