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Miking the Kick Drum and using the KickPad®
A good kick drum microphone must be designed and optimized for that specific
purpose. This means the microphone is great for kick drum and nothing else. There-
fore we designed our kick drum optimization in an external XLR package - the 
KickPad™. Just plug the KickPad™ into the mic line going to the SR25 kick drum 
mic for magnificent results. With the KickPad™ removed, you can use the same 
SR25 microphone for recording most anything. All three high quality Earthworks 
High Definition Microphones™ in the DrumKit™ System can be used for other 
instruments and vocals. As an added bonus, the KickPad™ will improve the sound 
of other popular microphones used for kick drum. By listening to tracks 4 through 
9 on the DrumKit System Demo CD, you can hear the results of the KickPad used 
on our SR25 cardioid microphone and also on an AKG D112 cardioid microphone. 
The KickPad will provide outstanding results on other popular kick drum micro-
phones such as the E-V RE20, Audix D-6, Shure 57 and others. Simply plug the 
KickPad into the mic line feeding the kick drum mic and you will be astonished 
with the sound.

Important Please Read
The Earthworks SR25 supplied for miking kick drum is a precision condenser 
microphone and is sensitive to large bursts of air. However, this microphone used 
properly will produce an incredible kick drum sound. For optimum results it is 
crucial to place the SR25 at a 45 degree angle to the head (which reduces the air 
burst at the front of the microphone). Whether your kick drum has a front head or 
not, place the SR25 at a 45 degree angle to the front of the drum as indicated in 
Figure 5. If there is a hole in the front head of the kick drum, do not place the mic 
in front of the hole as there will be a large burst of air hitting the microphone. In 
our field tests, we achieved the best results and the best sound by miking the drum 
just off of the rim as shown in Figure 5. Whatever your approach, if you get any 
popping from the air bursts, place the enclosed windscreen on the kick drum mic.   

We hope these suggestions have been beneficial for you. Don’t be afraid to experi-
ment with mic placement. You can be as creative with your mic placement as you
are with your music. You are the judge of what works best and sounds best.

Version 3, July 7, 2011

Summary of Contents for DK25 Drumkit Series

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Page 2: ...kick drum DO NOT use the omni TC25 for close miking a kick drum Earthworks omni microphones have extended low frequency response that goes down in the 5Hz to 9Hz range and in certain conditions may cause overload or distor tion when using the KickPad There is a lot of energy power at subsonic frequencies The SR25 and other Earthworks cardioid microphones have a low frequency response in the 30Hz t...

Page 3: ... into the mic line feeding the kick drum mic and you will be astonished with the sound Important Please Read The Earthworks SR25 supplied for miking kick drum is a precision condenser microphone and is sensitive to large bursts of air However this microphone used properly will produce an incredible kick drum sound For optimum results it is crucial to place the SR25 at a 45 degree angle to the head...

Page 4: ...acks 14 and 15 of the DrumKit Demo CD The DK25 R DrumKit System has been designed for recording in a studio or other acoustic space that is ideal for recording The DK25 R has two TC25 omni microphones for overheads and one SR25 cardioid for kick drum For live perfor mance applications we recommend the DK25 L which has three SR25 cardioid microphones This will work better for live applications and ...

Page 5: ... cardioid micro phones Multi miked drums typically have a more present and detailed sound due to the closeness of the microphones to each element of the drum set In contrast this approach looses the air and openness that one would hear in a natural set ting As one engineer put it close miking drums makes the drum set sound like a bunch of pieces instead of a drum set Minimum microphone Method Ther...

Page 6: ... Microphones for percussion we went into the studio to try them out We only used two mics for overheads and one for kick drum When we heard this it absolutely blew us away Then we made a comparative recording of the same drum set using seven other mics that are some of the industry favorites for miking drums In comparing these two recordings the difference in detail and sound quality of the three ...

Page 7: ...g with VERTICAL X Y positioning Closer Overhead Miking There is a closer miking approach that we also used in our sessions This method would be ideal for those who do not have a drum room or drum booth Closer miking will reduce some of the ambient room sound while picking up subtle details of the drum set This method is shown in Figures 3 and 4 In Figure 3 you can see the positioning of the microp...

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