background image

STAGE 82 / STAGE 102 / STAGE 122

+#-

4UBHF

컪쯚푾읊

컮훊켢컪

맞칺삖삲 

컪쯚푾쁢 삲퍟 핞솧 폲싢폲

쭒퍊펞

재멚

싢핞핆쇦펖픊젾

뫟쩢퓒

핆옪헎

퓮펞컪

칺푷펺 헪쇪 얗 뫃맒펞컪

쭎몮 맣엳 쩮핂큲읊 캫컿 쿦

핖킃삖삲  캖 컪쯚푾픦 컿쁳픒

샎 푷엲졂 짦슪킪 핞멷픒

매 헒줆많많 컪쯚푾읊 컲쁢

멑핂 홙킃삖삲  핂 컲졓컪쁢 핂

4UBHF픦 컪쯚푾 컲펞 샎

핊짦헏핆

힎픒

헪뫃힎잚

핆옪헎 묺혾펞 샎 켆쭎 헣쫂빦

헣 얗펞컪 헣짎 컲 짷쩣픎

힎 팘킃삖삲  푢 몋핂

펔삲몮 캫맏킪졂 힏헟 컲엲몮

힎 잖킪몮 뫃킫 +#- 샎읺헞펞

헒줆많 컲 퐃켦픒 줆픦킻킪폲 
빦훟펞 몮 쿦 핖솒옫 묺잲

폏쿦흫뫊 핂 컲졓컪읊 팖헒 뫁펞

벦 쫂뫎킻킪폲 

몋몮

얗펞컪  콚읺옪 픚팓픒 핺캫졂

묞 캏픒 팓 쿦 펔몮 엳핂

폏묺헏픊옪 콞캏쇮 쿦 핖킃삖삲  +#-

큲픦 샎 쫊윶 엖쩶뫊 맣엳

풚픦 팾읊 혾졂 핳믾맒

믾펞 팖헒 쿦훎픒 뻦펂컲 쿦

핖킃삖삲  풂헒 훟펞쁢 빼픎 쫊윶

엖쩶픒 칺푷쁢 멑핂 홙킃삖삲 

+#- *OD쁢 핂 헪픦 칺푷 쏞쁢

폲푷픊옪 핆 엳 콞킲 킮 쭎캏

쏞쁢 핺칾 펞 샎 쩣헏 핒픒

쿦푷힎 팘킃삖삲 

얗뺂펞컪픦쩮핂큲핺캫

얗 뺂쭎  뫃맒픦 믾펞 싾않

)[짆잚픦 핺캫 쩮핂큲 훊쿦쁢

훊쿦많 맞콚펞 싾않 폳쯚샇

먾픦 E#밚힎 흫많삖삲  얗픦

헒삺 쿦  쏞쁢 찖 멚핆 옪 팚엲힒

핂 캏픎 얗 뺂 컪쯚푾픦

훊쿦 픟샃픒 컿쁢 섾 핖펂

훟푢 펻픒 삖삲 

컪쯚푾핆옪헎퓮

쫆 컪쯚푾쁢 훟맒 믾픦 킲슪

핆옪헎  쩲슪 핆옪헎

혾잋킫 샎펻 뫊 핆옪헎펞컪

캏픦

컿쁳픒

뺂솒옫

컲몒쇦펖킃삖삲  줂 짾 핳핂

많쁳빦 컪쯚푾픦 컪큲켦픒

삶삶멚 몮 뫊퓒읊 짷힎 뫃믾

퍟핂 펔픊즎옪 컪쯚푾픦 믾몒헏

풚 슲잏핂 맞콚삖삲  줂

짾 핳픒 컮 몋푾 3.4 짝

샎 슲잏 헣멷픒 핂 컲졓컪 훟

칺퍟펞 빦폂쇪 쿦픦 헖짦픊옪

캫맏킻킪폲 
핆옪헎 퓮픎 핆옪헎펞 팮

쿦 핖쁢 헏핺 뫃맒픦 퍟 컪쯚푾

묺솧펞 칺푷 헒엳픦 퍟 짝 

킃뫎펞 싾않 컮퍊 삖삲 

킲슪핆옪헎

킲슪 핆옪헎 뺂펞 맕 뫃믾쁢

컪쯚푾많

짷픊옪

핂솧졂

팣쇦젾

헒짷픊옪

핂솧졂

짣힟삖삲  숞 몋푾 졶숞 

뺂쭎퐎 푆쭎픦 뫃믾쁢 컪쯚푾 픒

짎몮 샇멶 뮮픒 킃삖삲 믆 멾뫊

핞퓮 샎믾펞컪 핟솧쁢 컪쯚푾퐎

찒묞 컪큲켦핂 삶삶힟삖삲 흗

컪쯚푾픦 핂 빼픎 훊쿦펞컪

핂솧믾 퓒 삶삶힟삖삲  핂쁢

컪쯚푾픦

줊읺헏

뫊퓒읊

짷힎힎잚 훊펂힒 픚 엳픒

삺컿믾 퓒 삲읆 싢핞핆펞 찒

섢 잜픎 엳핂 푢삖삲 

킲슪핆옪헎픦컿쁳캏핂헞

˖ 얗 뺂 컿쁳픎 헒헏픊옪 

훊쿦 픟샃픒 많힟삖삲 

˖ 얗 뺂 픟샃픎 뫟쩢퓒 샎펻픒

많힟삖삲   얗 뺂펞컪 칺푷

많쁳 헎훊쿦 픟샃픎 )[

짆잚핒 

˖ 헏픦 킲슪 핆옪헎쁢 캏 삲읆

퓮픦 헏픦 핆옪헎쫂삲 섢

핟킃삖삲 

킲슪핆옪헎픦컿쁳캏캏뫎몒

˖ 헏픦 킲슪 핆옪헎쁢 삲읆

퓮픦

헏픦

핆옪헎쫂삲

헒짦헏핆 퓶핂 섢 빼킃삖삲 

˖ 헏픦 킲슪 핆옪헎펞 컲

컪쯚푾쁢 훊펂힒 픚 엳픒

삺컿믾 퓒 삲읆 퓮픦 헏픦

핆옪헎쫂삲 섢 잜픎 팾 엳핂

푢삖삲 

킲슪핆옪헎묺

킲슪 핆옪헎 묺픎 맒삶몮 쫊윶

몒칾 폲윦많 푷쇦힎잚 뫃믾많

뿒쇦힎

팘솒옫 퍊 삖삲 

핆옪헎읊

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픊옪 졶슮 핂픚캖읊 짎쫗삖삲 

뭚핳

킲슪 핆옪헎 뺂픦 컪쯚푾쁢

헣 픚팓 핺캫뫊  훊쿦

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컮젾

컪쯚푾

핆옪헎펞 팮 뫃맒핂 헏몮

컪쯚푾 묺솧펞 팮 팾 엳핂

쭒 팮많펞멚 뭚삖삲  핂

컲졓컪픦 킲슪 핆옪헎 싢핞핆픎

