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UNDERSTANDING VOICING AND GAIN 

 

The Input Sensitivity of an amplifier, commonly referred to as GAIN, determines how much overdrive and 
sustain your guitar will produce. Tonal balance, which we refer to as VOICING determines how the amp will 
respond to your playing style and sound with a particular guitar. Like all amplifiers, the SIG:X has tone and gain 
controls, but unlike any other amplifier the SIG:X gives you total control over VOICING and GAIN. This GAIN I / 
GAIN II / MASTER VOLUME configuration is the key to dialing in the SIG:X sound and volume to your specific 
requirements.  

 

 

 

Different combinations of VOICING switch and GAIN I settings, will have a dramatic effect on the response of 
the amplifier and the personality of your instrument. It is easy to get familiar with the action of these controls 
and you’ll be amazed with your ability to make any guitar sound mellow, fat, soulful or aggressive. 

 

For example, play for a few minutes with the controls set as follows: 

 

Now set the controls like this: 

 

 

Notice that the overall amount of overdrive is approximately the same as it was but the tonal balance has 
shifted markedly from crisp and spanking to full and warm. Now try the same settings again, only this time set 
the voicing switch to BRIT, then BLOW. Notice how the same control settings take on an entirely new upper 
harmonic quality. Finally, try the same settings on 40W mode. Notice how the rounder tone along with the 
spontaneous distortion quality and touch sensitivity of the power amp stage dramatically affects the overall 
personality of the amplifier compared to the 100W mode. 

 

Having done this simple exercise, you will now understand how each channels function operates. As you will 
see, by experimenting with combinations of settings you can cover an amazing amount of tonal territory before 
you even begin to start thinking about tone control settings or switching channels.

 

 

Summary of Contents for Sig:X G100SX

Page 1: ...OWNERS MANUAL VACUUM TUBE GUITAR AMPLIFIER MODEL G100SX REVISED 1 01 09...

Page 2: ...that blends vintage and modern character with outstanding tonal flexibility As with all FRYETTE amplifiers the SIG X amplifier beautifully accentuates the inherent qualities of any instrument It breat...

Page 3: ...outlet contact an electrician to replace your obsolete outlet Do not defeat the safety purpose of this plug Protect the power supply cord from being pinched or abraded The power supply cord of this p...

Page 4: ...ping Controls low frequency interaction between amplifier and speakers CLEAN CHANNEL N VOLUME Sets the channel gain and volume and determines send level to the EFFECTS LOOP O TREBLE MIDDLE BASS Passiv...

Page 5: ...no alteration of the tonal balance This control is active when the front panel switch is set to BOOST BOOST NORM The GAIN II control is only active when the front panel switch is set to BOOST The BOO...

Page 6: ...lteration of the tonal balance This control is active when the front panel switch is set to BOOST BOOST NORM The GAIN II control is only active when the front panel switch is set to BOOST The BOOST sw...

Page 7: ...bit of 6L6 flavor Great for dark fat sounding guitars Also very cool for soloing with an overdrive pedal BOOST NORM Adds 6dB of preamp gain when set to BOOST The BOOST switch also assigns the BOOST f...

Page 8: ...o make any guitar sound mellow fat soulful or aggressive For example play for a few minutes with the controls set as follows Now set the controls like this Notice that the overall amount of overdrive...

Page 9: ...this amplifier one need only remember to keep the guitar volume and tone controls in mind Playing off of the guitar controls is practically a lost art This is probably because amps of the recent past...

Page 10: ...THM BLUES setting for example would be a fat lead setup with a dark sounding overdrive pedal RHYTHM SHRED with the voicing set to BRIT and the mids turned up would be a good medium crunch sound with t...

Page 11: ...usually look beyond the amp to achieve Multiple guitars multiple amps and multiple distortion pedals are often used to do the serious fine tuning What if each of the amplifiers channels had such an ef...

Page 12: ...BY while changing speaker connections or impedance settings IMPEDANCE SELECT When one or both of the two parallel jacks are connected simply set the two position 8 4 ohm selector switch for connection...

Page 13: ...tion See FAQs at www sfdamp com for a complete explanation about Series and Parallel loop operation BYPASS Activates EFFECTS LOOP With footswitch connected the BYPASS switch must be set to OUT for foo...

Page 14: ...1 Parallel Triodes 12AX7 Tung Sol 12AX7WB Sovtek Use in place of Tung Sol for less mid saturation and deeper low end V2 Gain Stage 2 for LEAD channel 12AX7A 7025 China Gain Stage 2 for RHYTHM channel...

Page 15: ...for EFFECTS footswitch to operate RUNNING HOT 1 Make sure that the unit has adequate ventilation 2 Make sure that the impedance selector is set to the proper impedance 3 Power tubes may be under bias...

Page 16: ...the Registration Evaluation Authorization and Restriction of chemicals REACh and contain none or less than 0 1 of the chemicals listed as hazardous chemicals in the REACh regulation All information pr...

Page 17: ...ed to any malfunction defects or failure caused by or resulting from unauthorized service or parts damaged or broken tubes incorrect line voltage improper maintenance modification or repair by the use...

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