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L1402FX-USB

14-CHANNEL MIXER

L1402FX-USB  Owner's Manual

CONTROL SECTION:

 

1

 High EQ: Controls a high shelving EQ, boosting or cutting 

frequencies from 12kHz and above

2

 Mid EQ: A peaking EQ control, boosting or cutting frequen-

cies centered around 2.5kHz

3

 Low EQ: Controls a low shelving EQ, boosting or cutting 

frequencies 80Hz and below

4

 HPF: Cuts all frequencies 75Hz and below 

5

 AUX: A prefader Auxiliary Send. It sends the signal to the Aux 

Send 1 Output regardless of the position of the Level Control.

 

FX: A post-fader auxiliary send. It sends the channel to the 
built-in effects processor. 

 

Pan: Sends the channel to the left output, right output, or some-
where between. 

 

Level: Controls the level of the channel going to the  
Main outputs. 

 +4/–10 Switch: Changes the input sensitivity. Usually 

balanced signals are set to +4dB and unbalanced signals are 
set to –10dB. 

 

Bal: Works in a similar way to a pan control, except that it 
turns down one side or the other of the stereo input. 

11

 Control Room/Phones level: Controls the level going to the 

Control Room outputs and the Phones outputs. 

12

 Aux Send to Phones: When pressed, the Aux Send is sent to the 

Headphone and Control Room outputs. When up, the Phones 
and Control Room outputs are the same as the Main Outputs.

13

 Effects Parameter Variable: Changes the characteristics of the 

selected effects preset parameters.

14

 Effects Level/Clip: Displays the level going to the effects 

processor. When the clip turns on, the effects are  
being distorted.

15

 Effects Preset: Changes the effects processor preset, as listed 

on the top of the mixer.

16

 FX Return: The overall level from the effects processor that is 

being sent to the Main outputs

 

17

 Phantom Power: Sends 48V phantom power to the XLR inputs.

18

 Meter: Shows the signal level being sent to the Main Outs. If 

the red 0 or +5 lights are on, the output is being distorted.

19

 Power LED: Shows that the mixer is switched on.

20

  Main Mix: Sets the level to the Main Outs.

10

1

2

3

6

15

14

12 13

10

11

16

4

7

18
19

5

6

7

8

8

9

10

17

20

Summary of Contents for L1402FX-USB

Page 1: ...L1402FX USB 14 Channel Mixer ...

Page 2: ... the point where they exit from the product 11 CLEANING The product should be cleaned only as recommended by the manufacturer Clean by wiping with a dry cloth Avoid getting water inside the product 12 NON USE PERIODS The power cord of the product should be unplugged from the outlet when left unused for a long period of time 13 OBJECT AND LIQUID ENTRY Care should be taken so that objects do not fal...

Page 3: ...agram 15 Mixer Specifications 16 Warranty FCC Statements 17 WELCOME Congratulations on your recent purchase of a new Harbinger LvL Series mixer They are the perfect choice for bands or individual musicians who are looking for great sounding mixes live performance durability and audio specs that studio users demand To get the most out of your new mixer we suggest that you read through this entire m...

Page 4: ...ck Are your speakers on Are their level controls turned up Do you need to switch phantom power on Look at the mark ings on your microphone If it says condenser then Phantom Power should be switched on If it says dynamic then leave it off although phantom power won t damage a dynamic mic Are the level and gain knobs turned up on channel 1 Are the Main Mix and Control Room levels turned up If you on...

Page 5: ...to the MIC inputs on channels 1 and 2 5 If you re using a condenser microphone switch on the PHANTOM POWER function top right If you re using a dynamic mic or don t know which type you re using leave phantom power off 6 Turn the MAIN MIX fader up to 0 of the way up 7 Slowly turn the GAIN control on channel 1 up to about way Watch the meters above the main fader If they go up to 0 or if the PEAK li...

Page 6: ...rolled by the Main Mix fader 6 Control Room Out Outputs controlled by the Control Room Phones knob 7 CTRM Main This is the USB routing switch The 2 channel USB input automatically routes to the MAIN output If the switch is pressed the USB input will be routed to the CTRL RM Out instead Aux Send 1 Output can be connected to a stage monitor or effects processor Phones Out Stereo output for driving a...

