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IMPORTANT NOTICE - Please Read This: 

Drums, Microphone Output Level & Preamp Input Pads
The SR25, DM20 & SR20LS are designed for drum applications, and in most 
cases will not require the use of a pad to prevent overloading microphone pre-
amps in mixers or consoles, computer audio interfaces and external preamps. 

Different Types of Preamp Input Pads
Some microphone  preamps  have a built-in pad that can be switched in or out 
which are not attenuators that precede the preamplifier input, but instead just re-
duce the gain of the preamplifier. These so-called pads will typically provide no 
preamp input overload protection from high level microphone signals (see Fig. 
1-A). Other preamps have actual attenuators (pads) that precede the preamplifier 
input that will  provide  input  overload  protection  (Fig.  1-B).  Such  pads  typically 
provide 10dB or 20dB of attenuation. If your preamps have no pad prior to the 
preamp input, an external XLR type microphone pad can be used such as the 
Earthworks  LP20  LevelPad™  that  provides  20dB  of  attenuation  when  plugged 
into the microphone cable. 

2

XLR mic pads can be inserted into the microphone cable in one of the three 
ways shown in Figures 2-A, 2-B and 2-C below:

Figures 2-A & 2-B 
XLR Mic Pad 
inserted at 
the microphone or 
in the mic cable

CAUTION:

 Plugging the 

LevelPad™ into the mic 
input of a mixer can cause 
damage to the mixer input 
connector if the LevelPad™ 
receives a hard push at the 
side. However, if you are 
careful, placing the Level-
Pad™ at the mixer mic input 
can provide greater acces-
sibility for inserting or re-
moving the LevelPad™.

A

Figure 2-C   XLR Mic Pad inserted into mixer mic input

B

C

Figures 1-A  & 1-B 

Types of Preamp 

Input Pads

A

Mic Input

Pad

Mic

Preamp

B

Mic Input

Pad

Mic

Preamp

Summary of Contents for DrumKit DK7

Page 1: ...User s Guide DK7 DrumKit An Entire New World of Pristine Drum Sound...

Page 2: ...www earthworksaudio com register All Earthworks products carry a limited warranty parts and labor To register your product you will need the serial number and series letter for each microphone You can...

Page 3: ...mKit Drum Microphone System 2 SR25 Cardioid Microphones overheads 4 DM20 DrumMic toms snare 1 SR20LS kickdrum 4 RM1 RimMount for DM20s 3 SRW3 Foam Windscreens for SR25s SR20LS 4 PW1 Windscreens for DM...

Page 4: ...nput overload protection Fig 1 B Such pads typically provide 10dB or 20dB of attenuation If your preamps have no pad prior to the preamp input an external XLR type microphone pad can be used such as t...

Page 5: ...ear Perfect Polar Response One of Earthwork s proprietary technologies is near perfect polar response i e very uniform frequency response over the front 160 degrees of the micro phone Conventional mic...

Page 6: ...on Inserting the DM20 Tom and Snare Microphone into the RM1 RimMount The RM1 RimMount is designed to allow the DM20 to be mounted on the side of a tom or snare in addition to miking either the top and...

Page 7: ...lder without the mic or its connector being obstructed by the drum shell Centered Groove for typical mic positioning Offset groove on the left places mic closer to the rim Offset groove on right place...

Page 8: ...le This will prevent the mi crophone diaphragm being forced against its backplate which could cause an unwanted pop or thump in the live sound or recording system Figures 9 A 9 B Positioning the Micro...

Page 9: ...B Miking the Head of a Tom A B Close Miking Toms with the DM20 The extended low frequency response of the DM20 DrumMic will provide a rich and full tom sound You can mike either the top and or bottom...

Page 10: ...ooth or an acoustically treated small room as well as in a large room If you are using a drum booth or a room with a low ceiling the horizontal X Y version shown in Figure 12 A may be more ideal as it...

Page 11: ...hone is placed close to where the two cymbals come together the bursts of air generated when the two cymbals close may result in an undesirable thumping or popping sound from the microphone Fig 14 C M...

Page 12: ...hich could cause the microphone to pop A For taller mic stands with angled boom B For short mic stands with boom parallel to floor Figures 17 A B Attach Mic Clip at XLR End of the Microphone EQ and Si...

Page 13: ...unt of EQ until you get the sound you want as all kickdrums are different It is also standard practice to sometimes use compression limiting and or gates expanders for kickdrum It is sug gested that y...

Page 14: ...12 NOTES...

Page 15: ...www earthworksaudio com register All Earthworks products carry a limited warranty parts and labor To register your product you will need the serial number and series letter for each microphone You ca...

Page 16: ...ween pins 2 3 Noise Weight 36lb 164g Frequency response Polar Pattern Cardioid Sensitivity 8mV Pa 42dBV Pa Power requirements 24 48V Phantom 10mA Peak acoustic input 150dB SPL 20Hz to 20kHz Signal to...

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