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6

Close Miking Toms and Snares with the 

DM20 DrumMic™ Microphones

Inserting the DM20 Microphone into the RM1 RimMount

The RM1 is designed specifically for the DM20 allowing you to mount the mi-
crophone on the side of a tom or snare. The RM1 can also be used on the top 
or bottom of a tom or snare.

It is suggested that you insert the DM20 microphone into the RM1 RimMount™ 
prior to attaching the RimMount™ to the drum.

To insert the DM20 microphone into the RM1 just place the mic head and the 
gooseneck into the rubber holder from the bottom of the RimMount™. Push on 
the body of the microphone from the bottom (XLR connector end) to move the 
microphone up inside the rubber holder. The fit will be firm, so you will need to 
apply a little pressure to move the microphone body up into the rubber holder. 
The suggested procedure is shown in Figure 5.

Mounting the RM1 RimMount™ to the Drum

The RM1 RimMount™ is designed for metal drum rims, and will not work on 
wooden  drum  rims.  Attaching  the  RimMount  to  the  drum  rim  is  quite  easy.  
While reading this section, please refer to Figure 6-A, which shows the various 
elements of the RimMount™. First, loosen the thumbscrew so there is more 
than enough space for the Delrin® cushioned rim-guide to clear the bottom of 
the drum rim. Then determine where on the drum rim you want to position the 
microphone and place the top “hook portion” of the RimMount bracket over the 
desired place on the drum rim. 

Figure 5  Inserting the DM20 DrumMic™ into the RimMount™

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Summary of Contents for CMK4 CloseMic Kit

Page 1: ...CMK4 CMK5 User s Guide CloseMic Kit...

Page 2: ......

Page 3: ...ead This The DM20 s High SPL Handling and Lower Output Level The DM20 has been designed for close miking toms and snares with high SPL handling of 150dB and a reduced output level In most cases the DM...

Page 4: ...uch as Jeff Campitelli with Joe Satriani Steve Gadd Keith Carlock Ronnie Vannucci Anton Fig Anthony King and many top FOH engi neers touring with major artists are using Earthworks High Definition Dru...

Page 5: ...d vantages and disadvantages of each Every engineer or producer uses their own methods to obtain the results they desire and that s what matters Multi microphone Method The objective in multi micropho...

Page 6: ...ing up the un wanted sound of other elements of the drum set from the rear of each micro phone Earthworks cardioid microphones have a very high rejection of sounds at the rear of the microphone This g...

Page 7: ...18dB of Rear Rejection Using Conventional Drum Mics Competitive Microphones Approx 18dB Rear Rejection Figure 4 32dB of Rear Rejection Using Earthworks Drum Mics Earthworks Microphones Approx 32dB Rea...

Page 8: ...hone up inside the rubber holder The fit will be firm so you will need to apply a little pressure to move the microphone body up into the rubber holder The suggested procedure is shown in Figure 5 Mou...

Page 9: ...r further from the drum shell One of the three positions A B or C previously mentioned will allow the RimMount bracket to be mounted par allel to the drum shell Position the rim guide so the bottom ed...

Page 10: ...the microphone head be positioned between 1 5 inches and 3 inches above the drumhead The flexible gooseneck will allow you to move the microphone head either up or down above the drumhead as well as i...

Page 11: ...ype LP20 LevelPad into the microphone cable will provide 20dB of attenuation to help prevent any distortion or overload For full information refer to pages 1 and 2 of this manual Close Miking Snare Dr...

Page 12: ...gure 10 A the microphone head is placed closer to the drum rim while in Figure 10 B the microphone head is aimed toward the center of the drumhead by changing the position of the gooseneck Experiment...

Page 13: ...tions or require any additional information feel free to contact Earthworks directly using the contact information on the back cover of this manual and don t forget to register your warranty informati...

Page 14: ...12 NOTES...

Page 15: ......

Page 16: ...3 Noise Weight 11 12 inches 282 44mm 55lb 25kg Frequency response Polar Pattern Cardioid Sensitivity 8mV Pa 42dBV Pa Power requirements 24 48V Phantom 10mA Peak acoustic input 150dB SPL 50Hz to 20kHz...

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