background image

CERWIN-VEGA PROFESSIONAL 

 

6

 

 

Introduction 

Congratulations!  Welcome to the Cerwin-Vega family!  You’ve joined a growing group of audio professionals who have 
turned  to  Cerwin-Vega  for  the  most  advanced  audio  reproduction  systems  available.    All  Cerwin-Vega  products  are 
thoroughly tested to ensure that they meet or exceed our performance specifications.  Backed by the best service in the 
industry,  Cerwin-Vega  is  dedicated  to  quality  and  reliability.    For  a  complete  overview  of  Cerwin-Vega  products  and 
services, visit www.cerwin-vega.com 

Before you begin 

This manual covers the CVXL-Series active speakers:  the CVXL-112, CVXL-115, and CVXL-215 (referred to as “tops”) and 
the CVXL-118s and CVXL-218s (referred to as a “subs”).  These speakers are designed for portable applications (such as 
being mounted on a tripod stand or pole mount or stacked directly on a floor, stage, or stable platform) and fixed 
installations (such as being “flown” or suspended using appropriate wall/ceiling mounting hardware).  These speakers 
are not intended for fixed installation in high-moisture or outdoor environments, as moisture can cause corrosion of 
electrical contacts and damage the speaker cone or surround.  Cerwin-Vega does not support suspension of the 
subwoofer models covered in this manual. 

Cerwin-Vega speakers can generate considerable vibrational energy.  When placed on a slippery surface such as polished 
wood or linoleum, the speaker may move due to its own mechanical vibration.  Precautions should be taken to assure that 
the speaker does not fall off a stage or table when in operation. 

The  CVXL-118s  and  CVXL-218s  subwoofers  include  a  receptacle  cup  to  allow  mounting  of  a  satellite  speaker  using  a 
standard speaker pole shaft.  When using a standard speaker pole shaft, be sure to observe the following precautions: 

 

There are many types of pole stands and pole shafts available.  Please refer to qualified service personnel from 
the pole stand and pole shaft manufacturers for installation service.  Improper use of accessories or inappropriate 
installation could present a hazard.

 

 

Check the speaker pole shaft specification to be certain it is designed to support the weight of the speaker. 

 

Observe all safety precautions specified by the speaker pole shaft manufacturer. 

 

Always verify that the subwoofer is placed on a surface that is flat, level, and stable. 

 

Route cables so that they will not be tripping hazards. 

 

Always be cautious in windy outdoor conditions, as the stability of the entire system may be compromised. 

 
 

 

Summary of Contents for CVXL-112

Page 1: ...CVXL SERIES MANUAL Instruction Manual English CVXL 112 CVXL 115 CVXL 215 CVXL 118s and CVXL 218s Powered Loudspeakers...

Page 2: ...Using the CVXL 112 as a floor stage monitor 13 Using the pole mount CVXL 112 CVXL 115 only 14 Using suspension points CVXL 112 CVXL 115 CVXL 215 only 15 Application 1 Single CVXL 112 CVXL 115 or CVXL...

Page 3: ...should be installed so that its location or position does not interfere with its proper ventilation For example it should not be situated on a bed sofa rug or similar surface that may block the venti...

Page 4: ...lified service personnel when any of the following happens The power cord or the plug has been damaged Objects have fallen onto or liquid has been spilled into the unit The unit has been exposed to ra...

Page 5: ...hese limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses radiates radio frequency energy and if not installed...

Page 6: ...the speaker cone or surround Cerwin Vega does not support suspension of the subwoofer models covered in this manual Cerwin Vega speakers can generate considerable vibrational energy When placed on a s...

Page 7: ...using the loudspeaker set the POWER switch to the OFF position BEFORE removing any cables or turning off the source audio equipment Loudspeaker Placement Never point a microphone directly at the louds...

Page 8: ...0dBu The CLIP indicator is illuminated when the audio signal is clipping and adjustments must be made to avoid amplifier shutdown and poor sound quality Adjustments to prevent clipping are made by red...

Page 9: ...itch adjusts the contour of the overall frequency response optimizing the speaker for use as either a stage monitor CVXL 112 for vocal reinforcement CVXL 115 CVXL 215 or a main sound system CVXL 112 C...

Page 10: ...connecting to an additional powered speaker MAIN LEVEL KNOB REMOTE VOLUME CONTROL It is highly recommended to have the volume set to the minimal MIN level upon initial system start up and it can be ad...

