background image

Congratulations on your purchase of the Earthworks

®

 CMK4 or CMK5 kit of 

DM20 DrumMic™ Tom & Snare Microphones. When using these microphones 
on your toms and snare, you will hear more detail in the attack in addition to 
hearing subtle details that cannot be heard when using conventional micro-
phones. You will walk into a whole new world of pristine drum sound using the 
DM20 DrumMic™ High Definition Microphones™. After reading this manual, 
if you have any unanswered questions, please email or phone us using the 
contact information on the back cover of this manual. 

First, identify all the items that came in your CMK4 or CMK5 kit to verify 
that you have received everything listed below.

CMK4 CloseMic™ Kit   

 

CMK5 CloseMic™ Kit

4 – DM20s for Toms & Snare  

 

5 – DM20s for Toms & Snare

 

4 – RM1 RimMount™ for DM20s 

 

5 – RM1 RimMount™ for DM20s

4 – PW1 Foam Windscreens 

 

5 – PW1 Foam Windscreens

1 – High Impact Carrying Case 

 

1 – High Impact Carrying Case

 

      with custom foam insert 

 

      with custom foam insert

1 – Users Manual 

 

 

1 – Users Manual

IMPORTANT NOTICE - Please Read This

The DM

20’

s High SPL Handling and Lower Output Level

The DM20 has been designed for close miking toms and snares with high SPL 
handling of 150dB and a reduced output level. In most cases the DM20 will 
not require the use of a pad to prevent overloading the input of outboard mi-
crophone preamps, or the mic preamp inputs on mixers, consoles or computer 
audio interfaces. The majority of these units will accommodate high microphone 
levels at the preamp input without distortion. However, the more sensitive units 
will not handle high mic levels at the preamp input will require the use of a pad 
to prevent the preamp from distorting. We encourage you to check the specifi-
cations of your preamp, mixer, console or computer audio interface to verify that 
the microphone preamp input will accommodate high levels of approximately 
+20dBV.

Different Types of Preamp Input Pads
Some outboard preamplifiers, mixers or consoles may have a built-in mic preamp 
pad that can be switched in or out.  However, on some models these pads are 
not attenuators that precede the preamplifier input and just reduce the gain of the 
preamplifier itself. Unless these preamplifiers will handle a high input level (i.e. 

1

Version 1, August 15, 2017

Summary of Contents for CMK4 CloseMic Kit

Page 1: ...CMK4 CMK5 User s Guide CloseMic Kit...

Page 2: ......

Page 3: ...ead This The DM20 s High SPL Handling and Lower Output Level The DM20 has been designed for close miking toms and snares with high SPL handling of 150dB and a reduced output level In most cases the DM...

Page 4: ...uch as Jeff Campitelli with Joe Satriani Steve Gadd Keith Carlock Ronnie Vannucci Anton Fig Anthony King and many top FOH engi neers touring with major artists are using Earthworks High Definition Dru...

Page 5: ...d vantages and disadvantages of each Every engineer or producer uses their own methods to obtain the results they desire and that s what matters Multi microphone Method The objective in multi micropho...

Page 6: ...ing up the un wanted sound of other elements of the drum set from the rear of each micro phone Earthworks cardioid microphones have a very high rejection of sounds at the rear of the microphone This g...

Page 7: ...18dB of Rear Rejection Using Conventional Drum Mics Competitive Microphones Approx 18dB Rear Rejection Figure 4 32dB of Rear Rejection Using Earthworks Drum Mics Earthworks Microphones Approx 32dB Rea...

Page 8: ...hone up inside the rubber holder The fit will be firm so you will need to apply a little pressure to move the microphone body up into the rubber holder The suggested procedure is shown in Figure 5 Mou...

Page 9: ...r further from the drum shell One of the three positions A B or C previously mentioned will allow the RimMount bracket to be mounted par allel to the drum shell Position the rim guide so the bottom ed...

Page 10: ...the microphone head be positioned between 1 5 inches and 3 inches above the drumhead The flexible gooseneck will allow you to move the microphone head either up or down above the drumhead as well as i...

Page 11: ...ype LP20 LevelPad into the microphone cable will provide 20dB of attenuation to help prevent any distortion or overload For full information refer to pages 1 and 2 of this manual Close Miking Snare Dr...

Page 12: ...gure 10 A the microphone head is placed closer to the drum rim while in Figure 10 B the microphone head is aimed toward the center of the drumhead by changing the position of the gooseneck Experiment...

Page 13: ...tions or require any additional information feel free to contact Earthworks directly using the contact information on the back cover of this manual and don t forget to register your warranty informati...

Page 14: ...12 NOTES...

Page 15: ......

Page 16: ...3 Noise Weight 11 12 inches 282 44mm 55lb 25kg Frequency response Polar Pattern Cardioid Sensitivity 8mV Pa 42dBV Pa Power requirements 24 48V Phantom 10mA Peak acoustic input 150dB SPL 50Hz to 20kHz...

Reviews: