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Front Panel Features

Welcome to the       

GigMaster 30

This compact tube-driven amp delivers to-die-for tone in a 

phenomenally portable package! Either version, Combo or Head, is your perfect sidekick for playing 
gigs, recording in studios, and practicing at home. It comes loaded with a bevy of convenient 
sound-sculpting features designed to make your musical life easier and more rewarding, including a 
built-in spring reverb, Gain Boost, and Master Volume Boost. This M.V.B. lets you access two different 
master volume levels on the fly via footswitch, for example, one for rhythm and the other for leads.
Four EL84 pentode power tubes serve up the amp's sweet fundamental sound, while the preamp's 
ECC83 double triode dishes out lashings of overdrive and distortion. What's more, the GigMaster 30 
sports two channels, Clean and Lead, to give you an even wider variety of tonal flavors. And its Mid 
Boost switch accentuates those middle frequencies that mean so much to the sound of an electric 
guitar. Six sound-shaping may be controlled remotely via footswitch, which gives you lots of tonal 
flexibility paired with utmost handling ease! This ingenious little amp is sure to delight with its warm, 
bluesy tone and assertive mids. But don't take our word for it - plug in, play, and enjoy!
You'll find guidelines on care and maintenance of tube amps handling in certain places of this manual. 
Please read and heed these before operating your amp. You'll also come across boxes shaded grey 
throughout the manual. These are located between the descriptions of the amp's functions and 
contain handy tips on the preceding function. All critical information pertaining to the operation of 
this amp is preceded by "NOTE" or "CAUTION." Please pay particular attention to these safety tips. The 
ENGL team wishes you all the best—may you and your amp enjoy a "harmonically rich" future together!

1 Input:

 ¼" unbalanced input jack. Plug your guitar in here using a shielded cord.

2 Input Gain:

 This knob controls the preamp's input sensitivity. Use to dial in the desired amount of 

   gain for the Clean and Lead channels. It and the Master (12) knob determine the Clean channel's  
   volume. Note: Turning the Input Gain knob all the way down gives the lowest input sensitivity.
   

A tip from the designer: 

   If you want to keep the preamp signal pristine clean, dial in a setting between 7 and 11 o'clock for 
   active and humbucking pickups, and between 9 and 1 o'clock for single-coil pickups. The power 
   amp provides a moderate amount of headroom, so be sure to choose a relatively low Master knob 
   setting (lower than 12 o'clock) if you wish to avoid any kind of break-up. Even in Clean mode, you 
   can push both the amp's preamp and power amp hard enough to overdrive the signal.

3 Lead Drive:

 This knob controls the Lead channel's sensitivity. It and the Input Gain (2) determine the 

   amount of preamp distortion in Lead mode.
   Note: The amp's noise floor will increase appreciably if you crank both the Lead Drive and
   Input Gain knobs!
   

CAUTION:

 Extremely high gain and volume levels in Lead mode can produce powerful feedback. 

   Avoid feedback squeals; they can lead to hearing loss and damage speakers! At higher volumes, 
   back off the Gain (Lead Drive) and Treble levels in order to prevent unchecked feedback!   
   

A tip from the designer: 

   Again, it's the combination of Input Gain (2) and Lead Drive (3) settings that control the amount of  
   preamp overdrive. You can use these two knobs to set the desired amount of Gain in Clean and Lead 
   modes, and then dial in the perfect balance between the two. Note that setting the Lead Drive knob 
   to around 10 o'clock (Gain Boost not activated) will give you a tougher rhythm tone with a little 
   added edge.

4 Bass:

 Bottom end voicing control of the preamps´s passive EQ.

5 Middle:

 Mid-range voicing control of the preamps´s passive EQ.

6 Treble:

 Upper range voicing control of the preamps´s passive EQ.

   

Tips from the Designer:

   To help you get acquainted with the amp's fundamental sounds, I recommend that you set all tone
   controls to the center or 12 o'clock position. If you want to dial in very soft lead, blues, or jazzy clean 
   sounds, try setting the Treble knob between 11 and 2 o'clock. For more aggressive riffs or 
   funk-approved tone, try a knob position between 2 and 4 o'clock.

Input Gain

Mid

Boost

Lead Drive

Bass

Middle

Treble

Lead Volume

Clean

Lead

Master

Stand By Power

GigMaster 30

Input

Reverb

Gain

Boost

Power

Tube
Fuse

1

2

3

4

9 10

5

6

7

8

11

12

14

15

13

Summary of Contents for Gig Master 30

Page 1: ...Operator s Manual Tube Guitar Amplifier Please first read this manual carefully GigMaster 30 ...

Page 2: ...rmine the Clean channel s volume Note Turning the Input Gain knob all the way down gives the lowest input sensitivity A tip from the designer If you want to keep the preamp signal pristine clean dial in a setting between 7 and 11 o clock for active and humbucking pickups and between 9 and 1 o clock for single coil pickups The power amp provides a moderate amount of headroom so be sure to choose a ...

Page 3: ...for Clean and Lead modes red LED indicate Lead mode This function can also be activated via the respective footswitch connected to jack 20 Once a footpedal is connected the channel selector pushbutton is deactivated 12 Master This master volume knob controls the power amp s output it is located post FX Loop M V B Master Volume Boost This feature increases the master volume level giving you instant...

Page 4: ...switch Clean Lead Gain Boost Use this Stereo jack to connect a conventional footswitch with two switching functions for example the ENGL Z 4 2 x off on Single Pole Single Throw or SPST for short This type of footswitch lets you access the two channels and Gain Boost One of the two switches activates Clean or Lead the other engages Gain Boost Plugging a footswitch into this jack disables onboard ch...

Page 5: ...d an external 8 ohm cabinet e g the ENGL models E112 or E412 CAUTION If you intend to use a 16 ohm cabinet only make absolutely certain you connect it to Output A jack 26 Output B jack 27 is only enabled when a speaker is connected to Output A jack 20 27 Poweramp Output B 16 Ohms serial This is an auxiliary output connected in series with Output A jack 26 This output is designed for one applicatio...

Page 6: ...ithout an adequate load a speaker cabinet or suitable terminating resistor High ambient temperatures place an additional strain on diverse components so if at all possible avoid operating the amp at temperatures far higher than 30 C 86 F for longer periods Running the amp at mains voltages exceeding the nominal mains input voltage over longer periods can also shorten component life Replace tubes w...

Page 7: ...ected properly and are they functional Unplug connected effectors and see if the amp works fine without these peripheral devices Are the Master Lead Drive or Lead Volume knobs set to a value greater than 0 If any of these knobs is fully down no signal is routed to the amp s outputs You may be looking at a faulty tube or another defect the internal power tube fuses blown etc In this case be sure to...

Page 8: ...u intend to use the amp in conjunction with any MIDI system including MIDI effects devices Stereo 1 4 jack tip refer to T ring refer to R sleeve Ground Shield Use a stereo plug only Stereo 1 4 plug ring R tip T sleeve Wiring of Principal Connectors Footswitch 18 19 20 Your options for controlling the GigMaster 30 amp remotely Technical specifications are subject to change without notice ENGL Gerät...

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