HALF INSERT DIRECT OUT
The half insert connection creates a send signal
without breaking the channels signal path. The
insert in this mode is no longer used as an insert
but it becomes what is called an “insert direct
out”. An insert direct out functions as a normal
direct out but the plug has to be half inserted.
If an insert is needed on the same channel, spe-
cial cabling is required to perform both func-
tions. The half insertion connects the tip of the
plug being inserted to the ring of the jack. See
the fig. If the jack is fully inserted to where the
tip of the plug connects to the tip of the jack,
the internal jack switch will open and the chan-
nel’s signal path will be broken. The connec-
tion will still function as a direct out but the
channel’s signal will stop at the insert and not
continue on to the rest of the channel and the
masters. The result of the half insert is multi-
ple outputs for use in multi-track recording.
FULL INSERT
The insert jack is a Tip Ring Sleeve (TRS) 1/4”
phone jack, where the tip is the send, the ring is
the return and the sleeve is ground. When used
as an insert point or in full insert mode, the chan-
nel is opened up to allow an external piece of
equipment to be inserted into the channels signal
path. The channel signal coming from the micro-
phone preamplifier will be forced to go through
the external equipment before it can continue back
through the channel re-entering before the chan-
nel tone controls. Most external equipment is not
set up for the TRS plug directly so an adapter cable
is required. The adapter cable will have on one
end the TRS plug and two mono plugs either male
or female, on the other end. The two plugs each
have the ground connected to the sleeve, one has
the return on its tip and the other has the send
on its tip. This allows the send to be connected
to the input of the external equipment and the
return to its output completing the insert loop back
to the channel.
MIC
INSERT
1
12
3
6
9
12
9
6
3
- 0 +
GAIN
HI
MID
LOW
5
4
3
2
1
0
10
9
8
7
6
12
3
6
9
12
9
6
3
- 0 +
12
3
6
9
12
9
6
3
- 0 +
LINE
MIC Pre-Amp
PIN 2 (+)
PIN 3 (–)
GAIN
TO EFFECTS
STEREO PLUG
FULL INSERT
INSERT JACK
SEND
RETURN
TIP: SEND
SLEEVE: GROUND
RING: RETURN
INSERTS AND DIRECT OUTS
MIC
INSERT
1
12
3
6
9
12
9
6
3
- 0 +
GAIN
HI
MID
LOW
5
4
3
2
1
0
10
9
8
7
6
12
3
6
9
12
9
6
3
- 0 +
12
3
6
9
12
9
6
3
- 0 +
LINE
PIN 2 (+)
PIN 3 (–)
MONO PLUG
1/2 INSERT
MIC Pre-Amp
GAIN
INSERT JACK
TO RECORDER
TIP: SIGNAL
SLEEVE: GROUND
24
24
23
17-24
22
22
21
21
20
20
19
19
18
18
17
17
23
16
16
DIR - INSERT
LINE
MIC
15
PHANTOM
POWER
9-16
14
14
13
13
12
12
11
11
10
10
9
9
15
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
8
7
6
5
4
3
2
1
8
7
6
5
4
3
2
1
PHANTOM
POWER
1-8
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
PHANTOM
POWER
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
PFL
PHONES
MONO
L-R
MON 1
MON 2
TAPE IN
INTERNAL DIGITAL EFFECTS
PEAK
RTN 1
MON 1
TO
EFF 2
EFF 3
SENDS
RTN 2
MON 1
RTN 3
MON 1
TO
TO
STEREO RETURNS
MON 1
MON 2
MONO
LEFT
RIGHT
SEND 1
CHORUS
REV
REVERB
FLANGE
REV
ECHO
REV
2
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
-
30
-
50
+
0
-
12
-
24
12
+
6
3 4
5
6
1
2
34
12
1
2
3
4
1
-
30
-
50
+
0
-
12
-
24
12
+
6
-
30
-
50
+
0
-
12
-
24
12
+
6
-
30
-
50
+
0
-
12
-
24
12
+
6
-
30
-
50
+
0
-
12
-
24
12
+
6
C2400
L
R
TAPE
OUT
TAPE IN
RTN 2 L
EFF 2
RTN 2 R
RIGHT
RTN 3 L
EFF 3
RTN 3 R
MON 2
LEFT
MON 1
PHONES
+18
+12
+6
0
-
6
-
12
-
18
-
24
-
30
PEAK
L
R
POWER
CONCERT SERIES
63
125
250
500
1K
2K
4K
8K
16K
0
8
4
4
8
–12
+12
EQ 2
EQ 1
LEFT
/
MON 1
EQ 2
RIGHT
/
MON 2
MONO
LEFT
RIGHT
MONO
0
8
4
4
8
–12
+12
EQ 1
dB
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
MULTI-TRACK RECORDER
Multitrack IN
1/2 INSERT DIRECT OUT
TWO-TRACK
TAPE RECORDER
TAPE OUT
Although the Concert Series 16 & 24 channel
mixers may be primarily used for live applications,
the quality of these boards are also designed for
use in multi-track recording. All channels are
designed to meet the needs of cutting edge dig-
ital technologies. The C1600 & C2400 can
handle 16 or 24 track recordings respectively. By
combining this set up with a live system, you can
record a performance and mix down to a two
track recorder later.
Recording a live performance direct to two track
(typically done by connecting a DAT or cassette
recorder to the RCA TAPE OUT connectors)
can also be done instead of a recording with a
multi-track.
24
24
23
17-24
22
22
21
21
20
20
19
19
18
18
17
17
23
16
16
DIR - INSERT
LINE
MIC
15
PHANTOM
POWER
9-16
14
14
13
13
12
12
11
11
10
10
9
9
15
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
8
7
6
5
4
3
2
1
8
7
6
5
4
3
2
1
PHANTOM
POWER
1-8
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
PHANTOM
POWER
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
PFL
PHONES
MONO
L-R
MON 1
MON 2
TAPE IN
INTERNAL DIGITAL EFFECTS
PEAK
RTN 1
MON 1
TO
EFF 2
EFF 3
SENDS
RTN 2
MON 1
RTN 3
MON 1
TO
TO
STEREO RETURNS
MON 1
MON 2
MONO
LEFT
RIGHT
SEND 1
CHORUS
REV
REVERB
FLANGE
REV
ECHO
REV
2
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
-
30
-
50
+
0
-
12
-
24
12
+
6
3 4
5
6
1
2
34
12
1
2
3
4
1
-
30
-
50
+
0
-
12
-
24
12
+
6
-
30
-
50
+
0
-
12
-
24
12
+
6
-
30
-
50
+
0
-
12
-
24
12
+
6
-
30
-
50
+
0
-
12
-
24
12
+
6
C2400
L
R
TAPE
OUT
TAPE IN
RTN 2 L
EFF 2
RTN 2 R
RIGHT
RTN 3 L
EFF 3
RTN 3 R
MON 2
LEFT
MON 1
PHONES
+18
+12
+6
0
-
6
-
12
-
18
-
24
-
30
PEAK
L
R
POWER
CONCERT SERIES
63
125
250
500
1K
2K
4K
8K
16K
0
8
4
4
8
–12
+12
EQ 2
EQ 1
LEFT
/
MON 1
EQ 2
RIGHT
/
MON 2
MONO
LEFT
RIGHT
MONO
0
8
4
4
8
–12
+12
EQ 1
dB
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
0
10
5
0
50
HI
GAIN
0
-
15 +15
0
-
15 +15
0
-
15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-
12
-
24
-
30
-
50
12
+
6
MULTI-TRACK RECORDER
Multitrack Out
TWO-TRACK
TAPE RECORDER
AUX EFFECTS PROCESSOR
IN
L &R
OUT
MULTI-TRACK RECORDING
Follow this set up for mixing down to a two track recorder.
Connect the Multi-track recorders’ outputs to the line
inputs of the channels. Use the headphones or connect a
professional power amplifier (Carvin’s DCM and HT power
amps) and high quality studio monitors to your main LEFT
& RIGHT outputs to monitor your mixdown sessions.
Mixing is a practiced skill. A trained ear will know when to
EQ, add effects, compress, gate, and when not to. Listen
to your favorite CD through the same headphones or mon-
itoring system you plan to mix through. Note each instru-
ment’s level and position in the stereo mix. Use this as a
guide to help mix your project. Mixing down to a digital
format such as DAT or to an analog reel to reel will yield
different results. Digital recorders are meant to accurately
represent the original sound source, therefore you should
get exactly what you heard while mixing.
MULTI-TRACK MIXDOWN
