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ver 1.0 

 

14

14 

absolute fidelity

 

circuit. Out of this comes the “magic” that is a Genesis designed 
loudspeaker system. For example, by going the more expensive route 
of using several smaller capacitors in parallel instead of a single big one, 
transparency and musicality were improved.  

5.4  Vibration-free Cabinet 

The cabinet was designed for aesthetics, but with an obsession to sonic 
quality, vibration control, structural strength, and rigidity.  

The design had to be bounced around our Chief Scientist, a structural 
furniture engineer, an interior designer, an architect, and our CEO who 
supplied the final “eye” to get the angles right on the cabinets. 
Consultants on veneers, glues, and a German consultant on CNC 
machining were used in its development. 

The cabinet required incredible 
precision in manufacturing as the 
cabinet is made of complex curves and 
subtle angles that need to be joined 
seamlessly and perfectly.  

For example, there is not a single right-
angled joint in the entire construction! In 
order to achieve the optical illusion to 
make the cabinet look slimmer than it 
actually is, the sides of the cabinet are 
sloped 1degree top to bottom, and also 

angled 3degrees front to back, and leans backwards by 5degrees. 
Joints and braces had to be cut 

precisely

 at 1degree, 3degree, and 

5degree angles. 

The result is that the cabinet is not only beautiful, but exceedingly well 
damped and vibration-free – contributing to a loudspeaker that is 
extremely low in coloration. It uses subtle angles, complex curves, and 
contrasting colors to transform a loudspeaker into a beautiful piece of 
sculpture or musical instrument.  

The structural principle used in the construction is this: when any 
loudspeaker is operating, ALL the components of the speaker are set 
into vibration to a larger or smaller extent. The goal of the cabinet is to 
reduce this vibration to a minimum, distribute it, and damp it so that 
there is no energy storage in the cabinet itself. This then eliminates the 
boxy coloration that is evident in many loudspeakers. 

 

Joinery on G6.1e 

 

Square Box 

Summary of Contents for Genesis 6.1e

Page 1: ...TUNING THE SYSTEM 7 3 1 IMAGING AND SOUNDSTAGE 7 3 2 FURTHER ADJUSTMENTS 8 4 THE REFINEMENT STAGE 9 4 1 ONE CHANGE AT A TIME 9 4 2 DEFINING THE SOUNDSTAGE 9 4 3 APPROPRIATE MID BASS BALANCE 9 4 4 ROO...

Page 2: ...cabinet rigid and well damped with no detrimental vibrations All construction and even internal braces have been tongue and grooved to ensure that the cabinet is the best environment on which to mount...

Page 3: ...ck support box and two pieces of foam holding on to the top and bottom of the speaker You will also find the wire grill that will go on the front of the speaker Remove the foam on the bottom of the sp...

Page 4: ...1 4 Adjustments Don t be too worried by the midrange and tweeter adjustment knobs on the back of the G6 1e The G6 1e will sound great straight out of the box with these both set at the 12 o clock posi...

Page 5: ...the speakers too close to the front wall you will find that the image depth is not as good the soundstage becomes a little two dimensional If you have the space to move the speakers away from the wall...

Page 6: ...ntrol clockwise will increase the level of the tweeters Use this control if you need a bit more treble or to increase the apparent space of the soundstage Too high a tweeter level and you can feel tha...

Page 7: ...information in the recording the performer should appear to come from behind the loudspeakers and be at the appropriate height for a standing person If it is not there are several remedies that will a...

Page 8: ...o back depth When the recording is close miked when the instrument or performer is very close to the recording microphone the music may appear to come directly from the loudspeaker This is normal Typi...

Page 9: ...g enough front to back depth pull the speaker away from the front wall This is typically preferable to separating the two speakers too far and will almost always give you better depth and soundstage i...

Page 10: ...of glass brick cement or drywall material is a reflective surface A heavily curtained or sound proofed wall would be considered a dead wall or a non reflective wall A normal thin curtain across a wind...

Page 11: ...arning experiences you will have in the pursuit of music and its enjoyment One of the best pieces of advice we can offer is that you take advantage of your ear s ability to identify similarities in so...

Page 12: ...means that there is minimum radiation of sound to the sidewalls of the room The G6 1e also uses the wall behind the speaker to give more depth to the soundstage and air to the speaker without detail...

Page 13: ...cs and concert level listening that is available in all Genesis 6 series loudspeakers the G6 1e incorporates two front firing 6 5 inch metal cone mid bass couplers as woofers Made of aluminum this met...

Page 14: ...here is not a single right angled joint in the entire construction In order to achieve the optical illusion to make the cabinet look slimmer than it actually is the sides of the cabinet are sloped 1de...

Page 15: ...he lowest distortion Extensive bracing is also used to even further reduce vibrations The bracing is also directly coupled to the cabinet walls using tongue and groove construction the braces are not...

Page 16: ...de High Level Input Impedance 4 ohms Nominal HF Transducers Two Genesis 1 Circular Ribbon Tweeters front rear Midrange Transducers One Genesis 5 titanium cone midrange Bass Transducers Two Genesis 6 5...

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