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In Figure 1 the microphones are positioned about two feet above the drummer’s 
head. This placement will provide excellent results in a drum room or an acousti-
cally treated small room. If you do not have a drum booth or are in a larger room, 
you can also use another variation of the X/Y pattern by facing the microphones 
straight down (see Figure 2). In this case the microphones should be one or two 
feet above the drummers head and about one foot in front of the drummers face, 
looking down.

Figure 2. Overhead miking with  VERTICAL X/Y positioning

Closer Overhead Miking
There is a closer miking approach that we also used in our sessions. This method 
would be ideal for those who do not have a drum room or drum booth. Closer 
miking will reduce some of the ambient room sound while picking up subtle details 
of the drum set. This method is shown in Figures 3 and 4. In Figure 3, you can see 
the positioning of the microphones from a front view and Figure 4 shows where the 
microphones are pointed. This was the miking technique utilized on tracks 27 and
28 of the Earthworks DK25 Series DrumKit System Demo CD. All other recordings 
of the drum set on the DrumKit Demo CD were done using the horizontal X/Y 
positioning shown in Figure 1.  

Summary of Contents for DK25 Drumkit Series

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Page 2: ...kick drum DO NOT use the omni TC25 for close miking a kick drum Earthworks omni microphones have extended low frequency response that goes down in the 5Hz to 9Hz range and in certain conditions may cause overload or distor tion when using the KickPad There is a lot of energy power at subsonic frequencies The SR25 and other Earthworks cardioid microphones have a low frequency response in the 30Hz t...

Page 3: ... into the mic line feeding the kick drum mic and you will be astonished with the sound Important Please Read The Earthworks SR25 supplied for miking kick drum is a precision condenser microphone and is sensitive to large bursts of air However this microphone used properly will produce an incredible kick drum sound For optimum results it is crucial to place the SR25 at a 45 degree angle to the head...

Page 4: ...acks 14 and 15 of the DrumKit Demo CD The DK25 R DrumKit System has been designed for recording in a studio or other acoustic space that is ideal for recording The DK25 R has two TC25 omni microphones for overheads and one SR25 cardioid for kick drum For live perfor mance applications we recommend the DK25 L which has three SR25 cardioid microphones This will work better for live applications and ...

Page 5: ... cardioid micro phones Multi miked drums typically have a more present and detailed sound due to the closeness of the microphones to each element of the drum set In contrast this approach looses the air and openness that one would hear in a natural set ting As one engineer put it close miking drums makes the drum set sound like a bunch of pieces instead of a drum set Minimum microphone Method Ther...

Page 6: ... Microphones for percussion we went into the studio to try them out We only used two mics for overheads and one for kick drum When we heard this it absolutely blew us away Then we made a comparative recording of the same drum set using seven other mics that are some of the industry favorites for miking drums In comparing these two recordings the difference in detail and sound quality of the three ...

Page 7: ...g with VERTICAL X Y positioning Closer Overhead Miking There is a closer miking approach that we also used in our sessions This method would be ideal for those who do not have a drum room or drum booth Closer miking will reduce some of the ambient room sound while picking up subtle details of the drum set This method is shown in Figures 3 and 4 In Figure 3 you can see the positioning of the microp...

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