헎훊 쿦 핳 짝  픟샃 칺핂펞 컪

몮 픦 헞 픒 빦뺓삖 삲

쩲슪핆옪헎

쩲슪

핆옪헎쁢

솧혾  뫃힒 

훊쿦 핂캏픦 훊쿦펞컪 킲슪

핆옪헎퐎 맧픎 펻픒 삖삲 

뫃힒  쩲펞 픦 헣픦쇶  쌚

쩲쁢 콚읺픦 샎쭎쭒픒 잚슲펂뺂젾

컪쯚푾 픎 쩲 뺂쭎픦 뫃믾많

힒솧 쁢 솧팖 먾픦 몮헣 캏핓삖 삲

핂쁢 뫃힒 핂캏펞컪 섢  믾몒헏

풚 슲잏픒 헪뫃힎잚 뫃힒

짆잚펞컪 믾몒헏 풚 슲잏핂

맞콚삖삲  컪쯚푾 뫊 픚컿

핊픎 뫃힒 쌚 잜핂 핂솧힎

팘픊즎옪 픚컿 핊 헒짦펞컪 뫃믾

읒핂 콚쇦몮 뫃힒펞컪 턶젎

풚 슲잏픎 퍋맒 맞콚삖삲 
쩲 슪 핆옪헎 쁢 )[ _ )[

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빦픎 퓶 픒 뺓삖 삲 헎훊   읊

쩲 슪 핆옪헎 퐎 벦 칺푷 쁢

멑핂 홙킃삖 삲 킪읺 흖 컪쯚푾 펞

샎 헏 픦 쩲 슪 핆옪헎 쁢

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쩲슪핆옪헎픦컿쁳캏핂헞

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쩢퓒펞컪 섢 빦픎 퓶뫊 뽠픎

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˖ 헏픦 쩲슪 핆옪헎쁢 헏픦

킲슪 핆옪헎쫂삲

섢 빦픎

쩮핂큲맞픒 헪뫃삖삲 

˖ 헏픦 쩲슪 핆옪헎펞 컲

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믾몒 헏 풚 슲잏 핂 맞콚삖 삲

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핆옪헎 쭎 짝  컿픒

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쩲슪 핆옪헎 뺂픦 컪쯚푾쁢

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컪쯚푾 핆옪헎펞 팮 뫃맒핂

쭒몮 컪쯚푾 묺솧펞 엳핂 섢

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훎쿦퍊 삖삲 

컪쯚푾핳

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핳퍊 삖삲  벦 헪뫃쇪 

핳 맪큲픒 칺푷펺 컪쯚푾

엖핒뫊 핆옪헎 칺핂펞 뿒핂

펔솒옫 삖삲 

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CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3.pdf   29   10/9/2020   3:31:23 PM

Summary of Contents for JBL STAGE 82

Page 1: ...irja Bruksanvisning f r subwoofer Subwoofer Bedienungsanleitung Manual do propriet rio do subwoofer Manuale utente del Subwoofer Manual del propietario del subwoofer Mode d emploi du caisson de graves...

Page 2: ...ru 8 800 700 0467 OOO 2010 000000 MY0000000 M B C Y A 2010 B 2011 C 2012 CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 Pb Hg Cd Cr VI PBB PBDE T JBL INFINITY 12V 288 3004 4006306678 20 CA_JBL_stage 82 10...