Page 7: ...cept that it turns down one side or the other of the stereo input 11 Control Room Phones level Controls the level going to the Control Room outputs and the Phones outputs 12 Aux Send to Phones When pressed the Aux Send is sent to the Headphone and Control Room outputs When up the Phones and Control Room outputs are the same as the Main Outputs 13 Effects Parameter Variable Changes the characterist...

Page 8: ...rect box also called a DI box Plug your instrument into the direct box then plug the output of the direct box into the microphone input of the mixer GAIN Gain controls the level of the microphone or line level signal plugged into the mixer If the gain is set too low the output signal will be noisy when you turn it up at the level control If gain is set too high it will distort For best performance...

Page 9: ... while you monitor the main mix There are two Aux sends on the L1402FX USB Mixer The first aux send is routed for external effects or monitor setups The second aux send is routed from an input channel to the internal effects of the mixer This gives you the flexibility of having both two aux sends for an input channel monitoring and effects routing The first aux send is pre fader which means the ch...

Page 10: ... feedback loop in the speakers OUTPUT TYPES This chapter explains each of the outputs on the Harbinger L1402FX USB mixer and their level controls MAIN OUTS The Main Outs are line outputs They will work with either balanced or unbalanced cables The Main Mix fader controls the level of the Main Outputs You might plug the main outs into a PA amplifier or a mixdown recorder All of the channels should ...

Page 11: ...slow sweep 2 Chorus Depth from low to deep Chorus ensemble effect with short delays 3 Delay M Feedback from single repeat to long repeating echoes Delay Time Simple mono delay great for vocals and guitars 4 Delay PP Feedback from single repeat to long echo Delay Time Stereo Ping Pong delay that jumps from left to right output for complex effects 5 RV Plate Decay Brightness from Short Bright to Lon...

Page 12: ...rol Room or 2TK to Phones Control Room button pressed in Are the monitors switched on If only one output is working try switching the left and right outputs If the same channel isn t working the problem is with the speaker You turned up the FX Return knob but can t hear the effects Are you sending enough level to light the Signal LED next to the preset knob If not then turn up the Aux knob s Are y...

Page 13: ...lifier and speakers for example is important to prevent damage to the amp PEAK EQUALIZER CONTROL Increase or decrease of a frequency range centered at a specific point resulting in an EQ curve that looks like a hill increase or a valley decrease Compare to Shelving Equalizer Control see pages 8 9 for more information PHANTOM POWER A voltage signal that runs through a microphone cable to power cond...

Page 14: ...Center T Positive Left S S R R T T T Positive Positive Positive Negative 2 Positive 2 Shield R Negative Right 2 2 1 1 1 2 3 3 R Negative Negative S Shield S Shield 3 Negative S Shield S Shield S Shield S Shield XLR F RCA TRS TS UNBALANCED CABLE UNBALANCED STEREO CABLE DIAGRAMS S T ...

Page 15: ...15 L1402FX USB 14 CHANNEL MIXER L1402FX USB Owner s Manual BLOCK DIAGRAM ...

Page 16: ...gh 15dB 12kHz Mono Channel Mid 15dB 2 5kHz Mono Channel Low 15dB 80Hz Stereo Channel High N A Stereo Channel Mid N A Stereo Channel Low N A Output Level Maximum 20dBu Maximum Input Levels Mic 12dBu Gain 10dB Line Input 20dBu Gain 10dB 2TK Input 20dBu Input Impedance Mic Input 2 6kΩ balanced Line Input 20kΩ balanced 2TK In 24kΩ balanced Output Impedance Main 240Ω balanced 120Ω unbalanced Ctrl Room ...

Page 17: ...Retailer and manufacturer shall not be liable for damages based upon inconvenience loss of use of product loss of time interrupted operation or commercial loss or any other incidental or consequential damages including but not limited to lost profits downtime goodwill damage to or replacement of equipment and property and any costs of recovering reprogramming or reproducing any program or data sto...

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