7
GIG-124CFX
Order code: D2285
Control Elements
1. MIC INPUT JACKS (CHs 1 to 7/8)
The balanced XLR input connects to microphones, DI boxes and
multicores.
2. LINE INPUT JACKS (CHs 1 to 4)
This is a ¼" jack connector which connects to line-level signal sources
(for example, keyboards, CD players and wireless microphone
receivers). The input is balanced (TRS connector) but can also be used
with unbalanced connectors (TS connector).
3. LINE INPUT JACKS (CHs 5/6 to 11/12)
The stereo channels consist of two line inputs (¼" jacks), one for the left
and one for the right channel. The inputs are unbalanced
(TS connectors). These channels can also be used as mono channels by
connecting to the jack labeled “L” (left).
4. LINE INPUT JACKS (CH 9/10 to 11/12)
These are unbalanced stereo RCA pin jacks.
NOTE: Where an input channel provides both a MIC input jack and a
LINE input jack or a LINE input jack and RCA pin jack, you can only use
one pair of jacks at a time but not both pairs at the same time. Please
connect to only one jack on each channel.
5. INSERT JACKS
The INS(ert) connector (¼" stereo jack connector) is used to connect to
external signal processors. Here you can hook up a compressor, noise
gate or equalizer to process the signal of a single channel. The insert
jack is placed before the fader, EQ and aux send. Please use an insert
cable to connect to the insert point.
6. GAIN CONTROL
The GAIN CONTROL adjusts the input gain.
Be sure to set this control fully counter-clockwise before you connect or
disconnect a signal source to or from one of the inputs.
MONO: The first value range between 0 and +50 refers to the
microphone input, indicating the degree of amplification applied to
the input's signal. The second value range b15 and -35 dB
refers to the amplification of the line input.
STEREO: The first value range between 0 and +40 refers to the
microphone input, indicating the degree of amplification applied to
the input's signal. The second value range b20 and -20 dB
refers to the amplification of the line input.
7. LOW CUT
Press the LOW CUT switch to activate the high-pass filter which blends
out low-frequency noise (100 Hz, 18 dB/octave).
8. COMPRESSOR CONTROL
Adjust the amount of compression applied to the channel. Turn the
control to the right to increase the compression ratio and the output
gain will automatically be adjusted. The result is smoother, more even
dynamics, because louder signals are attenuated when the overall
level is boosted.
