background image

also plug a second & third 

MIC

into the rear panel's 

MIC 2

(20) & 

MIC 3

(19) 

1/4"

jacks. The decibel level of 

MIC 2

(20) is controlled by the rotary

MIC 2 VOLUME CONTROL

(51). The decibel level of 

MIC 3

(19) is con-

trolled by the 

CH 1 SLIDE CONTROL

(39).

13. 

TALKOVER:

The purpose of the 

AUTO TALKOVER MODE

is to

allow the program playing to be attenuated so that the MIC may be
heard above the music. The 

AUTO TALKOVER SWITCH 

(54) controls

MIC 1

(49) and 

MIC 2

(20) with 

3

settings:

- When the 

MIC/TALKOVER SWITCH

(54) is in the 

BOTTOM

position,

MIC 1

(49),

MIC 2

(20) & 

TALKOVER MODE

are all 

OFF

.

- When the 

MIC/TALKOVER SWITCH

(54) is in the 

CENTER

position,

MIC 1

(49) & 

MIC 2

(20) are 

ON

TALKOVER MODE

is 

OFF

. The 

MIC

ON LED

indicator glows when 

MIC 1

(49) & 

MIC 2

(20) are 

ON

.

- When the 

MIC/TALKOVER SWITCH

(54) is in the 

TOP

position, 

MIC

1

(49) & 

MIC 2

(20) are 

ON

TALKOVER MODE 

is 

ON

, & the volume of

all sources except 

MIC 1

(49) & 

MIC 2

(20) are lowered automatically by

-16 dB

, when speaking into the 

MIC

(s).

14. 

BNC LAMP PORT:

The 

BNC LAMP PORT

(22) connects a 

12 V

BNC

goose neck lamp, such as the 

Gemini GNL-700

to the 

PDM

mixer.

The goose neck lamp will be powered by your mixer. To turn 

ON

the

goose neck lamp, you must first attach the goose neck lamp to the 

BNC

LAMP PORT

(22). Make sure the 

PDM

mixer is 

OFF

when connecting

the 

12 V BNC

lamp. To connect the goose neck lamp, simply align the

screw cap of the goose neck lamp to the locking nodules of the 

BNC

LAMP PORT

(22), push down, & twist the screw cap clockwise to lock

the 

12 V BNC

goose neck lamp in place. Then turn 

ON

your mixer. The

goose neck lamp should light-up. To detach the goose neck lamp from
the 

BNC LAMP PORT

(22), first make sure your mixer is 

OFF

. Turn 

OFF

your mixer and the goose neck lamp will turn 

OFF

. Unscrew the screw

cap by twisting it counterclockwise, then pull up & remove the goose
neck lamp.

15. 

GROUND LIFT SWITCH:

The 

GROUND LIFT SWITCH

(8) is used

to reduce background noise & hum when using multiple outlets to power
audio equipment. The switch should be in the position that provides the
least amount of noise or hum. If noise remains at the same level in both
positions, the 

GROUND LIFT SWITCH

(8) should be kept in the 

GND

position.

NOTE: MAKE SURE THE MIXER AND/OR AMPLIFIER IS OFF BEFORE SWITCHING THE
GROUND LIFT SWITCH TO PREVENT A TRANSIENT POP THAT MAY DAMAGE YOUR SYS-
TEM.

16. 

VU METER:

The 

VU METER

(23) indicates the decibel level of the

MASTER RCA

MASTER BALANCED

(3 & 6) outputs of the 

LEFT

&

RIGHT

stereo levels.

ECHO SECTION:

An echo effect may be applied to the 

PGM

, or 

MIC 1

(49) & 

MIC 2

(20)

signals by switching the 

ECHO ASSIGN

(55) switch from 

MIC 1-2

on the

LEFT

, to 

OFF

in the 

MIDDLE

, to 

MASTER

on the 

RIGHT

& vice versa.

When using 

ECHO

(55), you may adjust the effect of the 

ECHO

(55) by

using the rotary 

REPEAT

(56), 

DELAY

(57), and 

ECHO VOLUME

(58)

controls. To turn the 

ECHO ASSIGN

(55) 

OFF

or lower the 

ECHO VOL-

UME

(58).

SOUND EFFECTS SECTION:

Six different sound effects (

APPLAUSE

SCREAM

COPTER

,

SCRATCH

H

2

O

GLASS

) may be added to your mix by pressing the

SOUND EFFECTS CONTROL BUTTONS

(61). The volume of the

effects can be adjusted using the rotary 

EFX VOLUME

(60) located

above the 

APPLAUSE

effect button. The pitch of the effects can be

increased or decreased using the rotary 

SPEED CONTROL

(59) locat-

ed above the 

SCRATCH

effect button.

MEMORY INFORMATION:

The 

PDM-03

is equipped with 

5 MEMORY BANKS

(59). The two banks

marked 

8

8

are 

8

seconds in length, the two banks marked 

16

16

are

16

seconds in length and the bank marked 

48

is 

48

seconds in

length. These banks are separate & 

CANNOT

be linked. You can store

a different sample in each bank, but they must be recorded individually
& must be played one at a time.

(7

7)

ASSIGN 

switch allows you to direct

CH 1

2

3

, or 

4

through the 

LEFT

side of the 

CROSS FADER

(36). The 

RIGHT ASSIGN

(35) switch allows

you to direct 

CH 1

2

3

, or 

4

through the 

RIGHT

side of the 

CROSS

FADER

(36). When the 

ASSIGN SWITCH

(es) (34, 35) are at 

OFF

, you

will not have a 

CH

assigned to the 

CROSS FADER

(36). This allows you

to control the 

PGM

with the use of the respective 

CH SLIDE CON-

TROLS

, thus layering the 

PGM

with up to four 

CH

s.

8. 

CROSS FADER SECTION:

The 

CROSS FADER

(36) allows you to

mix from one source to another. The 

PDM

mixers feature an assignable

CROSS FADER

(36). The rotary controlled 

ASSIGN SWITCHES

(34,

35) allow you to select which channel will play through each side of the

CROSS FADER

(36). The 

CROSS FADER

(36) in your unit is remov-

able & if the need arises can be easily replaced. Your Gemini mixer
comes with a 

RG- 45

(

RAILGLIDE™

DUAL-RAIL CROSS FADER

.

RAIL GLIDE™ CROSS FADERS

have internal dual stainless steel rails

that allow the slider to ride smoothly and accurately from end to end.
Also available is our 

RG-45 PRO

(

PROGLIDE™

CROSS FADER 

with

a special curve designed for scratch mixing. Just purchase one from
your 

Gemini 

dealer & follow the instructions:

NOTE: DO NOT APPLY PRESSURE WHILE USING THE CROSSFADER. LIGHTLY GLIDE
THE CROSSFADER BACK AND FORTH. PRESSING DOWN ON THE CONTROLS CAN
BEND CONTACTS AND CAUSE A LOSS OF SOUND.

9. 

EQUALIZER (EQ):

These units feature dual 

10 BAND GRAPHIC

EQUALIZERS

(32, 33) that will allow you to adjust the sound to fit any

room. By adjusting any of the 

10 EQ SLIDE CONTROLS

(32, 33), you

can cut or boost the tonal characteristics of the sound coming from 

PGM

to the speaker(s) by 

±12 dB

. To activate the dual 

10 BAND GRAPHIC

EQ

, switch the 

EQ SWITCH

(31) to 

ON

, & the 

EQ LED

will light up to

indicate that the 

EQ

has been engaged. To deactivate the dual 10 band

graphic 

EQ

, switch the 

EQ SWITCH

(31) to 

OFF

, & the 

EQ LED

will turn

OFF

. When activated, the 

EQ

(32, 33) controls the 

LEFT

and 

RIGHT

side of your stereo speakers. The 

PGM

EQ

are controlled by the 

MAS-

TER VOLUME

(27). To balance the sound of the 

PGM

playing through

the 

MASTER VOLUME

(27) on the 

LEFT

RIGHT

side of your speak-

ers you must mirror the 

EQ

levels on the 

LEFT

(32) & 

RIGHT

(33) 

EQ

controls.

NOTE: FOR OPTIMAL PERFORMANCE IN YOUR SOUND OUTPUT, HAVE YOUR SOUND
SET TO STEREO NOT MONO. START WITH THE EQ LEVELS (32, 33) AT CENTER VALUE.
THE EQ SLIDE CONTROLS (32, 33) SHOULD LOCK AT THIS POSITION. ADJUST YOUR
MASTER VOLUME (27) CONTROL FROM MID TO LOW VOLUME RANGE. THEN ADJUST
THE LEFT (32) OR RIGHT (33) EQ, ONE SLIDE CONTROL AT A TIME, TO A COMFORT
ABLE LEVEL. ONCE YOU ARE SATISFIED WITH THE SOUND OF ONE SIDE, MATCH THE
EQ SETTINGS ON THE OTHER SIDE. ONCE YOU HAVE PASSED THE CENTER VALUE ON
THE EQ (32, 33), THE MASTER OUTPUT, AS INDICATED IN THE VU METER (23), MAY
EXPERIENCE A TONAL BOOST. PLEASE ADJUST THE MASTER VOLUME (27) TO A COM-
FORTABLE LEVEL SO YOU DO NOT OVERLOAD YOUR SYSTEM. CLIPPING WILL OCCUR
WHEN YOU ARE OVERLOADING YOUR SYSTEM. LOWER THE MASTER VOLUME (27) OR
ADJUST YOUR EQ (32, 33) SETTINGS SO THAT CLIPPING DOES NOT OCCUR. THEN YOU
MAY RAISE THE MASTER VOLUME (27) TO A LEVEL WITH WHICH YOU ARE COMFORT-
ABLE.

10. 

STEREO/MONO:

You can convert your sound output from 

STEREO

to 

MONO

& vice versa by using the 

STEREO/MONO SWITCH

(30).

Switch to the 

LEFT

to convert to 

STEREO

. Switch 

RIGHT

to convert to

MONO

.

11. 

OUTPUT SELECTION CONTROL:

Once you are comfortable with

the sound level of your music you may adjust the decibel level of the

PGM 

with the 

MASTER VOLUME

(27) control. 

MASTER RCA

BAL-

ANCED MASTER OUTPUTS

(3, 6) are controlled by the level of the

MASTER VOLUME

(27) control. You may adjust the volume of the

ZONE

(5) output with the 

ZONE

(29) rotary control. You may adjust the

volume of the 

BOOTH

(7) output with the 

BOOTH

(28) rotary control.

The volume of your 

RECORD

(4) output is controlled strictly by the 

CH

SLIDE CONTROLS

.

12. 

MIC SECTION:

Plug your main 

MIC

into the 

MIC 1

combination

XLR-1/4"

input (49) located on the face panel. The rotary controls for

HIGH

(52) and 

LOW

(53) allow you to adjust the tone of 

MIC 1

(49). The

rotary 

MIC 1 VOLUME CONTROL

(50), above the rotary 

MIC 2 VOL-

UME CONTROL

(51), adjusts the decibel level of 

MIC 1

(49). You may 

P

PD

DM

  S

SE

ER

RIIE

ES

S

P

PD

DM

  S

SE

ER

RIIE

ES

S

REPLACEABLE CROSS FADER

1. UNSCREW THE OUTSIDE
FADER PLATE SCREWS (B).
- DO NOT TOUCH INSIDE
SCREWS (C).
2. CAREFULLY REMOVE OLD
CROSS FADER AND UNPLUG
CABLE (D).
3. PLUG IN THE NEW CROSS
FADER INTO CABLE (D) AND
PLACE BACK INTO MIXER.
4. SCREW THE CROSS FADER
TO MIXER WITH THE FADER
PLATE SCREWS (B).

