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ver 1.0 

 

10

10 

absolute fidelity

 

depth well behind the speaker, excellent focus of instruments and voices 
with proper vertical information and mid bass fill. 

A Genesis loudspeaker system correctly set up, can and should provide 
a soundstage that is wall to wall and with pinpoint focus, the speakers 
disappearing completely on a recording containing such information. 

4.4  Room Treatment 

No room is perfect. To optimize your sonic presentation it may be helpful 
to treat your room. Here are some guidelines: 

Front walls

. This loudspeaker is a dipole and 

therefore there is sound coming from both the 
front and the back of the speaker. How the front 
wall (the wall you face while listening) is treated 
or not treated is important. Generally speaking, 
the Genesis loudspeakers prefer a live (hard 
reflective) front wall to a dead (soft absorbent) 
front wall.  
 
By these terms we mean the amount of reflection 
of sound. A typical wall of glass, brick, cement 
or drywall material is a reflective surface. A 
heavily curtained or sound-proofed wall would be 
considered a "dead wall" or a non-reflective wall. 
A normal thin curtain across a window causes 
only a small amount of absorption. 

Sidewalls

. Because the speaker is a dipole it is 

less sensitive to the sidewalls. However, as a 
rule of thumb it is a good idea to keep the 
speaker as far away from the sidewalls as is 
practical. In some rooms, it may be helpful to 
add some damping material or diffuser panels to 
the point of first reflection. This is a point on the 
sidewalls between the listener and the 
loudspeaker. It is where the sound from the 

loudspeaker first hits the sidewall, then bounces to the listener. 
This reflection is undesirable because it is slightly delayed from the 
original sound. This point on the sidewall can be easily determined 
with the help of a second person and a mirror.  
 
Sitting in your listening position, have an assistant hold a mirror up 
on the sidewall. Move the mirror until you can see the tweeter. This 
is the point of first reflection. A diffuser (see your audio dealer), an 

Summary of Contents for Genesis 6.1e

Page 1: ...TUNING THE SYSTEM 7 3 1 IMAGING AND SOUNDSTAGE 7 3 2 FURTHER ADJUSTMENTS 8 4 THE REFINEMENT STAGE 9 4 1 ONE CHANGE AT A TIME 9 4 2 DEFINING THE SOUNDSTAGE 9 4 3 APPROPRIATE MID BASS BALANCE 9 4 4 ROO...

Page 2: ...cabinet rigid and well damped with no detrimental vibrations All construction and even internal braces have been tongue and grooved to ensure that the cabinet is the best environment on which to mount...

Page 3: ...ck support box and two pieces of foam holding on to the top and bottom of the speaker You will also find the wire grill that will go on the front of the speaker Remove the foam on the bottom of the sp...

Page 4: ...1 4 Adjustments Don t be too worried by the midrange and tweeter adjustment knobs on the back of the G6 1e The G6 1e will sound great straight out of the box with these both set at the 12 o clock posi...

Page 5: ...the speakers too close to the front wall you will find that the image depth is not as good the soundstage becomes a little two dimensional If you have the space to move the speakers away from the wall...

Page 6: ...ntrol clockwise will increase the level of the tweeters Use this control if you need a bit more treble or to increase the apparent space of the soundstage Too high a tweeter level and you can feel tha...

Page 7: ...information in the recording the performer should appear to come from behind the loudspeakers and be at the appropriate height for a standing person If it is not there are several remedies that will a...

Page 8: ...o back depth When the recording is close miked when the instrument or performer is very close to the recording microphone the music may appear to come directly from the loudspeaker This is normal Typi...

Page 9: ...g enough front to back depth pull the speaker away from the front wall This is typically preferable to separating the two speakers too far and will almost always give you better depth and soundstage i...

Page 10: ...of glass brick cement or drywall material is a reflective surface A heavily curtained or sound proofed wall would be considered a dead wall or a non reflective wall A normal thin curtain across a wind...

Page 11: ...arning experiences you will have in the pursuit of music and its enjoyment One of the best pieces of advice we can offer is that you take advantage of your ear s ability to identify similarities in so...

Page 12: ...means that there is minimum radiation of sound to the sidewalls of the room The G6 1e also uses the wall behind the speaker to give more depth to the soundstage and air to the speaker without detail...

Page 13: ...cs and concert level listening that is available in all Genesis 6 series loudspeakers the G6 1e incorporates two front firing 6 5 inch metal cone mid bass couplers as woofers Made of aluminum this met...

Page 14: ...here is not a single right angled joint in the entire construction In order to achieve the optical illusion to make the cabinet look slimmer than it actually is the sides of the cabinet are sloped 1de...

Page 15: ...he lowest distortion Extensive bracing is also used to even further reduce vibrations The bracing is also directly coupled to the cabinet walls using tongue and groove construction the braces are not...

Page 16: ...de High Level Input Impedance 4 ohms Nominal HF Transducers Two Genesis 1 Circular Ribbon Tweeters front rear Midrange Transducers One Genesis 5 titanium cone midrange Bass Transducers Two Genesis 6 5...

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