Page 3: ...handling below the enclosure s resonance frequency The use of an electronic infrasonic filter is strongly recommend ed to reduce the chance of overdriving the subwoofer below the enclosure s resonanc...

Page 4: ...35 VBOX side view Port fB 50Hz diameter 1 97 50mm VBOX side view SEALED BOX VOLUME INCLUDES DRIVER DISPLACEMENT VBOX side view SEALED BOX VOLUME INCLUDES DRIVER DISPLACEMENT VBOX side view SEALED BOX...

Page 5: ...parleur de graves dans un caisson ferm optimal requerra plus de puissance d amplification pour atteindre une sortie acoustique donn e que dans un caisson optimal d un autre type CONSTRUCTION D UN CAIS...

Page 6: ...LITERS 64 6 LASTICIT DE LA SUSPENSION CMS M N 0 16 MASSE MOBILE CHARGE D AIR MMS GRAMS 154 3 R SONANCE L AIR LIBRE FS HZ 31 7 Q M CANIQUE QMS 6 64 Q LECTRIQUE QES 0 6 Q TOTAL QTS 0 55 HAUTEUR D ENTRE...

Page 7: ...ptima de otro tipo Un subwoofer en una carcasa sellada ptima requerir m s potencia de amplificaci n para lograr el mismo rendimiento ac stico de salida que una CONSTRUCCI N DE UNA CAJA SELLADA La con...

Page 8: ...DO M XIMO XMAX IN 0 45 XMAX MM 11 35 2017 HARMAN International Industries Incorporated Todos los derechos reservados JBL es una marca comercial de HARMAN International Industries Incorporated registra...

Page 9: ...de um amplificador mais potente para produzir o mesmo volume de som que se estivesse um gabinete ideal de outro tipo CONSTRU O DE GABINETES SELADOS Gabinetes selados s o f ceis de construir e a toler...

Page 10: ...Todos os direitos reservados JBL marca registrada da HARMAN International Industries Incorporated registrada nos Estados Unidos e ou em outros pa ses HARMAN International Industries Inc 8500 Balboa B...

Page 11: ...ato ottimale necessiter di maggiore potenza di amplificazione per ottenere un determinata emissione acustica rispetto a un box ottimale di un altro tipo COSTRUZIONE DEL BOX SIGILLATO La costruzione di...