PDM-02 ECHO/EFX:

PDM-03 SAMPLER OPERATION:

Summary of Contents for PDM-01

Page 1: ... a c k m o u n t e d m i x e r 1 9 R A C K M I X E R M I T 5 H E MEZCLADOR DE 5U 19 FORMATO RACK M I X E R R A C K A B L E 1 9 X 5 U OPERATIONS MANUAL BEDIENUNGSHANDBUCH MANUAL DEL OPERADOR MANUEL D INSTRUCTIONS ...

Page 2: ... If you are unable to insert the plug into the outlet contact your elec trician to replace your obsolete outlet Do not defeat the safety purpose of the grounding type plug POWER CORD PROTECTION Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them paying particular attention to cords at plugs convenience receptacles and the ...

Page 3: ... 3 PDM 0 01 Front REAR ...

Page 4: ... 4 4 PDM 0 02 Front REAR ...

Page 5: ... 5 ...

Page 6: ... set of headphones to the HEADPHONE 26 jack you can monitor any or all channels Press the CUE BUTTONS 38 41 44 47 for CHs 1 through 4 respectively to assign the CH s to be monitored The respective CUE LED indicators will glow when in use Use the rotary CUE VOLUME CONTROL 25 to adjust the CUE volume without changing the overall mix By moving the CUE PGM FADER CONTROL 24 to the LEFT you will be able...

Page 7: ...with the use of the respective CH SLIDE CON TROLS thus layering the PGM with up to four CHs 8 CROSS FADER SECTION The CROSS FADER 36 allows you to mix from one source to another The PDM mixers feature an assignable CROSS FADER 36 The rotary controlled ASSIGN SWITCHES 34 35 allow you to select which channel will play through each side of the CROSS FADER 36 The CROSS FADER 36 in your unit is remov a...

Page 8: ...TOR 58 switch in the SINGLE position causes SAMPLER to play back one time the SAMPLER INDICATOR will glow GREEN Each push of the SAMPLER button restarts the sample from the beginning Rapid press ing of the SAMPLER button will cause a stuttering effect Once the sam ple has started playback the SAMPLER button is not pushed a sec ond time the SAMPLE will SINGLE to the end stop This Sample will play t...

Page 9: ... PHONE 26 anschließen können Sie alle Kanäle Vorhören Drücken Sie die Knöpfe CUE BUTTONS 38 41 44 47 für Kanal 1 bis 4 um den abzuhörenden Kanal anzuwählen Die jeweils zugehörige LED leuchtet auf Mit dem Drehregler CUE VOLUME CONTROL 25 regeln Sie die Vorhörlautstärke unabhängig von Ihrem Mix Bewegen Sie den CUE PGM FADER 24 nach links hören Sie das CUE Signal Schieben Sie den CUE PGM FADER 24 in ...

Page 10: ...ei laufender Musik besser hören zu können schalten Sie die AUTO TALKOVER FUNKTION ein Der Schalter AUTO TALKOVER 54 wirkt auf MIC 1 49 und MIC 2 20 und hat 3 Stellungen Ist der Schalter MIC TALKOVER 54 in der unteren Position sind MIC 1 49 MIC 2 20 TALKOVER MODE aus Befindet sich der Schalter MIC TALKOVER 54 in der Mitte sind MIC 1 49 MIC 2 20 an TALKOVER MODE is aus Die MIC ON LED wenn MIC 1 49 M...

Page 11: ... Sample abgespielt wird wird das Sample wiederholt welches zuvor gewählt wurde und spielt bis zum Ende ab 4 Um ein neues Sample abzuspielen muss der Sample gestoppt sein Wählen Sie dann aus der Speicherbank das gewünschte Sample aus und starten Sie erneut 5 Steht der MODE SELECTOR 58 in der Position REPEAT und Sie drücken die Taste SAMPLER 59 wird dann das Sample wie in einer Schleife wiederholt L...

Page 12: ...liar con cables RCA La salida REC 4 permite conectar su mezclador a una unidad grabadora permitiéndole registrar su mezcla 4 En el panel trasero se encuentran las entradas 2 PHONO PH LINEA LN convertible RCA 12 16 y 5 LINEA RCA 10 9 13 17 18 Las entradas convertibles RCA de CH 2 16 y CH 3 12 permiten conectar equipos de niveles de PH y LN al mezclador Para ajustar los CONVERTER s 11 15 solo displa...