Page 11: ...rd to face the stage and switched to CARDIOID MODE This will reduce the volume of the subwoofers for the performers on stage while still projecting good low frequency coverage toward the audience This...

Page 12: ...mage to the fuse and or loudspeaker AC POWER INLET FUSE The power inlet is an IEC receptacle type and should only be used with the provided or equivalent rated power cord Below the power inlet is the...

Page 13: ...gle toward the performers It is recommended to use MONITOR mode for this application as it reduces the volume of frequencies that are prone to feedback Be sure that the loudspeaker and cables are not...

Page 14: ...he speakers when moved or pulled Before loudspeaker pole mounting be sure to inspect all critical points for cracks deformations corrosion and or missing parts that may affect the strength and safety...

Page 15: ...point can also be used for speaker pullback To suspend a loudspeaker remove the M10 countersunk fly bracket screws in the fly points where you want to install M10 eye bolts Screw in the M10 eye bolts...

Page 16: ...es qualified persons who are familiar with rigging standards and practices Any unsafe mounting of any heavy load can result in serious injury and equipment damage Consult a licensed professional engin...

Page 17: ...r are used together Each individual channel volume can be adjusted to create the right balance while the main volume knob controls the overall audience volume Connection Equipment Cable Type Input 1 o...

Page 18: ...an appropriate setting on the first speaker Be aware that the main volume on the first speaker will not change the volume on the second speaker so make sure to set the input and main volume knobs to s...

Page 19: ...nd then the signal is linked to the CVXL 112 CVXL 115 or CVXL 215 speakers by using the CVXL 118s CVXL 218s THRU 1 and THRU 2 outputs For the best sound make sure to set the filter switches on each sp...

Page 20: ...the signal is linked to the CVXL 112 CVXL 115 or CVXL 215 speakers by using the CVXL 118s CVXL 218s THRU 1 outputs For the best sound make sure to set the filter switches on each speaker as indicated...

Page 21: ...ng good audience coverage The diagram and tables below show how to connect two CVXL 118s CVXL 218s subwoofers using cardioid mode Subwoofer Connection Equipment Cable Type Audience Input 1 and or 2 Fr...

Page 22: ...nd tables below show how to connect three CVXL 118s CVXL 218s subwoofers using cardioid mode Subwoofer Connection Equipment Cable Type Audience 1 Input 1 and or 2 From Audio Source Line Level XLR TRS...

Page 23: ...o the next CVXL 112 CVXL 115 or CVXL 215 Any additional speakers should connect Input 1 to Mix Out of the previous speaker Connection Equipment Cable Type Input 1 or 2 Microphone Set switch to MIC XLR...

Page 24: ...to the preferred presentation for the audience The performer s monitor can be mixed to the performer s specific requirements without affecting what the audience hears NOTE Careful positioning of the m...

Page 25: ...se engineer has control of the entire sound reinforcement system using the console mixer The diagram below shows how a console mixer interfaces with the performers on stage audio equipment with severa...

Page 26: ...cured tightly to prevent rattling during general use Remote Main Volume The 3 pin terminal connector plug allows any CVXL loudspeaker main volume level to be controlled from a remote location through...

Page 27: ...oudspeaker input is correct Verify that the MUTE switch on the audio mixer is disengaged Verify that an external power source is used with microphones that require phantom power No Power No connection...

Page 28: ...that the connectors are clean and free of any residue buildup Verify that the insulation jackets on all cables have not been torn or crushed Rattling Sounds Be sure that the rattling sounds do not com...

Page 29: ...er can be maintained cosmetically by using a dry cloth Avoid using cleaning chemicals as they may harm the finish of the loudspeaker A direct burst of air should be avoided since it could harm the dri...

Page 30: ...CERWIN VEGA PROFESSIONAL 30...

Page 31: ...Audio or one of Gibson Pro Audio s Authorized Service Centers in the US will repair the defect s or replace the merchandise as it deems appropriate at its sole discretion Warranty Period from date of...

Page 32: ...orized dealer or upon which unauthorized repair or service has been performed GIBSON MAKES NO OTHER EXPRESS WARRANTY OF ANY KIND WHATSOEVER ALL IMPLIED WARRANTIES INCLUDING WARRANTIES OF MERCHANTABILI...

Page 33: ...ms liability for defects or damage caused by services performed by unauthorized persons or non warranty service not performed by Gibson or an Authorized Gibson Pro Audio Service Center When contacting...

Reviews: