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Oscillator Controls

OSC1 Waveform Knob

Because the Oscillators on the OSCar were digital they
were referred to as OSC1 and 2 (as opposed to VCO 1
and 2). OSC1 contains the following waveforms:
Triangle, Sawtooth, Square, Variable Width Pulse, Pulse
Width Modulation, Full Organ, Harpsichord, Strong
Lead, Double Pulse, Gritty, UserWave1 and UserWave2.
The waveform selected is displayed in the blue screens
above the Waveform Knobs.

NB. When selecting either UserWave1 or UserWave2, for
either OSC1 or OSC2, the waveform used will be that
created and selected from within the USER WAVES section.

OSC2 Waveform Knob

Features exactly the same waveforms as OSC1 but, whereas with OSC1 you can
simply select a waveform shape, OSC2 offers a few more options listed as follows:

OSC2 Oct Shift Knob (OCT SHIFT)

This allows you to change the octave position of OSC2 across a six octave range.

OSC2 Transpose Knob

Allows transposition of OSC2 by either - or +7 semitones.

OSC2 Detune Knob

This enables you to detune OSC2 against OSC1 in order to create ‘thicker’ or
‘chorus’ type sounds.

Pulse Width Knob (PW)

Provided either one, or both, Oscillators are using Pulse Width or Pulse Width
Modulation waveforms, this knob applies an independent LFO to the waveform(s)
in order to modulate them. Turned to the left, the PW Knob will have a minimal
effect and will create a more ‘hollow’ sound. As this knob is turned further to the
right it will create a ‘thicker’ sound as a result of the increase in modulation.

Octave Transpose LEDs

Clicking on the red lights will transpose both Oscillators globally. Use this in
conjunction with the OSC2 transpose knobs to create relative transpositions.

Wheels Section

Bend Knob

This allows you to determine the effect the pitchbend wheel – on either the
impOSCar interface or your master keyboard – has on the impOSCar sound.
You can select any amount between 0 (off) and 24 semitones (two octaves).

Mod – Pitch Amount Knob

Here it’s possible to choose the amount of pitch modulation introduced by
the modulation wheel. Both + and - pitch modulation settings are available,
with a zero setting at 12 O’clock. The speed of this modulation is governed
by the LFO rate.

Mod – Filter Amount Knob

Similar to the aforementioned Pitch Mod function only this time the modulation
wheel will affect the Filter Amount. Again the speed of Filter Modulation is
determined by the LFO rate.

Glide Controls

Glide Type Knob

The impOSCar contains an exceptionally comprehensive set of Glide
options. The six modes are as follows:

1. Normal:

A simple portamento where the time between each note is

governed by the Glide Time Knob. In the first three ‘unfixed’ modes the
Glide Time is the time taken to slide one octave, which means that the
larger the interval the longer the glide time.

2. Auto:

The same as Normal mode except that in monophonic mode glide is

activated only between notes that are held.

3. Gliss: 

The Glissando mode is similar to Normal mode but instead of a smooth

transition between each note you actually hear the semitone steps.

4. Normal - Fixed:

As per Normal mode with the exception that in the Normal

Fixed mode the glide time is the time taken between any two notes, no matter
how large the interval.

5. Auto - Fixed: 

As per Auto mode whereby portamento is only triggered by

legato notes, except that the glide time is the time between any two notes, no
matter how large the interval. 

6. Gliss - Fixed:

As per the previous Glissando mode except that in this case the

glide time is the time between any two notes, no matter how large the interval.

Mix Controls

Osc Balance Knob 

Determines the relative balance between OSC1 and OSC2.

Noise Balance Knob

Alters the balance between the combined tones of OSC1 and OSC2 and 
a ‘white-noise’ generator.

Summary of Contents for impOSCar

Page 1: ...Manual THIS MANUAL IS COPYRIGHT GMEDIA Music 2003 2005 ALL RIGHTS RESERVED NO PART MAY BE REPRODUCED WITHOUT PERMISSION ALL TRADEMARKS ACKNOWLEDGED Programmable Music Synthesiser...

Page 2: ...o electronic sound exploration Of course in order to bring a synth in at approximately half the price of any competitor certain compromises had to be made the most noticeable one being a toy like touc...

Page 3: ...me ago Dave Spiers was asked by Underworld to find a back up for their instrument This he did but was so taken by its character that he was unwilling to sell it on having to find another for the band...

Page 4: ...rshown 4 Loading Sounds Cubase impOSCar sounds are loaded and saved as Banks To load a Bank simply click on File Load Bank navigate to the impOSCar folder and select the desired Bank Once a Bank has l...

Page 5: ...pOSCar interface or your master keyboard has on the impOSCar sound You can select any amount between 0 off and 24 semitones two octaves Mod Pitch Amount Knob Here it s possible to choose the amount of...

Page 6: ...24dB filtering The filtering modes were LPF BPF and HPF with a no track option We have removed the no track option as it possible to achieve the same using the KEYB TRACK knob However the impOSCar has...

Page 7: ...etriggered each time a note is played without waiting for the envelope cycle to finish first Unlike Single trigger when playing legato lines all notes will retrigger the envelope contour 3 Rpt 1 Used...

Page 8: ...he Env2 Peak knob allows you to set the degree of responsiveness note on velocity has over the Filter Envelope Filter Drive and Volume Knobs On the original instrument there was a single knob to perfo...

Page 9: ...ettings are stored as part of an impOSCar patch Chorus Depth Knob Sets the depth of the chorus effect Chorus Rate Knob Sets the speed of the chorus effect Chorus Level Knob Controls the amount of chor...

Page 10: ...c content of the sound remains the same Using the Arpeggiator The impOSCar arpeggiator can be used in monophonic duophonic and polyphonic modes and although at first glance it looks fairly basic but t...

Page 11: ...ntrol message MIDI CC s as shown opposite Additionally the impOSCar responds to the following MIDI CC s CC Pedal Function 64 Sustain damper holds all notes played when the pedal is pressed and whilst...

Page 12: ...116 Wave1 20th Harmonic W1 Hr 20 117 Wave1 21st Harmonic W1 Hr 21 118 Wave1 22nd Harmonic W1 Hr 22 119 Wave1 23rd Harmonic W1 Hr 23 120 Wave1 24th Harmonic W1 Hr 24 121 none Empty 5 122 none Empty 6...

Page 13: ...g the dubious pleasure of working for someone who will forever be known as the Clockwork Chicken A special thanks to Laurent de Soras at Ohm Force for his contributions to the fft code routines Instal...

Page 14: ...dual Patch and to create your own bank follow the procedure below 1 Click on the Store button this puts your sound into temporary memory 2 Click on Logic s patch loading icon and select and load the b...

Page 15: ...e GUI when you first open it up Parameter Effects Panel Values closed open Purpose Sets the default state of the effects panel when you first open the GUI Parameter Damper Scale Values Number between...

Page 16: ...file the hrm file is a standard text file and it can be shared with other impOSCar users Patch banks and individual Patches All the impOSCar sounds are provided in various formats upon the impOSCar M...

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