ENSONIQ SQ-R, Musician'S Manual

Page 1: ...isnsoniQ so Synthesizer Sound Module Musician s Manual Version 1 00...

Page 2: ...ss B computing device in accordance with the specifications in Subpart J of Part 15 of FCC rules which are designed to provide reasonable protection against such interference in a residential installa...

Page 3: ...ric Programming 1 10 Screens 1 10 Multiple Parameters 1 10 Changing a Parameter 1 10 Playing Sounds Sound Memory 1 12 Selecting a Sound 1 12 Choosing Internal ROM Card and Drum Sounds 1 12 Memory Card...

Page 4: ...3 6 Using Effects with Presets 3 6 About Performance Parameters 3 7 Parameter Bank Transpose 3 8 Key Range 3 9 MIDI Channel 3 10 MIDI Bank 3 10 MIDI Program Number 3 10 Program Changes in the SQ R 3...

Page 5: ...Using the Edit Sound Button LED 5 2 Edit Buffer 5 2 Abandoning Your Edits 5 2 Saving a New Sound into Memory 5 3 Copying an Existing Sound to Another Location 5 4 Section 6 Standard Programming SQ R...

Page 6: ...od Amount 6 30 Keyboard Scale Amount Key Range 6 30 Output Bus Priority 6 31 Pan Location Velocity Window 6 31 Section 7 Drum Programming SQ R Drum Sound Configuration 7 1 Selecting Drum Sound Editing...

Page 7: ...rnal and Card Memory 8 3 Sound Storage Prompts and Error Messages 8 4 Saving Preset Data to Memory Card 8 5 Preset Storage Prompts and Error Messages 8 6 MIDI Sys Ex Sending MIDI Sys Ex Messages to an...

Page 8: ...e SQ R features ENSONIQ s Smart Transmit function This unique and powerful feature which allows the SQ R to add new MIDI master controller features to any keyboard hooked up to it Connect your favorit...

Page 9: ...12 Choosing Internal ROM Card and Drum Sounds 1 12 Memory Cards 1 13 Reinitializing the SQ R 1 13 Low Battery Voltage When to Replace the Battery 1 14 SQ R Accessories 1 14 NeedMoreHelp 1 15 Power In...

Page 10: ...ment damage and minimize hum in the audio output AC outlet testers are available from many electronic supply and hardware stores These can be used to check for proper polarity of outlets and cords AC...

Page 11: ...MIDI cable from the MIDI Out jack of a MIDI keyboard or alternative MIDI controller to the SQ R s MIDI In jack Make sure that the controller is transmitting MIDI information and that both the controll...

Page 12: ...Your SQ R Through a Home Stereo System If you are thinking about amplifying your SQ R through your home stereo a word of caution is in order A home stereo is great for playing CD s albums tapes the d...

Page 13: ...ds are busy A CV pedal plugged into this jack can also act as a volume pedal controlling the overall volume level of the SQ R Pedal CV Specs 3 conductor Tip control voltage input Ring 2 KOhm resistor...

Page 14: ...wn Arrow buttons 16x2 Character LCD Display System EHeett a Seled Scfec o Ed Ed Sound Pr s t Soond T K Copy Elba The SQ R s user interface is designed to enable you to get around the instrument quickl...

Page 15: ...orms change envelopes etc Pressing the Bank Select and Up Down and Left Right Arrow buttons takes you to the individual parameters within the Sound Edit Mode An edited sound can be compared with the o...

Page 16: ...button located in the second position in the top row of four buttons allows access to all effect parameters The effect parameters are mode dependent when in Sound Select or Sound Edit modes the param...

Page 17: ...es the Up Down Arrow buttons select Sound or Preset locations by one For example from sound INT 21 Internal sound 21 the Up Arrow takes you to sound INT 22 and the Down Arrow takes you to sound INT 20...

Page 18: ...n the screen you want the display shows you which parameters are controlled from that screen Multiple Parameters Some of the SQ R screens contain more than one editable parameter When a screen with mu...

Page 19: ...s of any parameter by pressing either the Up Arrow for maximum or Down Arrow for minimum button and while continuing to hold it down press either of the Left or Right Arrow button If you select anothe...

Page 20: ...d Left Right Arrow buttons to select different sounds within a particular sound group for example the internals The Up Down Arrow buttons scroll through all the sounds within the current sound group o...

Page 21: ...itializing the SQ R is the equivalent of rebooting your computer There are many things that can happen to the SQ R or any computer system that might scramble the system software voltage surges power f...

Page 22: ...ou will switch the power on and instead of its usual wake up message the display will read WARNING Battery low see manual Press any button to commence normal operation Then make sure that all sounds a...

Page 23: ...eid TEACH YOURSELF KEYBOARD PLAYING IMPROVISING Vol s 1 2 Dr Jack Wheaton The Mix Bookshelf For prices and more information call 1 800 233 9604 In California call 1 800 641 3349 MIDI MIDI FOR MUSICIAN...

Page 24: ...et Effect from MIDI 2 7 Preset Prog Preset Program Change 2 8 Retransmit All Note Off 2 8 Store Sounds 2 9 Store Presets 2 9 System Bank The System Bank contains several screens These screens give you...

Page 25: ...ber assigned in the MIDI Specification See the MIDI Implementation chart EditKeyrange Edit Key Range This parameter allows you to use your controller keyboard to define key ranges ON Any key range par...

Page 26: ...ve MIDI data while the SQ R is in Sound Select mode When working within a preset the SQ R automatically transmits and receives MIDI data on the individual track channels System Exclusive messages are...

Page 27: ...r or any other application where having up to eight independent monophonic channels is desirable The SQ R offers two types of MONO mode operation In MONO A the SQ R will receive monophonically on eigh...

Page 28: ...or example MIDI Volume can have the effect of looping and causing the track volume to drop to zero The MIDI Loop parameter will allow you to use the SQ R in these situations without running into MIDI...

Page 29: ...ere to provide flexibility and to accommodate future MIDI standards Controllers System Excl System Bank Controllers OFF System Excl OFF Controllers This switch controls whether the SQ R will send and...

Page 30: ...CARD B Sounds These special control program changes need to be sent only once When the SQ R receives All subsequent program changes will be handled according to the range that was set by the last one...

Page 31: ...take incoming single channel MIDI data and using its preset functions retransmit the data from the SQ R s MIDI Out jack in multi channel form See Section 3 Presets for more details on this exciting fe...

Page 32: ...used to save sounds to card or via MIDI System Exclusive commands See Section 8 Storage Functions for details Store Presets System Bank This parameter is used to save presets to card or via MIDI Syst...

Page 33: ...12 Pressure 3 13 Sustain Pedal 3 14 Mix Bank Volume 3 15 Pan 3 15 Output 3 16 Timbre 3 16 Release 3 17 The Smart Transmit Function 3 18 Pressure 3 19 A Few Important Points About MULTI Mode 3 21 About...

Page 34: ...k on any track in which the status is set to MIDI or BOTH and MIDI Volume Timbre and a sustain release command are sent via the MIDI Out jack on any track in which the status is set to MIDI or BOTH r...

Page 35: ...d see the screen with its original settings Press Select Preset again to return to your edited preset You can toggle back and forth between the original and the edited sound as often as you like Edit...

Page 36: ...your new preset using the arrow buttons The Left Right Arrow buttons select the character to be edited while the and Up Down Arrow buttons scroll through the letters numbers and icons that can be used...

Page 37: ...various performance parameters as a track Each SQ R Preset has eight independent polyphonic Tracks which are selected from the two Track buttons Let s take a look at the Preset Tracks Press Select Pre...

Page 38: ...now appears in the selected Track with the effect placed globally in the preset Press the Edit Track again to return to the track editing functions The Edit Track LED will light solidly to indicate i...

Page 39: ...umber transposition track MIDI channel number track MIDI bank number track MIDI Program number enable or defeat MIDI function type of pressure responded to MIDI only enables or disables the sustain pe...

Page 40: ...which is being edited and the play status of the track This line is the same on each screen within the bank Track 1 ON Transpose 00 Octave 1 Semitone Each track can have its pitch transposed raised o...

Page 41: ...n below shows an example of three tracks with overlapping key ranges The Piano is layered with and partially overlaps the Cellos on the lower end and the Flute on the upper end Warning In order to set...

Page 42: ...ameter Bank Important This parameter determines the MIDI bank number that will be sent via MIDI when the track is selected The SQ R transmits and responds to this new MIDI controller transmitted as co...

Page 43: ...from 001 to 079 The Drum Kit sounds send their program numbers 080 to 099 when selected Receiving Program Changes The way the SQ R receives program changes is slightly more complex than some other sy...

Page 44: ...he base channel in OMNI POLY and MULTI modes or the global controller channel in MONO A and MONO B modes will select a new preset MIDI Status Parameter Bank r Track 1 Status BOTH OH MIDI Status This s...

Page 45: ...pressure modulation to each note independently If you press down on any particular key within a chord only that note will be affected by pressure all others remain unaffected This innovative and high...

Page 46: ...l be retransmitted if the Retransmit parameter is ON OFF sustain events will have no effect on the notes played on this track Sustain events will not be retransmitted even with the Retransmit paramete...

Page 47: ...ill send a MIDI Volume Change message controller 7 with the indicated value whenever this parameter is edited Preset tracks will also send the current volume for each track when a preset is selected P...

Page 48: ...after copying a sound to a track Timbre Mix Bank Timbre The Timbre parameter provides an easy way to make useful changes to the character of a sound without getting into more complex programming This...

Page 49: ...away when the key is released This is useful when you need to adjust the 1 release characteristics of a sound for a particular application without getting more f deeply into programming Range 64 to 64...

Page 50: ...xternal MIDI devices should play across specific areas of the keyboard For example Remote UftH 4 Only Remote Unit 3 Program 397 jiRemote Unit 2 only Program 57 j mGm layered w Remote Unrt 1 Program 42...

Page 51: ...o work Also remember to have the cables to any external MIDI devices connected to the SQ R s MIDI Out not the MIDI Thru jack After setting up these parameters save the preset giving it a name that des...

Page 52: ...enabled to receive and which are not For example Preset Location Track Status Indicators PSET 09 123 56 8 Preset 00 Presest Name Any tracks which are On indicated by the track number showing are enabl...

Page 53: ...a track via MIDI The selected program s effect f does not come with it all of the eight tracks in the Preset share the same j effects setup which can normally can be changed only by editing the effec...

Page 54: ...added onto the rest of the synthesizer The flexible bus routing scheme and the extensive real time control give the SQ R its dynamic effects capability The SQ R is equipped with an advanced digital s...

Page 55: ...ters part of this section Preset Effect Each preset contains an effect and a complete set of effect parameter values The effect is present even if none of the tracks in the preset are routed through t...

Page 56: ...d the brief delay caused by the actions described above Pass rapidly over the types between the old type and the new type and then pause The new effect will be recalled only after you stop changing th...

Page 57: ...all effects with FX2 routing only through the second effect Multiple function effect Voice Output Main Outputs Destination Bus When the selected effect is a combined effect that has more than one sign...

Page 58: ...g speaker simulator with reverb DIST CHORUS VERB Chorus with distortion plus reverb CMPRSS DIST VERB Compression Distortion and Reverb Great for guitar and amp simulation with acoustic feedback Sounds...

Page 59: ...t button scrolls through individual Effect parameter screens You can then use the Left Right Arrow buttons to select the various parameters within the bank Normally different voices in a preset are as...

