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FRONT PANEL FEATURES 

 

Input Jack

 – Designed to accept a 

standard ¼ inch mono phone plug.  For best 
results, use a high-quality, shielded cable to 
connect your instrument to the amplifier.   
 
 

Gain Control

 – This regulates the first gain 

stage of the preamplifier and controls the 
amount of signal available to the system. 
 

Set Level Indicator

 – Lights to indicate 

that the preamp is sitting right on the sweet 
spot of the gain balance and is at optimum 
signal to noise as well as best overall head 
room. 
 

Compressor Indicator 

– Lights to 

indicate that the signal has crossed the 
threshold of the compression circuit and that 
compression is taking place. 
 

Compressor Bypass

 – Pulling the 

enhance knob out will disengage the 
compressor. 
 

Enhance Control

 – Called the “Magic 

Knob” by some, this complex control 
simultaneously boosts the very low-bass, 
upper middle, and high frequencies while 
putting a dip in the lower middle frequencies.  
It is flat when set to its minimum level. 
 
 

Tone Control Section 

 

Bass 

– This traditional shelving tone control 

provides 15 db of boost or cut at 30 hz. 
 

Quasi-Parametric Tone Control

 – 

These three pairs of controls, with 
overlapping frequencies, allow you to boost 
or cut the tone at the desired frequency 
center.  The one octave fixed bandwidth 
(Q=1) allows the controls to interact 
smoothly and musically. 
 

Frequency control

 – Provided for low, 

mid, and high frequency ranges, these 
controls select the frequencies you wish to 
boost or cut. 

 
Boost/Cut Controls

– Located beneath 

each frequency selection control, these 

controls will boost or cut the selected 
frequency by 15 db.  They are flat at their 
12:00 setting. 
 

Treble

 – This is a traditional shelving-type 

tone control. It provides 15 db of boost or 
cut. The knee of the filter is at 
approximately, 2KHz.  The control is flat at 
the 12:00 position. 
 

EQ Clip Indicator

 – Flashes to indicate 

clipping within the tone control circuit of the 
preamplifier. This should never be lit up.  
 

Master Level Control

 – Adjusts overall 

system output. 
 

Headphone Jack

 – Accepts standard ¼ 

stereo or mono headphone plug. 
 

Output Limit Indicators

 – Lights to 

indicate activity of the power amplifier 
limiting circuit, which protects the speaker 
system from severe distortion.  This LED 
indicates that the amplifier has reached its 
maximum output level. 
 

On/Off Switch

 – This switch turns the 

system power on or off.  The switch 
illuminates to indicate the presence of 
current prior to the fuse.   
 

 

REAR PANEL FEATURES 

 

Combination Power Cord Jack and 
Fuse Holder

 – The removable power cord 

is attached here. Pulling the holder out of 
the top of the power inlet accesses the fuse 
carrier. Your unit was shipped with a spare 
fuse inserted in the fuse carrier. 

USE ONLY 

THE SAME SIZE AND TYPE FOR 
REPLACMENT.

  U.S. users should make 

sure the fuse holder is installed so the “115 
VOLTS” reads right side up. For Europe the 
230 should be right side up. Some European 
models come with a holder marked (FUSE) 
they are configured for 230 / 240 only and 
must be adapted by a service tech for U.S. 
standard voltage. The standard fuse for U.S. 
use is  (5) Amp slow blow or time delay. 
 

Do not use fast blow fuses. 

 

Amp Out

 – These two ¼ inch jacks accept 

the speaker connection cables.  The jacks 

Summary of Contents for Solo CXC-300

Page 1: ...1 SOLO SERIES CXC 300 400 Discrete FET Bass Amplifier Owner s Manual 1 10 99 ...

Page 2: ...Please take the time to review this manual and to send in your warranty registration card CAUTION Your ears are your most important piece of equipment Unfortunately they cannot be replaced as easily as your other gear Please take the following warning seriously This product when used in combination with a sound source and loudspeakers or headphones may be capable of producing sound levels that cou...

Page 3: ...requency selection control these controls will boost or cut the selected frequency by 15 db They are flat at their 12 00 setting Treble This is a traditional shelving type tone control It provides 15 db of boost or cut The knee of the filter is at approximately 2KHz The control is flat at the 12 00 position EQ Clip Indicator Flashes to indicate clipping within the tone control circuit of the pream...

Page 4: ...rating temperature Usually it takes from 2 to 5 minutes before the unit will begin to operate again Note the D I will continue to operate normally even when the amplifier is in thermal shut down only the stage sound will be lost OPERATING INSTRUCTIONS MECHANICAL AND THERMAL ISSUES Your amplifier should always be placed for operation away from sources of moisture or heat Care should be taken not to...

Page 5: ...at you will need to boost or cut are dependent upon your instrument playing style speaker cabinets and venue Extreme settings of boost or cut are unlikely to be necessary or helpful We are frequently asked to provide suggested settings for various styles of play We have discovered though that most of our endorsers tend to set their EQ generally flat using varying amounts of the Enhance Control We ...

Page 6: ...ention to the following areas will ensure optimum performance of your amplifier Contact Point Cleaning One of the weakest links in most bass amplification systems are the solderless connection points where instruments speaker cabinets effects and other devices are connected to the amplifier The most vulnerable of these types of connection is the jack on your instrument In addition to contamination...

Page 7: ...7 EQ Settings Setting name _____________________ Setting name ___________________ Setting name _____________________ ...

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