Page 13: ...olado únicamente por el nivel de los deslizantes de canal 12 SECCION MICRO Conecte su micrófono principal a la entrada MIC 1 combo de XLR 1 4 49 localizada en el panel frontal Los controles rotativos de AGUDOS 52 y GRAVES 53 permiten ajustar el tono del micro MIC 1 49 El control rotativo MIC 1 VOLUMEN 50 situado enci ma del MIC 2 VOLUMEN 51 ajusta el nivel de decibelios del MIC 1 49 Usted puede co...

Page 14: ...loque el MODE SELECTOR 58 en SINGLE o REPEAT 2 Seleccione el sample deseado pulsando el correcto MEMORY BANK 3 Pulsando el botón SAMPLER con el MODE SELECTOR 58 en SINGLE hará que el SAMPLER inicie la reproducción una vez el indi cador de SAMPLER lucirá verde Cada pulsación del SAMPLER reinicia la reproducción del sample desde el principio Pulsando rápidamente el botón SAMPLER tendremos un efecto ...

Page 15: ...ecteurs RCA pour reli er la console de mixage à l amplificateur Cette sortie principale possède aussi une CONNECTION SYMETRIQUE 6 utilisant des Jacks 6 35 mm Cette dernière est à utiliser lorsque la distance entre l amplificateur et la console de mixage dépasse 3 M La sortie BOOTH CABINE 7 permet de relier un amplificateur addi tionnel à l aide d un cordon RCA La sortie ZONE 5 permet la connection...

Page 16: ...OLUME 27 AFIN QUE CES LEDS S ETEIGNENT ET OU EFFECTUEZ UN NOUVEAU REGLAGE SUR L E GALISEUR GRAPHIQUE 32 33 10 COMMUTATION MONO STEREO Vous pouvez commuter le niveau de sortie en mode MONO ou STEREO et inversement en util isant l INTERRUPTEUR STEREO MONO 30 Positionnez le à GAUCHE pour être en écoute STEREO et à DROITE pour une écoute en mode MONO 11 REGLAGE DU NIVEAU DE SORTIE Lorsque vous avez ré...

Page 17: ...g istrement témoin de compléter leprocessus 2 Pour tester le sample avant utilisation appuyez sur la touche CUE SAMPLER 59 Utilisez les réglages de la pré écoute afin d écouter le sample La LED CUE SAMPLER s allumera dès son utilisation Pour commuter le CUE SAMPLER en mode PGM appuyez de nouveau sur la touche CUE SAMPLER afin de désactiver la fonction pré écoute La LED CUE SAMPLER s éteindra 3 Com...

Page 18: ...hms Symétrique 6 dB 2 V 400 Ohms GENERAL Bande passante 20Hz 20KHz 2 dB Distortion 0 02 Rapport Signal Bruit 80 dB Atténuation Talkover 16 dB Impédance casque 16 Ohms Alimentation 115 230 V 60 50 Hz 20 W Dimensions Largeur 19 x Hauteur 4 x Profondeur 9 1 482 6 x 100 6 x 231 2 mm Poids 10 34 lbs 4 7 kg REMARQUE GEMINI DANS LE CADRE D UN SOUCI CONSTANT D AMELIORATION DE SES PRODUITS SE RESERVE LE DR...

Page 19: ... 19 NOTES P PD DM M S SE ER RIIE ES S P PD DM M S SE ER RIIE ES S ...

Page 20: ...Gemini Sound Products Corp It is recommended that all maintenance and service on this product is performed by Gemini Sound Products Corp or its authorized agents Gemini Sound Products Corp will not accept liability for loss or damage caused by maintenance or repair per formed by unauthorized personnel Worldwide Headquarters 120 Clover Place Edison NJ 08837 USA Tel 732 738 9003 Fax 732 738 9006 Fra...

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