Page 60: ...eters within a given effect being available for modulation Mod Source This selects the source for modulating the Mod Destination Mod Amount This sets the amount the Mod Destination will be modulated b...

Page 61: ...after the key is released The illustrations below show the available ramps Ramp 1 Any Key Down 0 1 1 Time in seconds Ramp 2 Any Key Down 0 1 1 Time in seconds Ramp 3 Any Key Down 0 1 1 4 Time in seco...

Page 62: ...SQ R Musician s Manual Section 4 Effects Ramp 6 Any Key Down All Keys Up 0 1 1 4 Time in seconds 0 1 1 4 Time in seconds 4 9...

Page 63: ...oth be routed into the effect with different mixes CONCERT REVERB HALL REVERB ROOM REVERB WARM CHAMBER concert hall reverb good for long decay times hall with transverse reflections small room emulati...

Page 64: ...decays some high frequencies tend to get absorbed by the environment Increasing the value of this parameter will filter out increasing amounts of high frequency energy Range 0to99 HF Bandwidth High F...

Page 65: ...us Center This parameter controls the delay eight time centers within the chorus Adjusting this parameter will change the tonal character of the feedback and the Dry Wet mix Range 0to99 Feedback This...

Page 66: ...nal that will be fed from the output of one channel into the input of the other creating a stereo feedback effect Range 99 to 99 Warning Adjust the level of these parameters carefully Some feedback co...

Page 67: ...ACK CHORUS LEVEL Decay Time HF Damping High Frequency Damping See the description under Reverbs in the Single effect section Chorus Rate This parameter controls the eight rates of modulation of the de...

Page 68: ...the flanger effect Range 00 to 99 Flange Depth This parameter controls the range of the high to low frequency sweep in the flanger effect Range 00 to 99 Flange Center This parameter controls the sweep...

Page 69: ...Range 00 to 99 Phaser Depth This parameter controls the amount of modulation applied to phaser poles Range 00 to 99 Phaser Center This parameter controls the pole centers Range 00 to 99 Feedback This...

Page 70: ...point over which the LFO will sweep Range 00 to 99 Rotor Depth Determines the depth of the LFO Range 00 to 99 SpeedMode Determines how the rotory speaker will switch between slow and fast speeds CONTI...

Page 71: ...nation Bus Decav Time See the description under Reverbs in the Single effect section Distortion Level This parameter controls the output of the distortion The input is controlled by the individual voi...

Page 72: ...pass I Q as well FX1 routes the signal through each of these effect processors while FX2 is used for reverb only DECAYTIME HFDAMPING FLANGE RATE COMPRESSION DISTORTION LEVEL In and Out REVERB TO CMPRS...

Page 73: ...e output of the reverb back into the input of the compressor The sign of the value determines the polarity of the feedback Range 99 to 99 Note Since the feedback level is taken from the FXl bus if FXl...

Page 74: ...lay the sound The SQ R has a total of 21 voices which are dynamically assigned among the different sounds that you play How many voices a sound uses on each MIDI note received depends on the sound Man...

Page 75: ...sly there Only one sound at a time can reside there the edit buffer always contains the results of your last edit When you press the Edit Sound button you are alternating between the sound in the orig...

Page 76: ...Up Down Arrow buttons scroll through the letters numbers and icons that can be used to name the sound 4 Press the Enter Save button 5 Select a memory location for your program using the Left Right an...

Page 77: ...cation For example you might want to put the six most commonly used sounds in the same bank for easy access during performance Select the sound you want to copy Press Enter Save The display shows Repl...

Page 78: ...e 6 13 Pitch Bank Oct Semi Fine Oscillator Tune 6 14 Envl LFO 6 14 Mod Source Mod Amount 6 15 Keyboard Pitch Tracking 6 15 Glide Mode 6 15 Glide Time 6 15 ENV1 ENV 2 AMP SQ R Envelopes 6 16 Levl 6 17...

Page 79: ...ther memory location For example you might want to put the six most commonly used sounds in the same bank for easy access during performance Select the sound you want to copy Press Enter Save The disp...

Page 80: ...trol of some aspects of an effects program Selecting a Modulator On those programming screens where a modulator can be selected to vary the level of some function within a SQ R voice the display shows...

Page 81: ...olume pitch filter frequency etc a versatile matrix modulation scheme with 15 routable modulation sources The diagram below shows the configuration of one SQ R voice SQ R Voice Configuration Wave Mod...

Page 82: ...s the above illustration shows the effect of KEYBD as a modulator goes negative as well as positive The effect of KEYBD is to reduce the Level on notes below the break point Middle C MIDI Key and incr...

Page 83: ...oduce vibrato tremolo and many other effects depending on the LFO wave selected and where it is applied as a modulator There are seven possible wayeshapes for the LFO See the LFO Screen later in this...

Page 84: ...modulator is positive going only though assigning a negative modulation depth will cause increased pressure to reduce manual levels MAX ON Full Value MAX ON reaches the full value specified in the mo...

Page 85: ...ents have controllers enabled System Bank 3 Select Breath Controller as the external controller that will be received by the SQ R XCTRL 02 also in the MIDI Bank 4 Assign XCTRL as a Modulator for LFO l...

Page 86: ...make up an SQ R sound This parameter is used to determine the voice s playback status There are three status options that a voice can be set to on this screen OFF The selected voice is muted and will...

Page 87: ...rally these are percussive sounds which are looped that is they will sustain PERCUSSION This class contains unlooped non sustaining percussion sounds DRUM WAVE Individual drum sounds which are used to...

Page 88: ...oice will play When this parameter is underlined pressing the Up Down Arrow buttons will scroll through the individual waveforms within the selected wave class then cross over into the next class Belo...

Page 89: ...unt Loop Length Wave Bank Start Index 0 Mod LF0 0 Start Index 00 Loop Len9th 000 I Mod Source I Mod Amount ILoop Length Start Index This controls where in the sample the wave will begin playing When S...

Page 90: ...ONIC WAVEFORM and MULTI WAVE Range 99 to 99 Controls how many waves will be included in the loop This parameter is found only when using MULTI WAVE Range 000 to 121 Two wave classes INHARMONIC and WAV...

Page 91: ...oscillator by steps of one cent 1 100 of a semitone Range 99 to 99 Env1 LFO Mod Source and Amount Pitch Bank Envl LFO Envl 99 LF0 99 Mod UEL 99 Mod Source Mod Amount On the Pitch Mod Screen you apply...

Page 92: ...e is off This is normal polyphonic operation with no portamento RETRIGGER This mode plays monophonically with the envelope and waveform retriggering or restarting each time there is a new key down MIN...

Page 93: ...e the voice s pitch ENV 2 is routed to the filter cutoff frequency of the voice For each of the voice s two filters the parameter labeled ENV 2 in the Filters bank controls ENV 2 depth AMP is routed t...

Page 94: ...e following levels INITIAL Determines the level at which the envelope will stan when a key down is received Range 00 to 99 PEAK Determines the level the envelope will reach at the end of the time defi...

Page 95: ...o the PEAK level The higher the value the longer the time This doesn t necessarily have to be an attack in the usual sense the INITIAL level could be set higher than the PEAK level in which case this...

Page 96: ...e value of AtckV is increased a harder keystrike will result in faster attack Note that this parameter will have no effect if AtckV 00 Range 00 to 99 This selects which of the four available velocity...

Page 97: ...the sustain pedal is down In FINISH mode if you set a delay on the voice and you release the key before the designated delay time elapses the note will sound anyway The envelope finishes what you set...

