Fender Mustang LT25, Owner'S Manual

MUSTANG LT25 EFFECT MODELS

This table lists the effect models in Mustang LT25, organized into the four categories that appear in each pre-

set—STOMP (stompbox), MOD (modulation), DELAY and REV (reverb). The effects labels used in each preset 

appear in the lefthand column, followed by the effects types and a brief description in the righthand column.

STOMPBOX EFFECTS

OVERDRIVE

Versatile Fender overdrive specially designed for Mustang LT25

BLUES DRIVE

Overdrive effect inspired by the original late-’70s Ibanez TS808 Tube Screamer

MYTH DRIVE

Overdrive effect inspired by the ’90s-era Klon Centaur

ROCK DIRT

Distortion effect inspired by the Pro Co RAT

FUZZ

Versatile Fender fuzz with variable low-end response specially designed for Mustang LT25

BIG FUZZ

Distortion effect inspired by the Electro-Harmonix Big Muff

OCTOBOT

Synth-like combination of octave-down effect plus octave-up fuzz

COMPRESSOR

Compressor effect inspired by the classic MXR Dyna Comp

SUSTAIN

Inspired by the MXR M-163 Sustain, a rare 1980s compressor pedal with an especially 

strong compression effect and short attack time

METAL GATE

Noise gate with a very fast attenuation curve especially ideal for high-gain metal

5-BAND EQ

Five-band graphic equalizer

MODULATION EFFECTS

CHORUS

Distinctive chorus effect that uses a triangle wave for modulation

FLANGER

Distinctive flanging effect that uses a triangle wave for modulation

VIBRATONE

Classic late-’60s/early-’70s Fender effect with a rotating speaker baffle

TREMOLO

Smoothly pulsating tube bias tremolo, as heard in amps 

such as the Fender Princeton Reverb

PHASER

Long-indispensable jetliner “whoosh” heard on countless recordings

STEP FILTER

Rhythmically choppy effect that dices notes into distinctly alternating “steps”

TOUCH WAH

Wah effect controlled by picking dynamics rather than an expression pedal

All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones 

and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affiliation, connection, sponsor-

ship, or approval between FMIC and with or by any third party.

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