CHD 8-427 Owner'S Manual Download

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Korg Polysix MIDI Interface

P6----M

M Owner‘s

Owner‘s

Owner‘s Manual

Manual

8----427 / v. 1.00

427 / v. 1.00

No part of this publication may be reproduced in any form without the written permission of CHD Elektroservis.

4.2.13

4.2.13 VCF LFO CHNL AFTERTOUCH (

VCF LFO CHNL AFTERTOUCH (

VCF LFO CHNL AFTERTOUCH (CC #28)

CC #28)

Fig. 12

Fig. 12 –

––

– VCF LFO mod. depth by Channel Aftertouch

VCF LFO mod. depth by Channel Aftertouch

This parameter is active only for Channel Aftertouch
MIDI command. It doesn't work with instrument's
keyboard!

The basic VCF modulation depth set by the VCF LFO
AMOUNT parameter (see above) can be increased by
Cannel Aftertouch MIDI command. The parameter then
adjusts maximal possible increasing of the modulation.
The parameter can be temporarily changed by MIDI CC
Nr. 28 - see chapter 5.1.2.2.

The parameter value is 0 to 127. For value 0 , the basic modulation depth isn’t affected by the MIDI Channel
Aftertouch. For values from 1 to 127, the basic modulation depth is increased by the the MIDI Channel
Aftertouch. Maximal modulation depth (i.e. when MIDI Channel Aftertouch with value 127 is received) is then
directly proportional to the parameter value (see fig. 12).

4.2.14

4.2.14

4.2.14 ARPG CLOCK SYNC (CC #29)

ARPG CLOCK SYNC (CC #29)

The parameter selects the source of synchronization clock pulses for instrument's arpeggiator. It can be
temporarily changed by MIDI CC Nr. 29 - see chapter 5.1.2.2.

The parameter value is 0 to 3. Four sources are available:

•

Normal:

Normal: The arpeggiator rate is controlled by Polysix internal rate generator (ARPEGGIATOR SPEED

knob). ARPG Clock Rate parameter (see chapter 4.2.15) and CC #29 are ignored in this mode.

•

Fixed:

Fixed: The arpeggiator rate is controlled by interface clock generator. The fixed tempo is set by ARPG

CLOCK RATE parameter directly (see chapter 4.2.15 and table 12 in chapter 6.5).

•

MIDI:

MIDI: The rate of the synchronization clock pulses for the arpeggiator is derived from the external MIDI

Clock

. Frequency of incoming MIDI Clock is divided - dividing ratio is selected by ARPG CLOCK RATE

parameter (see chapter 4.2.15 and and table 12 in chapter 6.5).

•

CC:

CC: The arpeggiator rate is controlled directly by CC #30. Every time the CC #52 is received (any value),

one clock pulse for arpeggiator is generated. This mode allows to create atypical and interesting arpeggio
sequences.

Remark:

Remark: ARPEGGIO TRIG IN connector on the Polysix’s rear panel remains functional in all modes. It is still
possible to use external clock signal if necessary. The incoming external clock signal has the highest priority.

4.2.15

4.2.15

4.2.15 ARPG CLOCK RATE (CC #30)

ARPG CLOCK RATE (CC #30)

The parameter selects the rate of synchronization clock pulses for arpeggiator if “Fixed” or “MIDI” mode is
active (see ARPG CLOCK SYNC parameter above). It can be temporarily changed by MIDI CC Nr. 30 - see chapter
5.1.2.2. The parameter value is 0 to 127. Table 12 in chapter 6.5 shows conversion of the parameter value to
the rate for both “Fixed” and “MIDI” synchronization modes.

For "CC" mode of the arpeggiator clock (see ARPG CLOCK SYNC parameter above), one clock pulse is generated
every time the CC #30 is received (any value).

For "Normal" mode of the arpeggiator clock (see ARPG CLOCK SYNC parameter above), the parameter is
ignored.

Transmitting of MIDI Clock must be enabled in your DAW / sequencer!