Page 12: ...MASSIMA XMAX IN 0 45 XMAX MM 11 35 2017 HARMAN International Industries Incorporated Tutti i diritti riservati JBL un marchio di fabbrica di HARMAN International Industries Incorporated registrato ne...

Page 13: ...stung ben tigen um das zu erwartende Klangbild zu erreichen als ein Geh use anderer Art KONSTRUKTION EINES GESCHLOSSENEN GEH USES Die Konstruktion eines geschlossenen Geh uses ist im Grunde eine einfa...

Page 14: ...DER SCHWINGSPULE HVC IN 1 21 HVC MM 30 7 MAXIMALE AUSLENKUNG XMAX IN 0 45 XMAX MM 11 35 2017 HARMAN International Industries Incorporated Alle Rechte vorbehalten JBL ist ein Warenzeichen von HARMAN I...

Page 15: ...STAGE 82 STAGE 102 STAGE 122 6WDJH QF RU CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 pdf 15 10 9 2020 3 31 19 PM...

Page 16: ...0 55 HAG IN 0 31 HAG MM 8 00 HVC IN 1 21 HVC MM 30 7 XMAX IN 0 45 XMAX MM 11 35 2017 HARMAN International Industries Incorporated JBL HARMAN International Industries Incorporated HARMAN International...

Page 17: ...sluten l da kr ver mer f rst rkareffekt f r att uppn en viss akustisk uteffekt n en optimalt sluten l da av annan typ KONSTRUKTION AV SLUTEN L DA Konstruktion av sluten l da r enkelt och f rl tande v...

Page 18: ...L TM 13 6 VERENSST MMELSEVOLYM VAS FT3 2 28 VAS LITERS 64 6 VERENSST MMELSED MPNING CMS M N 0 16 R LIG MASSA LUFTBELASTNING MMS GRAMS 154 3 PPEN RESONANS FS HZ 31 7 MEKANISK Q QMS 6 64 ELEKTRISK Q QES...

Page 19: ...telo omaa alemman yleisen tehokkuuden kuin optimaalinen kotelo joka on toisen tyyppinen 1000s tai 1200s Bassokaiutin optimaalisessa suljetussa kotelossa vaatii enemm n vahvistintehoa saavuttaakseen an...

Page 20: ...NENVOIMAKKUUS VAS FT3 2 28 VAS LITERS 64 6 SUSPENSION YHTEENSOPIVUUS CMS M N 0 16 SIIRTOMASSA ILMAKUORMITUS MMS GRAMS 154 3 VAPAAILMARESONANSSI FS HZ 31 7 MEKAANINEN Q QMS 6 64 S HK Q QES 0 6 YHTEENS...

Page 21: ...o osL JQL cia po GDQHJR efektu akustycznego QL optymalna obudowa innego typu STRUKTURA OBUDOWY ZAMKN 7 J Obudowa DPNQL ta cechuje VL prost konstUXNFM i GX tROHUDQFM na E G w obliczeniu SRMHPQR FL FKRF...

Page 22: ...L TM 13 6 OBJ TO EKWIWALENTNA VAS FT3 2 28 VAS LITERS 64 6 ZGODNO ZAWIESZENIA CMS M N 0 16 MASA RUCHOMA CZNIE Z POWIETRZEM MMS GRAMS 154 3 REZONANS W WOLNEJ PRZESTRZENI FS HZ 31 7 DOBRO MECHANICZNA QM...

Page 23: ...alde akoestische output te realiseren dan een optimale behuizing van een ander type GESLOTEN BEHUIZING CONSTRUCTIE Gesloten behuizing constructie is eenvoudig en tolerant voor fouten in volumeberekeni...

Page 24: ...M2 530 93 MOTOR FORCE FACTOR BL TM 13 6 MOTOR FORCE FACTOR VAS FT3 2 28 VAS LITERS 64 6 SUSPENSION NALEVING CMS M N 0 16 MOVING MASS AIR LOAD MMS GRAMS 154 3 FREE AIR RESONANTIE FS HZ 31 7 MECHANISCHE...

