Using an amp with an effects loop
It is best to plug Repeater into the Effects Loop of your amp if it has one. Connecting this way will ensure safe
passage of your tone through Repeater. If your amp has a Wet/Dry Mix, set it to 100% wet for best results.
Using a Fo o t s w i t c h
If you're thinking "How am I supposed to do all this button pressin' while I'm playin' my guitar" then you may ben-
efit from picking up a Digitech FS-300 3 button footswitch. The FS-300 will let you control Undo, Play/Stop and
record with your feet. This should free up your hands for some serious bo-jangelin'.
Accessing Repeater's features from a MIDI Foot Controller
If you want to control Repeater from the floor you will be glad to know that you
can access all of Repeater's front panel parameters and controls via MIDI
Program Changes or Control Change messages. Pick up a MIDI floor controller
like a Digital Music Corp. Ground Control, Yamaha MFC10, Lexicon MPX-R1, or a
Digitech Control 8. You can control Repeater with Program Change messages
and/or Control Change messages. Basically that means that just about any MIDI
foot controller is capable of controlling Repeater.
Don't have a bass guitar?
One of the advantages of Repeater's pitch shifting being on the loop output, as
opposed to the input, is that you can quickly achieve great pitch shift effects
automatically on playback. Try this on for size: Set the pitch shift of Track 4 to
-12. Now create a rhythm loop with your guitar on Track 1. Select Track 4 to
record and play a bass line on your low E string. You will not hear the pitch shift
effect until you are done recording. As soon as the loop starts playing back Track
4 will be pitch shifted an octave down, and you'll have snuck in a bass line with-
out anyone knowing what happened.
English...
14
GETTING STARTED
1
2
3
From Amp Send
To Amp Return
Footswitch
1
2
3
Create Ambient Tracks
A looping recorder is a great way
to create ambient textures. By
using external effects and
Repeater's own arsenal of time
stretching and pitch shifting,
thick and organic textures are
within your reach. Use delay,
reverb, and filtering to shape
sounds giving them depth and
resonance. Layer these sounds
being careful to record only the
sustaining portions of each note.
Experiment with Reverse mode
and the Overdub feedback level
to facilitate ever changing loops
and ambiences.
Summary of Contents for Repeater
Page 1: ...Loop Based Digital Recorder ...
Page 4: ...English 4 TABLE OF CONTENTS ...
Page 5: ...English 5 TABLE OF CONTENTS ...
Page 48: ...English 48 FLOW DIAGRAMS ...