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THE FENDER

®

HERITAGE

Since 1946, Fender realized the importance of your amplifier. You see, your amplifier is more than a combination

of dials, wires and speakers. Your amplifier IS a musical instrument.  And like any fine musical instrument, it

should be treated with special care and attention to detail.

At Fender, we know what building amplifiers is all about. For over half a century, we have been designing and

producing some of the world’s best amplifiers helping shape the face of music.  In fact, many of the world's most

classic and best sounding amplifiers have proudly worn the Fender name. 

Whether you're after that classic Fender tone, a clean crisp sound for your Bass or Keyboard or the raw driving

power of modern distortion, your decision to purchase a Fender amplifier is one you will appreciate with each

passing note for years to come.

Wishing you years of enjoyment and a heartfelt 

thank you.

F e n d e r   -   T r a d i t i o n

Bill Schultz
Chairman
Fender Musical Instruments Corporation

Bill Schultz

Summary of Contents for Prosonic

Page 1: ...P N 049991 Reference and Owner s Manual Professional Tube Amplifier tone tradition innovation...

Page 2: ...and producing some of the world s best amplifiers helping shape the face of music In fact many of the world s most classic and best sounding amplifiers have proudly worn the Fender name Whether you r...

Page 3: ...um hand selected birch maple plywood and employ rugged corner joinery Only the most road worthy and musical components are used in the all tube circuitry This and much more enables each amplifier to w...

Page 4: ...adding sustain while reducing Edge when the volume is increased This channel produces great high gain sound at any volume from bedroom to stadium The Prosonic combo is designed for the guitarist who...

Page 5: ...YOUR FACE NOSTRIL LEAD CLASSIC FENDER COWBOY TWANG METAL SUGGESTED PROSONIC SOUND SETTINGS You Take it from Here N A N A TO TASTE N A TO TASTE N A N A N A N A N A N A N A TO TASTE TO TASTE TO TASTE T...

Page 6: ...by plugging in the footswitch C VOLUME Controls the volume level of the NORMAL channel ONLY D GAIN 1 1st control for gain or overdrive of the DRIVE channel ONLY E LED Indicates operation of the DRIVE...

Page 7: ...MASTER Controls the loudness of the DRIVE channel ONLY K REVERB Combo only Controls the strength of the Reverb both channels This effect may be selected on or off via the footswitch L PILOT JEWEL Illu...

Page 8: ...nd a preferred setting The Class A TUBE setting at low volume sounds a lot like the Class AB2 Solid State setting at high volume F IMPEDANCE SWITCH Head only Labeled 4 8 and 16 This switch serves to s...

Page 9: ...point in this procedure leave the new tubes in your amp and purchase another spare set When changing the tubes ALWAYS unplug the amplifier and remember THE TUBES ARE HOT Either wait for the tubes to c...

Page 10: ...AB2 Solid state rectifier 60 W R M S Class AB2 5AR4 GZ34 rectifier 50 W R M S Class A 5AR4 GZ34 rectifier 30 W R M S minimum into 8 or 16 OUTPUT IMPEDANCE 8 or 16 Combo 4 8 or 16 Head INPUT IMPEDANCE...

Page 11: ...comments regarding this manual Please send your comments to Fender Musical Instruments Corp Research and Design Documentation Department Attn Technical Writing 7975 North Hayden Road Scottsdale Arizon...

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