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The Cool Cat Distortion brings all the rage of a cranked British

tube amp to your tone. Since the 60’s, the definitive sound of

Rock from London to Tokyo. An extremely versatile pedal.

CONTROLS:

GAIN: Sets the amount of distortion applied to the

signal, counter-clockwise is minimum distortion, turn

clockwise to increase distortion. For the first third of this control’s

range, the Distortion is almost an overdrive; the next third takes

you into Classic Rock and County tones; the final third gets more

extreme, moving into Metal territory. As distortion increases, low

frequencies will “bloom” and the pedal will get louder.

TREBLE / BASS: Adjusts the tone of the distortion sound. The

two controls are stacked; the inner control is for Treble, the outer

for Bass. These controls cut and boost – they are flat (no effect)

at 12 o’clock. Tuning the Treble control counter-clockwise from

12:00 cuts the treble, advancing the Treble control beyond 12:00

boosts the Treble. The Bass control operates in the same fashion.

Turning the Bass knob can be tricky, here’s how to do it: turn both

knobs at the same time until the Bass is where you want it, then

adjust the Treble control. Don’t be surprised if you leave these

controls set nearly flat.

LEVEL: Controls the overall volume of the pedal from

minimum (fully counter-clockwise) to maximum (fully

clockwise), with plenty of range to allow even low drive settings.

WARNING: this pedal has lots of volume, so start with your amp

and the Level control turned down.

BYPASS: The true bypass footswitch engages and disengages

the pedal.

SAMPLE SETTINGS: (Remember, these are only starting points.)

“Classic Rock Grind”

(You know it, you love it – makes an open

“E” chord sound “right”. Try lowering your guitar’s volume control to

clean your tone up a little - the Cool Cat Distortion won’t

collapse on you.)

Gain – 9:30

Treble / Bass – 12:00 / 12:00

Level – 2:00

“Southern Rock Slide Zone”

(Tune your guitar to an open chord,

put a small pill bottle on your pinky and start slidin’ – works great

with your neck pickup.)

Gain – 2:00

Treble / Bass – 11:15 / 11:30

Level – 12:30

“Chips & Salsa”

(Great solo

tone, liquid and soulful.)

Gain – 4:00

Treble / Bass – 11:30 / 2:00

Level – 1:00

DISTORTION
CD-1

Features

DISTORTION FEATURES CONTINUED:

Summary of Contents for CHORUS CC-1

Page 1: ...ANSP ARENT OVERDRIVE CTO 1 MET AL CM 1 TREMOLO CT 1 DRIVE CO 1 FUZZ CF 1 DISTORTION CD 1 MET ALII CM 2 VIBE CV 1 Cool Cat 2008 Printed in China EEC Agent John Hornby Skewes Co Ltd Salem House Parkinson Approach Garforth Leeds LS25 2HR UK ...

Page 2: ...wer only due to the high current draw of this circuit OUT Insert amp cable here ST ACKED KNOB Available on some models A QUICK LOOK AT YOUR NEW COOL CAT HERE IS AN OVERVIEW OF FEATURES COMMON TO ALL COOL CAT MODELS SETTING THE CONTROLS Some Cool Cat models have stacked controls To set those controls move the entire control set top and bottom knobs together until you have set the lower knob to desi...

Page 3: ...s the effected signal 100 wet By setting this control in between minimum and maximum you can choose the perfect dry to wet ratio A normal setting would be at 12 00 50 dry 50 wet Lowering the Mix control makes the Chorus more subtle raising the Mix takes the sound towards vibrato The Eq control adjusts to tone of the chorus only leaving your dry signal unaffected Think of it as a high frequency rol...

Page 4: ...s set to be a little louder than the bypassed signal or loud enough to serve as a solo setting There is lots of volume boost available so you can get even low gain settings loud enough With high gain settings the Volume control adds another dimension of gain that will generate even more overdrive Be careful this pedal goes way beyond eleven BYPASS The true bypass footswitch engages and disengages ...

Page 5: ... Turning the Bass knob can be tricky here s how to do it turn both knobs at the same time until the Bass is where you want it then adjust the Treble control The volume control operates in the standard fashion from minimum fully counter clockwise to maximum fully clockwise The Bass control is a cut and boost control it is flat no effect at 12 o clock Tuning it lower than 12 o clock cuts the bass tu...

Page 6: ...trol SPEED This controls the speed of the Tremolo from minimum fully counter clockwise to maximum fully clockwise The Speed control will have no effect unless the Depth control is set higher than minimum off or the Hard Soft control is set to Hard BYPASS The true bypass footswitch engages and disengages the pedal SAMPLE SETTINGS Remember these are only starting points St St Stutter Angst and tensi...

Page 7: ...f the pedal from minimum fully counter clockwise to maximum fully clockwise with plenty of range to allow even low drive settings WARNING this pedal has lots of volume so start with your amp and the Volume control turned down BYPASS The true bypass footswitch engages and disengages the pedal SAMPLE SETTINGS Remember these are only starting points Main Street Breakup Just enough grit to make things...

Page 8: ...e is minimum treble VOLUME Controls the overall volume of the pedal from minimum fully counter clockwise to maximum fully clockwise The Volume control has plenty of range to allow even low Fuzz settings WARNING this pedal has lots of volume so start with your amp and the Volume control turned down BYPASS The true bypass footswitch engages and disengages the pedal SAMPLE SETTINGS Remember these are...

Page 9: ...on Turning the Bass knob can be tricky here s how to do it turn both knobs at the same time until the Bass is where you want it then adjust the Treble control Don t be surprised if you leave these controls set nearly flat LEVEL Controls the overall volume of the pedal from minimum fully counter clockwise to maximum fully clockwise with plenty of range to allow even low drive settings WARNING this ...

Page 10: ...erall volume of the pedal from minimum fully counter clockwise to maximum fully clockwise with plenty of range to allow even low Distortion settings WARNING this pedal has lots of volume so start with your amp and the Volume control turned down BYPASS The true bypass footswitch engages and disengages the pedal SAMPLE SETTINGS Remember these are only starting points Modern Metal A massive wall of d...

Page 11: ...trol in between minimum and maximum you can choose the perfect dry to wet ratio Notice that adjusting the Mix control subtly alters your tonal balance NOTE The Cool Cat Vibe adds a touch of saturation to your sound this is normal It s also possible to make it break up by using super hot pickups or clanging your guitar If this happens try a lighter touch or turn down your guitar s volume control BY...

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