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SAMPLE SETTNGS 

 

If the SIG:X is about anything, it’s about transition. Most multi-channel amps give you a one trick pony on each 
channel at best, and multiple channels of one average sound at worst. Marketing and engineering people try to 
sell us little blocks of canned “sounds” and most of us fall for it until we run up against their limitations. Guitar 
music is a string of spontaneous and often unorthodox impulses. Guitar players attack, coax and finesse music 
out of a guitar in ways that seem to defy logic and the laws of physics. It’s all of the things we do “in-between” 
that gives guitar music excitement and emotional impact. These in-between or transitional stages that usually 
happen 

in spite

 of your existing amp settings may not light up the marketing committees radar, but this is 

where many players spend the most of their time, and where the SIG:X shines most brightly. 

 

To fully realize the range and flexibility of this amplifier, one need only remember to keep the guitar volume and 
tone controls in mind. Playing off of the guitar controls is practically a lost art. This is probably because amps of 
the recent past have been lacking in the things that amps of an earlier era excelled at - a great basic tone and 
an unmistakable feel. Many players will sacrifice flexibility and modern conveniences for great tone and feel. 
With the SIG:X you get both, and although many other manufacturers have made this claim, we believe that 
the SIG:X truly delivers it. In fact, this was the intent of the design from day one.  

 

Below are some sample settings that will help illustrate the basic categories of sounds the SIG:X is capable of. 
When experimenting with these, remember to play with your guitar volume, tone and pick-up selector, and 
explore the range of sounds available on each setting.  

 

CLEAN CHANNEL SETTINGS 

The samples on the left were set up with a strat style guitar. The two on the right were done with humbucker 
fitted guitars. Using different guitar set-ups will have a dramatic effect on these settings, as will your guitar 
control settings. 

 

 

 

Summary of Contents for Sig:X G100SX

Page 1: ...OWNERS MANUAL VACUUM TUBE GUITAR AMPLIFIER MODEL G100SX REVISED 1 01 09...

Page 2: ...that blends vintage and modern character with outstanding tonal flexibility As with all FRYETTE amplifiers the SIG X amplifier beautifully accentuates the inherent qualities of any instrument It breat...

Page 3: ...outlet contact an electrician to replace your obsolete outlet Do not defeat the safety purpose of this plug Protect the power supply cord from being pinched or abraded The power supply cord of this p...

Page 4: ...ping Controls low frequency interaction between amplifier and speakers CLEAN CHANNEL N VOLUME Sets the channel gain and volume and determines send level to the EFFECTS LOOP O TREBLE MIDDLE BASS Passiv...

Page 5: ...no alteration of the tonal balance This control is active when the front panel switch is set to BOOST BOOST NORM The GAIN II control is only active when the front panel switch is set to BOOST The BOO...

Page 6: ...lteration of the tonal balance This control is active when the front panel switch is set to BOOST BOOST NORM The GAIN II control is only active when the front panel switch is set to BOOST The BOOST sw...

Page 7: ...bit of 6L6 flavor Great for dark fat sounding guitars Also very cool for soloing with an overdrive pedal BOOST NORM Adds 6dB of preamp gain when set to BOOST The BOOST switch also assigns the BOOST f...

Page 8: ...o make any guitar sound mellow fat soulful or aggressive For example play for a few minutes with the controls set as follows Now set the controls like this Notice that the overall amount of overdrive...

Page 9: ...this amplifier one need only remember to keep the guitar volume and tone controls in mind Playing off of the guitar controls is practically a lost art This is probably because amps of the recent past...

Page 10: ...THM BLUES setting for example would be a fat lead setup with a dark sounding overdrive pedal RHYTHM SHRED with the voicing set to BRIT and the mids turned up would be a good medium crunch sound with t...

Page 11: ...usually look beyond the amp to achieve Multiple guitars multiple amps and multiple distortion pedals are often used to do the serious fine tuning What if each of the amplifiers channels had such an ef...

Page 12: ...BY while changing speaker connections or impedance settings IMPEDANCE SELECT When one or both of the two parallel jacks are connected simply set the two position 8 4 ohm selector switch for connection...

Page 13: ...tion See FAQs at www sfdamp com for a complete explanation about Series and Parallel loop operation BYPASS Activates EFFECTS LOOP With footswitch connected the BYPASS switch must be set to OUT for foo...

Page 14: ...1 Parallel Triodes 12AX7 Tung Sol 12AX7WB Sovtek Use in place of Tung Sol for less mid saturation and deeper low end V2 Gain Stage 2 for LEAD channel 12AX7A 7025 China Gain Stage 2 for RHYTHM channel...

Page 15: ...for EFFECTS footswitch to operate RUNNING HOT 1 Make sure that the unit has adequate ventilation 2 Make sure that the impedance selector is set to the proper impedance 3 Power tubes may be under bias...

Page 16: ...the Registration Evaluation Authorization and Restriction of chemicals REACh and contain none or less than 0 1 of the chemicals listed as hazardous chemicals in the REACh regulation All information pr...

Page 17: ...ed to any malfunction defects or failure caused by or resulting from unauthorized service or parts damaged or broken tubes incorrect line voltage improper maintenance modification or repair by the use...

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