SETUP EXAMPLES
73
4.
On the AMP page for all tracks, make sure
ATK
is 0,
DEC
0, SUS
127
and
REL
INF.
5.
On the FILTER page for all tracks, the
DEP
parameters should be set to 0.
6.
Place note trigs on the first step of the sequencer. It is necessary to trig the amplitude envelope.
7.
Press play on the Machinedrum.
8.
Press play on Analog Keys. The filters of the synth tracks can now be used to shape the incoming
Machinedrum sound.
•
For serial filtering, make either one or both oscillators of synth track 1 listen to the external inputs.
Set the WAV parameter of oscillator 2 to NEI on the other tracks. Turn off oscillator 1 on tracks 2-4.
Turn down the track level to 0 for tracks 1-3.
•
Make Analog Keys listen to MIDI clock and transport controls sent from the Machinedrum. When
pressing play on the Machinedrum sequencer, both units will start to play at the same time and in
the same BPM. Experiment with the tempo-synced LFOs of Analog Keys controlling the filter
parameters.
•
Place other note trigs on Analog Keys sequencer and experiment with the filter envelope settings.
•
When using Analog Keys as a stereo filter, let track 1-2 take care of the left signal and track 3-4
take care of the right. Don’t forget to pan the synth tracks responsible for the left and right chan-
nels hard left and right. If you wish to control the FRQ or RES parameters of the left and right
tracks simultaneously, use a performance macro.
Summary of Contents for Analog Four
Page 1: ......
Page 4: ......
Page 11: ...ANALOG KEYS BACKGROUND 3 ...
Page 90: ...CREDITS AND CONTACT INFORMATION 82 ...
Page 102: ...B 6 Appendix B FX TRACK PARAMETERS ...
Page 122: ...D 14 Appendix D MIDI ...
Page 124: ...E 2 Appendix E ANALOG KEYS ARCHITECTURE ...
Page 128: ...4 INDEX ...
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Page 130: ......