MIDI Out
Connect Misha’s MIDI Out to the MIDI In jacks of a synthesizer/oscillator etc.; or to a
MIDI to CV converter unit and to a synthesizer/oscillator etc. from there.
All Notes Off
In the unlikely event of MIDI “stuck notes”, you can send an “all notes off” command by
pressing both
▼
and
▲
simultaneously, and while they are both held, then pressing
.
MIDI PassThru
We’ve seen how to control the Misha with an external MIDI controller, using the MIDI
mapping settings on the Misha. A user may also wish to switch between this usage of
the MIDI controller and using that controller in the standard way – i.e., sending the MIDI
notes through Misha without alteration.
Using MIDI PassThru the user can spontaneously shift between “normal” keyboard and
Misha keyboard control – without disrupting real-time flow during performance. This is
done by sending a continuous controller (“CC”) command as a signal to the Misha to
toggle between the two states.
PassThru Modes
There are three modes: Off, PassThru and Active.
Off
No MIDI data (Notes, CC, Pitch Bend etc) is passed through. If a given note # has
an assignment, the Misha function assigned to it will be performed and the
appropriate MIDI note sent.
PassThru
The data on the MIDI Out port mirrors the signal on the MIDI In port. All MIDI
data is passed through from In to Out with no changes.
Misha monitors MIDI Note On messages and updates its “Last Note” buffer and
display with the Pitch and Octave of the most recently received Note On
message, for use with Misha interval functions when the status is returned to
“Active”. (I.e, whatever the last note is when in PassThru becomes the starting
point for active status, so that a “+1” will yield one note higher in the scale than
that.
Active
When Active is on, the data on the MIDI Out is the “normal” MIDI Out dataset
from Misha. Which is to say the MIDI data generated normally when it is
operated from its front panel controls and/or any controls mapped to MIDI, plus
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