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M

ono  input  module  blocks  are  made  up  of  assemblies  of 

8  channels.  Each  channel  includes  switches  for;  48  volt 

phantom  power,  -25  dB  pad  and  polarity  in  addition  to  a  high 

quality mic pre-amp that features high headroom, high slew rate 

and  excellent  CMRR  performance.  Also  provided  on  all  mono 

inputs is a high-pass filter that is variable between 20 and 400 Hz.

Separate ¼ inch jacks are provided for a pre-EQ balanced send 

and a balanced return at a nominal level of +4 dBu. Insert on/off 

switching is also provided to allow permanent patching.

Four-band EQ is provided with sweep able high and low frequency 

points  and  selection  between  shelving  and  peak,  full  parametric 

control on the mid bands with frequency sweeps and Q control. 

The entire EQ circuit can be bypassed by disengaging the EQ ON 

Switch.

12 auxiliary sends are divided into 3 versatile sets. 1-4 being fixed 

mono sends with their own pre/post switch. 4-10 are switch able 

between  dual  mono  and  stereo  with  pre/post  switches  per  pair 

and 11 & 12 are fixed stereo with pre and post selection for crucial 

“In  ear  monitoring”  applications.  The  default  “pre”  selection  is 

pre-fader/post EQ, but internal options allow this election to be 

changed to pre-EQ.

Summary of Contents for CV20-32

Page 1: ...CV 20 ...

Page 2: ... 32 40 48 or 56 mono input channels plus 8 full stereo input channels Basic configurations for all consoles included 12 auxes 8 subgroups Left Right Center Mono with full metering Also provided is an 11x4 matrix full dynamics which can be either routed to the subgroup and L R M buses or auxiliary masters true LCR panning on mono inputs and subgroups and full metering on all main outputs Auxes Subg...

Page 3: ...r reverse function allows fader and VCA control on aux outputs 12 auxes with flexible configurations 1 4 mono 5 10 switch able between mono and stereo 11 12 stereo with pre and post switching in the same configuration Full dynamics on all main outputs L R M and subgroups that are routable to the Aux masters 16 mute groups 136 mute scenes and 128 VCA assignment scenes with easy editing snapshot aut...

Page 4: ... provided to allow permanent patching Four band EQ is provided with sweep able high and low frequency points and selection between shelving and peak full parametric control on the mid bands with frequency sweeps and Q control The entire EQ circuit can be bypassed by disengaging the EQ ON Switch 12 auxiliary sends are divided into 3 versatile sets 1 4 being fixed mono sends with their own pre post ...

Page 5: ... the Left Mono and Right buses for LCR applications A high quality 100 mm fader is standard on all inputs with 10 dB of gain when in the full up position Also provided is full VCA control of the fader via a soft VCA assignment and mute control locally or via grouping see master control block The Solo switch allows PFL or AFL monitoring of the channel selected from the master section The Solo Switc...

Page 6: ...gain pot that controls the inch inputs and the second controls the RCA inputs for set and forget operation Switching between the 2 inputs is via the Line 2 switch A selectable HPF filter is also provided on all dual line inputs that can be selected between 75 and 150 Hz Left Right and Mono switching is also available as well as a pre source balance pot to send a discreet blend of the stereo signal...

Page 7: ...STEREO INPUT MODULE C0501909BB C0501910 MONO INPUT MODULE STEREO INPUT MODULE CV 20 ...

Page 8: ...Mono buses can be applied for LCR applications Separate Left Right and mono bus controls are also provided on all CV units with 12 segment bar graph metering for each bus Each subgroup and main bus can also be sent to 4 Matrix outputs 1 2 Matrix buses being fixed mono and 3 and 4 being switch able from dual mono to stereo sends Matrix level control is provided via rotary controls with Matrices 3 4...

Page 9: ...drive with via the USB interface underneath the armrest The USB interface also has hooks to connect a PC to program and control the Scene Controller via Crest Audio s NexSys computer controlled audio systems hardware 3 levels of SOLO are provided on all models Inputs can be monitored all in AFL or In PFL The input priority switch not only clears an output being soloed when selecting an input but a...

Page 10: ...to Monitor the Left Right Mono Center and Solo Left and right buses Meter Bridge One Internal Field replaceable Power Factor Corrected Universal Power supply comes standard with all CV basic packages A second PSU bay is provided on all CV units for a second redundant Internal Power Supply Also a DC connector comes stock with CV units for External PSU options Power Supplies Easy linking of 2 CV 20 ...

Page 11: ...enes that can be controlled locally via MIDI and via RS485 devices The Scene Controller settings can be saved via a Jump drive using the USB interface underneath the armrest The USB interface also has hooks to connect a PC to program and control the Scene Controller via Crest Audio s NexSys computer controlled audio systems hardware Additional information about the MIDI controllers OPTIONS AND ACC...

Page 12: ...s 3 Standard Models include 24 Mono inputs 8 Stereo CV20 40 72 7 x 34 6 x 12 4 165 lbs 4 Standard Models include 32 Mono inputs 8 Stereo CV20 48 83 4 x 34 6 x 12 4 185 lbs 4 Standard Models include 40 Mono inputs 8 Stereo CV20 56 94 2 x 34 6 x 12 4 205 lbs 5 Standard Models include 48 Mono inputs 8 Stereo CV20 64 104 9 x 34 6 x 1 4 225 lbs 6 Standard Models include 56 Mono inputs 8 Stereo CV 20 ...

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