Page 98: ...KeyboardTrk will make all envelope times except Release shorter as you play notes above middle C and longer as you play below middle C higher notes will have shorter envelopes than lower ones The grea...

Page 99: ...e within a sound has its own LFO which can be assigned as a modulator wherever a modulation source is selected LFO s are commonly used to create vibrato tremolo and other effects LFO Speed Noise Rate...

Page 100: ...hange quickly Range 00 to 99 Level Dlay Mod LFO Bank Level Dlay Mod Dlay 80 Mocl WHEEL LFO Level Sets the manual level or depth of the LFO Level controls the initial amount of LFO The effect of any LF...

Page 101: ...o the POS TRI POS TRI the POS TRI is a positive only triangle wave useful for simulating vibrato on instruments like the guitar where vibrato techniques are limited to bending the note up SAWTOOTH the...

Page 102: ...is always four These four poles are divided between the two filters either as 2 and 2 or as 3 and 1 A 1 pole filter will rolloff at 6 dB per octave a 2 pole filter 12 dB per octave a 3 pole filter 18...

Page 103: ...ude a nplitudo 6db oa 24 oa cutoff 0 frequency 4 pole Low pass cutolf Filter 2 1 pole Low pass amplitude 0 frequency 4 pole Low pass amplitude ff6q w 12db od cutoff 0 frequency Rlter 1 2 pole Low pass...

Page 104: ...al pass through the filter Lower settings lower the cutoff frequency somewhat like turning down the treble on a stereo Range 000 to 127 Determines the amount or depth by which envelope 2 will affect t...

Page 105: ...tings lower the cutoff frequency somewhat like turning down the treble on a stereo Range 000 to 127 Determines the amount or depth by which Envelope 2 will affect tlie filter cutoff frequency Range 99...

Page 106: ...ng of the voice along with keyboard scaling effects routing and voice reassignment or voice stealing priority Vol Boost Mod Source and Amount Output Bank Volume Boost Output Volume Boost Uol 84 Boost...

Page 107: ...keyboard A value of 99 will fade the voice in x from silence to full level between the low and high keys A value of 99 will fade the voice out from full level to silence between the low and high keys...

Page 108: ...ound which would be missed the least if stolen such as a voice playing the same wave as another voice but detuned a bit HIGH is best used only for specific applications in which you want to protect a...

Page 109: ...d Env2 7 9 Mode AMP Voice Triggering Stealing Notes 7 10 Output Bank Voice Volume Volume Boost Pan Location 7 11 Output Bus Velocity Curve 7 12 SQ R Drum Sound Configuration As discussed earlier SQ R...

Page 110: ...rum edit mode by selecting a drum sound then pressing the Edit Sound button Sound Edit Mode Whenever you want to do any editing to a sound you must first place the SQ R into Sound Edit Mode This is ac...

Page 111: ...wave name change every several keys If you count you ll discover that there are 17 of these changes corresponding to the 17 voices By playing keys on the keyboard you are selecting a voice to be edite...

Page 112: ...Because you are not placing additional voices above F6 you can reset the High Key to its original value This will have the effect of creating a hole in the key map at F6 since there are no longer any...

Page 113: ...ave classes contain samples of real acoustic and electronic sounds which can be used as the basis for a wide variety of realistic musical sounds Where necessary these waves have been multisampled samp...

Page 114: ...map currently residing in the edit buffer setting all the voices to a key range of AO AO You can press the Enter Save button to activate the command Use this command when you want to discard the drum...

Page 115: ...i Fine Voice Tune Pitch Bank Oct Changes the pitch of the voice by octaves Range 4 to 4 octaves Semi Changes the pitch of the voice by semitones Incrementing decrementing this control beyond 11 or 11...

Page 116: ...he original signal pass through the filter Lower settings lower the cutoff frequency somewhat like turning down the treble on a stereo Range 000 to 127 LevV Velocity Level Control The Velocity level p...

Page 117: ...ike This means that the settings you assign to Voice Volume is the maximum level the level that will be reached with the hardest keystrike The amount of LevV will determine how much that level will be...

Page 118: ...s and to manage the voice stealing it is sometimes useful to understand when a given voice will be assigned and when it will be released or put back into the pool for use by other sounds This depends...

Page 119: ...volume and panning of the voice Volume Boost Pan Output Bank Volume Boost Pan Voice Volume Adjusts the overall volume of the voice Since Envelope 3 is permanently routed to the volume of the voice thi...

Page 120: ...for each bus See the section on Effects for more on programming specific effects Voice Output Destination Bus Outputs VelCurv This selects which of the four available velocity response curves the enve...

Page 121: ...uses credit card type memory cards for sound and preset storage Only ENSONIQ memory cards or cards approved by ENSONIQ can be used with the SQ R Similar memory cards sold for use with other manufactur...

Page 122: ...rnal preset memory to the card described later in this section will format the card but will leave the remaining memory unusable as neither sounds nor additional preset memory can be saved Obviously t...

Page 123: ...single sound to a different location use instead the procedure described in Section 5 To Copy sound banks between Internal and Card memory Press the System button Press the Right Arrow or System butt...

Page 124: ...is formatted but does not contain sound data in Card B Erase preset data on card If you attempt to copy INT TO CARD B with a card which already has preset data stored in the area normally occupied by...

Page 125: ...below Storage Type MEMORY CORD Press Enter Save The display now offers two choices Operation COPY ALL TO CARD this command will copy the entire contents of the SQ R preset memory to the RAM Card This...

Page 126: ...g No will leave the Card B sounds intact and allocate the remaining 32k of card memory for preset storage Sorry write to card failed This message will appear whenever the SQ R fails to verify data tha...

Page 127: ...s Ex Press the System button Press the Right Arrow or System button repeatedly until the display reads Press ENTER to Store Sounds Press Enter Save The display now lets you choose which type of storag...

Page 128: ...ter Save The display will read Please wait sending data while the sounds are being transmitted Receiving MIDI Sys Ex Messages The receiving of data dumps is initiated automatically by system exclusive...

Page 129: ...an be sent via Sys Ex from an SQ R to an SQ 1 Once in the SQ 1 track data can be added to these presets becoming sequences Sequence data can be received via Sys Ex from an SQ 1 to an SQ R When receive...

Page 130: ...uted to Effects 4 6 Copy Preset Data 8 6 Copying an Existing Sound to Another Location 3 4 5 4 Creating Holes in the Key Map 7 3 Current Key Number 7 3 Cutoff Frequency 2 5 6 4 6 17 27 29 30 7 1 8 CV...

Page 131: ...6 1 24 LFO Delay 6 25 LFO Level 6 6 25 LFO 3 16 4 10 15 17 6 1 to 4 6 15 24 to 27 LFO Speed 6 24 25 LFO Waveshapes 6 26 Line Conditioning 1 2 Loop Length 6 14 Loop 2 1 5 4 20 6 1 12 14 Low Battery Vo...

Page 132: ...4 6 6 4 6 Pitch 2 2 4 6 3 8 4 7 10 11 6 1 to 4 6 15 16 17 31 7 1 7 Playing Sounds 1 1 6 12 POLY Mode 1 7 8 2 3 4 8 3 6 10 12 20 Polyphony 5 1 6 16 Power 1 1 2 3 10 13 14 2 1 3 2 7 18 8 5 7 i 1 Preset...

Page 133: ...ack Buttons 1 6 8 12 3 2 5 6 Track Editing 3 6 Track Status 1 7 3 2 3 6 10 20 Tracks 1 8 2 2 3 4 7 3 1 to 7 9 11 to 17 19 20 21 4 2 5 6 6 16 7 7 Transpose 3 7 8 18 TRANSWAVE 6 10 12 7 5 Tufnel Theorem...