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speaker enough) pull the speakers away from the front wall a little bit at 
a time. If you do not have them pulled far enough away, you may 
not have enough front to back depth. However, slightly more than 
1/3 of the way into the room is about as far as you want to go. 
Pulling them half-way into the middle of the room is unlikely to help. 

Find the best compromise for your room, your tastes and your space 
requirements. If you are not getting proper focus on the voice, you may 
angle the left and right speaker up to about 15 to 20 degrees (toe-in) 
towards your listening position until you have a properly defined center 
image. If the speakers are too far apart, the mid-bass will decouple and 
you will lose the side image, and if they are too close together you will 
have too small a center stage. 

When properly set up, very little sound should appear to come 
directly from the speaker. Instead, the sound stage should extend far 
beyond the left and right edge of the loudspeakers and they should have 
tremendous front to back depth. When the recording is close-miked 
(when the instrument or performer is very close to the recording 
microphone), the music may appear to come directly from the 
loudspeaker. This is normal. Typically, however, the sound should 
appear to be detached from the loudspeakers. 

A simple rule of thumb to follow is that focus will be achieved by placing 
the speakers closer together or farther apart, and front to back depth 
can be adjusted by the distance from the rear wall. Further, as the 
system “breaks in”, the depth and width of the soundspace will increase 
and so will the “smoothness” of the sound. 

3.2  Further adjustments 

In some problematic rooms a resonance may develop at one or more 
frequencies, that is unnatural to the music. By moving the speakers 
closer to the front wall or farther from the front wall, the resonance may 
be reduced at the listener’s position. You may have to place the 
speakers asymmetrically in the room. Bass resonances are caused by 
speakers exciting room modes, and these are generally symmetrically 
distributed in the room. 

There are no absolute hard and fast rules concerning problematic 
rooms, so do not be afraid to experiment with speaker placement to 
determine the best position of the speakers in your room. 

Summary of Contents for Genesis 6.1e

Page 1: ...TUNING THE SYSTEM 7 3 1 IMAGING AND SOUNDSTAGE 7 3 2 FURTHER ADJUSTMENTS 8 4 THE REFINEMENT STAGE 9 4 1 ONE CHANGE AT A TIME 9 4 2 DEFINING THE SOUNDSTAGE 9 4 3 APPROPRIATE MID BASS BALANCE 9 4 4 ROO...

Page 2: ...cabinet rigid and well damped with no detrimental vibrations All construction and even internal braces have been tongue and grooved to ensure that the cabinet is the best environment on which to mount...

Page 3: ...ck support box and two pieces of foam holding on to the top and bottom of the speaker You will also find the wire grill that will go on the front of the speaker Remove the foam on the bottom of the sp...

Page 4: ...1 4 Adjustments Don t be too worried by the midrange and tweeter adjustment knobs on the back of the G6 1e The G6 1e will sound great straight out of the box with these both set at the 12 o clock posi...

Page 5: ...the speakers too close to the front wall you will find that the image depth is not as good the soundstage becomes a little two dimensional If you have the space to move the speakers away from the wall...

Page 6: ...ntrol clockwise will increase the level of the tweeters Use this control if you need a bit more treble or to increase the apparent space of the soundstage Too high a tweeter level and you can feel tha...

Page 7: ...information in the recording the performer should appear to come from behind the loudspeakers and be at the appropriate height for a standing person If it is not there are several remedies that will a...

Page 8: ...o back depth When the recording is close miked when the instrument or performer is very close to the recording microphone the music may appear to come directly from the loudspeaker This is normal Typi...

Page 9: ...g enough front to back depth pull the speaker away from the front wall This is typically preferable to separating the two speakers too far and will almost always give you better depth and soundstage i...

Page 10: ...of glass brick cement or drywall material is a reflective surface A heavily curtained or sound proofed wall would be considered a dead wall or a non reflective wall A normal thin curtain across a wind...

Page 11: ...arning experiences you will have in the pursuit of music and its enjoyment One of the best pieces of advice we can offer is that you take advantage of your ear s ability to identify similarities in so...

Page 12: ...means that there is minimum radiation of sound to the sidewalls of the room The G6 1e also uses the wall behind the speaker to give more depth to the soundstage and air to the speaker without detail...

Page 13: ...cs and concert level listening that is available in all Genesis 6 series loudspeakers the G6 1e incorporates two front firing 6 5 inch metal cone mid bass couplers as woofers Made of aluminum this met...

Page 14: ...here is not a single right angled joint in the entire construction In order to achieve the optical illusion to make the cabinet look slimmer than it actually is the sides of the cabinet are sloped 1de...

Page 15: ...he lowest distortion Extensive bracing is also used to even further reduce vibrations The bracing is also directly coupled to the cabinet walls using tongue and groove construction the braces are not...

Page 16: ...de High Level Input Impedance 4 ohms Nominal HF Transducers Two Genesis 1 Circular Ribbon Tweeters front rear Midrange Transducers One Genesis 5 titanium cone midrange Bass Transducers Two Genesis 6 5...

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