background image

 

 

ver 1.0 

 

5

absolute fidelity

 

2  Complete Set-up Guide 

2.1  Positioning  

A good starting position for the G6.1e is about 18 inches (0.45m) into 
the room, as measured from the front wall (the wall you look at as you 
are seated listening to the speakers), to the back of the base of the 
speaker. Start with the speakers six feet apart with the tweeters placed 
closest together, and angled in (toed-in) towards the listener by about 5 
degrees. You will want to sit eight to twelve feet (2.4 to 4.0 metres) away 
from the speakers (if you have the space). We will experiment with 
moving the speakers around later. 

As these speakers are dipolar, they are really room-friendly and you are 
free to move the speakers closer to, or further away from the front and 
side walls. We do recommend, however, that you give the speakers a 
little bit of breathing space behind them, so don’t push them up tight 
against the wall. If you do need to push then up tight against the wall, 
the speakers feature a rear tweeter defeat switch which may make them 
work better in your room. 

If you have the speakers too close to the front wall, you will find that the 
image depth is not as good - the soundstage becomes a little two-
dimensional. If you have the space to move the speakers away from the 
wall, do so. You will be rewarded with the deep, broad soundstage that 
this loudspeaker is capable of. You should be able to “see” the 
soundstage behind, as well as in front of, the loudspeakers. The sound 
stage will also extend outside the left and right sides of the speakers. 

2.2  Source Input Connections 

Connect the speaker outputs of your power amplifier to the 

I

NPUTS

 

binding posts using a high-quality loudspeaker cable.  

If you have an optional Genesis ServoSub, connect the subwoofer to 
the G6.1e using the 

T

HRUPUT

 binding posts. Because the subwoofer is a 

high impedance

 load, you do not need to use a beefy loudspeaker cable 

for this connection. An interconnect-type cable should be use which will 
optimise performance of the subwoofer.

 

Make sure that you have the correct polarity connected for both 
speakers – the plus(+), pove) or red terminal on the G6.1e 
should be connected to the plus, positive, or red terminal on your power 
amplifier. The minus(-), negative(-ve) or black terminal should be 
connected to the amplifier’s minus(-), negative(-ve) or black output. 

 

Summary of Contents for Genesis 6.1e

Page 1: ...TUNING THE SYSTEM 7 3 1 IMAGING AND SOUNDSTAGE 7 3 2 FURTHER ADJUSTMENTS 8 4 THE REFINEMENT STAGE 9 4 1 ONE CHANGE AT A TIME 9 4 2 DEFINING THE SOUNDSTAGE 9 4 3 APPROPRIATE MID BASS BALANCE 9 4 4 ROO...

Page 2: ...cabinet rigid and well damped with no detrimental vibrations All construction and even internal braces have been tongue and grooved to ensure that the cabinet is the best environment on which to mount...

Page 3: ...ck support box and two pieces of foam holding on to the top and bottom of the speaker You will also find the wire grill that will go on the front of the speaker Remove the foam on the bottom of the sp...

Page 4: ...1 4 Adjustments Don t be too worried by the midrange and tweeter adjustment knobs on the back of the G6 1e The G6 1e will sound great straight out of the box with these both set at the 12 o clock posi...

Page 5: ...the speakers too close to the front wall you will find that the image depth is not as good the soundstage becomes a little two dimensional If you have the space to move the speakers away from the wall...

Page 6: ...ntrol clockwise will increase the level of the tweeters Use this control if you need a bit more treble or to increase the apparent space of the soundstage Too high a tweeter level and you can feel tha...

Page 7: ...information in the recording the performer should appear to come from behind the loudspeakers and be at the appropriate height for a standing person If it is not there are several remedies that will a...

Page 8: ...o back depth When the recording is close miked when the instrument or performer is very close to the recording microphone the music may appear to come directly from the loudspeaker This is normal Typi...

Page 9: ...g enough front to back depth pull the speaker away from the front wall This is typically preferable to separating the two speakers too far and will almost always give you better depth and soundstage i...

Page 10: ...of glass brick cement or drywall material is a reflective surface A heavily curtained or sound proofed wall would be considered a dead wall or a non reflective wall A normal thin curtain across a wind...

Page 11: ...arning experiences you will have in the pursuit of music and its enjoyment One of the best pieces of advice we can offer is that you take advantage of your ear s ability to identify similarities in so...

Page 12: ...means that there is minimum radiation of sound to the sidewalls of the room The G6 1e also uses the wall behind the speaker to give more depth to the soundstage and air to the speaker without detail...

Page 13: ...cs and concert level listening that is available in all Genesis 6 series loudspeakers the G6 1e incorporates two front firing 6 5 inch metal cone mid bass couplers as woofers Made of aluminum this met...

Page 14: ...here is not a single right angled joint in the entire construction In order to achieve the optical illusion to make the cabinet look slimmer than it actually is the sides of the cabinet are sloped 1de...

Page 15: ...he lowest distortion Extensive bracing is also used to even further reduce vibrations The bracing is also directly coupled to the cabinet walls using tongue and groove construction the braces are not...

Page 16: ...de High Level Input Impedance 4 ohms Nominal HF Transducers Two Genesis 1 Circular Ribbon Tweeters front rear Midrange Transducers One Genesis 5 titanium cone midrange Bass Transducers Two Genesis 6 5...

Reviews: