background image

 

The microphone 

The RM-101 Ribbon microphone is designed for use in contemporary, state of the art studio‟s, yet offers 
the unique natural sound previously only available from exclusive classic large ribbon microphones which 
are still used for making great recordings today after almost 70 years. Perfect for recording studio vocals, 
acoustic instruments, strings, horns, orchestras and choral groups, ambient instrument audio and many 
live sound applications. Powerful and versatile with the unmatched natural sound of classic ribbon 
microphones. The microphone meets the stringent requirements of even the most demanding digital 
recording and live broadcasting applications. 
 
This manual covers the operating of the ribbon microphone. To take full advantage of your microphone 
and to enjoy long and trouble free use, please read this user‟s guide carefully. As ribbon microphones 
are, by their design, very sensitive to damage from mishandling and use, it is very important to read and 
observe the precautions below about proper use. 
 
 

Handling your RM-101 

The active element of your microphone is a very thin corrugated aluminum ribbon clamped under light 
tension and mounted between the poles of a strong magnet. This design enables it to produce a 
warmer, more natural sound than any other type of studio microphone. However, this also makes it the 
most fragile sensitive and fragile studio microphone available. All ribbon microphones require special 
care or they will be seriously damaged. In order to ensure a long life for your ribbon microphone, always 
consider the 4 points below. 
 
1. Always protect your ribbon microphone from any hard knocks, such as from dropping the mic or not  
    properly padding in shipment. Always handle your microphone with care. 
 
2. Prevent any sudden or strong blasts of air movement from ever reaching your microphone, as these  
    can tear and destroy the fragile ribbon. Never blow into your ribbon microphone!  When using we  
    suggest you to use a plop filter e.g. DAP D1750 or D1751.  This will prevent damaging the ribbon from  
    percussive sounds and from damage from moisture (spit). 
 
3. Never intentionally or accidentally apply any phantom power from your mixer or a phantom power  
    supply to your RM-101 as this can damage the ribbon. Please always check carefully before  
    connecting your ribbon microphone that there is no phantom power provided to your microphone.   
 
4. When not in use, always keep the microphone in the padded soft case provided. Also, always store  
    the mic in a vertical position, because over time, the 2”long ribbons can sag, gradually degrading  
    performance if the mic is stored on its side.  
 

Note: Damaged ribbon diaphragms are not covered by any warranty.

 

 
 
 
 
 
 
 
 
 
 
 
 

 

 

Summary of Contents for RM-101

Page 1: ...RM 101 ORDERCODE D1375...

Page 2: ...u need You can rely on DAP Audio for more excellent audio products We design and manufacture professional audio equipment for the entertainment industry New products are being launched regularly We wo...

Page 3: ...ons 2 Safety instructions 2 Operating Determinations 3 Return Procedure 4 Claims 4 Description Features 5 Overview 5 The Microphone 6 Handling of your RM101 6 Set Up and Operation 7 Frequency and Pola...

Page 4: ...n and to ensure a safe operation it is absolutely necessary for the user to follow the safety instructions and warning notes written in this manual Please consider that damages caused by manual modifi...

Page 5: ...this manual carefully and keep it for future reference Remember that the device has a better value on the market if you save the carton and all packing materials If your Dap Audio device fails to work...

Page 6: ...description of the symptoms Claims The client has the obligation to check the delivered goods immediately upon delivery for any short comings and or visible defects or perform this check after our ann...

Page 7: ...th natural extended low and high end Fast accurate transient response ultra high 145dB SPL capability unmatched transient response and overall stunning realism Individual recording volume control of s...

Page 8: ...uce a warmer more natural sound than any other type of studio microphone However this also makes it the most fragile sensitive and fragile studio microphone available All ribbon microphones require sp...

Page 9: ...nnel fader gradually to the 0dB position adjust the input gain using your channel peak led or VU meter Frequency and polar patterns Connection Cables Take care of the connector cables always holding t...

Page 10: ...ntenance The DAP Audio RM 101 requires almost no maintenance However you should keep the unit clean Disconnect the microphone and then wipe the cover with a damp cloth Do not immerse in liquid Do not...

Page 11: ...8 Sensitivity 1 8 mV Pa 55dB Max SPL 145dB Impedance 200 Ohms Power supply None Microphone connector Fixed cable with 3 pole XLR male Dimensions microphone 72 mm x 189 mm Weight microphone 1 kg Weight...

Page 12: ...2011 Dap Audio...

Reviews: