9
the drumhead, but should always be at “an angle” to the drumhead. This will
prevent any possibility of the diaphragm being forced to the microphone back
plate which could cause an unwanted pop or thump in the sound or recording
system. The flexible mini-gooseneck will allow you to move the microphone
head either up or down above the drumhead as well as in and out from the
drum rim. You can also change the angle of the microphone head as shown
in Figure 6-A and Figure 6-B shows how the microphone head can be moved
more toward the center of the drum by changing the positioning of the mini-
gooseneck.
A.
B.
A.
B.
Figure 5-A and 5-B Adjusting DP Microphone Height
Figure 6-A and 6-B
Positioning the
Microphone Head
live sound will provide more gain before feedback as well as a greater control
of the drum mix.
No Phase Cancellation Issues
with Earthworks
™
Microphones
One of the typical disadvantages in the multi-microphone approach, when
using conventional microphones, is interactive microphone phasing problems
that result in the cancellation of certain frequencies. These phasing prob-
lems are a result of the poor polar response of conventional microphones.
Conventional microphones have a drastically different frequency response
between the front and sides of the microphone. It is common for conventional
microphones to have a loss of 10 to 20 dB at high frequencies on the sides of
the microphone. This is why you cannot place three singers on a conventional
microphone, the one in front of the mic sounds great, but the two on the sides
have a dramatic loss of quality. These drastic changes in high frequency
response on the sides of the microphone cause phase differences, which are
the root cause of phase cancellations when using conventional microphones.
In contrast, Earthworks has a patented polar technology that provides our
microphones with virtually the same frequency response on the sides of the
microphone as at the front (no more than a 3dB loss at any frequency out
to 90º off-axis). This extremely uniform frequency response at the front and
sides of the microphone will virtually eliminate any phasing issues when using
Earthworks microphones. In addition, Earthworks cardioid microphones have
a very high rejection of sounds at the rear (back) of the microphone. This
characteristic will greatly reduce the leakage of cymbals or other sounds
at the rear of Earthworks microphones.
Close Miking Toms and Snares with the
DP30/C Drum Periscope Microphones
Inserting the DP30/C Microphone into the RM1 RimMount
The RM1 Rim Mount is designed specifically to house the DP30/C and pro-
vide a mechanism to mount the microphone on the side of a snare or tom.
The RM1 will allow you to mount a DP30/C on either the top or bottom of a
snare or tom.
It is suggested that you insert the DP30/C microphone into the RM1 Rim-
Mount™ prior to attaching the RimMount to the drum. To insert the DP30/C
microphone into the RM1 RimMount™ just place the mic head and the mini-
gooseneck into the rubber holder from the bottom of the RimMount. Then
push the body of the microphone from the bottom (XLR connector end) to
6
Summary of Contents for DP30C
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