Page 25: ...ki efisiensi keseluruhan lebih rendah daripada wadah optimum tipe lainnya Subwoofer dalam wadah tersekat optimum akan memerlukan daya penguatan lebih banyak untuk mencapai keluaran akustik tertentu da...

Page 26: ...FT3 2 28 VAS LITERS 64 6 KESESUAIAN SUSPENSI CMS M N 0 16 MASSA BERGERAK BEBAN UDARA MMS GRAMS 154 3 RESONANSI UDARA BEBAS FS HZ 31 7 Q MEKANIS QMS 6 64 Q ELEKTRIK QES 0 6 TOTAL Q QTS 0 55 KETINGGIAN...

Page 27: ...STAGE 82 STAGE 102 STAGE 122 JBL S t a g e JBL JBL JBL Inc 80H 1 12dB Infinite RMS 20Hz MDF 40Hz 40H 60Hz 40Hz 60Hz 40Hz MDF JP CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 pdf 27 10 9 2020 3 31 22 PM...

Page 28: ...REVC OHMS 3 6 1KHZ LEVC MH 2 3 SD IN2 82 29 SD CM2 530 93 BL TM 13 6 VAS FT3 2 28 VAS LITERS 64 6 CMS M N 0 16 MMS GRAMS 154 3 FS HZ 31 7 Q QMS 6 64 Q QES 0 6 Q QTS 0 55 HAG IN 0 31 HAG MM 8 00 HVC I...

Page 29: ...STAGE 82 STAGE 102 STAGE 122 4UBHF 4UBHF OD E 3 4 FEJVN FOTJUZ JCFSCPBSE _ _ FEJVN FOTJUZ JCFSCPBSE KO CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 pdf 29 10 9 2020 3 31 23 PM...

Page 30: ...5 92 2 QES 0 46 2 QTS 0 42 HAG IN 0 31 HAG MM 8 00 HVC IN 0 8 HVC MM 20 3 XMAX IN 0 24 XMAX MM 6 15 4 REVC OHMS 3 6 LEVC MH 2 3 SD IN2 82 29 SD CM2 530 93 BL TM 13 6 VAS FT3 2 28 VAS LITERS 64 6 CMS M...

Page 31: ...STAGE 82 STAGE 102 STAGE 122 JBL Stage Stage JBL JBL JBL Inc 80Hz 12dB RMS 20Hz MDF 40Hz 60Hz 40Hz Stage 40Hz 60Hz 40Hz MDF CHS CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 pdf 31 10 9 2020 3 31 23 PM...

Page 32: ...46 2 QES 0 37 2 QTS 0 35 HAG IN 0 31 HAG MM 8 00 HVC IN 0 8 HVC MM 20 3 XMAX IN 0 24 XMAX MM 6 15 THIELE SMALL 4 REVC OHMS 3 6 LEVC MH 1 5 SD IN2 56 79 SD CM2 366 44 BL TM 12 4 VAS FT3 1 46 VAS LITERS...

Page 33: ...STAGE 82 STAGE 102 STAGE 122 JBL Stage JBL JBL JBL Inc 80Hz 12dB RMS 20Hz MDF 40Hz 40Hz 60Hz Stage 40Hz 60Hz 40Hz MDF TW CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 pdf 33 10 9 2020 3 31 24 PM...

Page 34: ...MS 154 3 FS HZ 31 7 QMS 6 64 QES 0 6 QTS 0 55 HAG IN 0 31 HAG MM 8 00 HVC IN 1 21 HVC MM 30 7 XMAX IN 0 45 XMAX MM 11 35 VBOX 0 35 ft3 10 L fB 50Hz 1 97 50mm 6 7 170mm VBOX VBOX 1 23ft3 35 L VBOX 1 4f...

Page 35: ...rst rkerkraft til at opn et givent akustisk output sammenlignet med et optimalt kabinet af en anden type KONSTRUKTION MED FORSEGLET KABINET Den forseglede kabinetkonstruktion er enkel og tolerant over...

Page 36: ...VOLUMEN VAS FT3 2 28 VAS LITERS 64 6 OPH NGSF JELIGHED CMS M N 0 16 MASSE I BEV GELSE LUFTBELASTNING MMS GRAMS 154 3 RESONANS I FRI LUFT FS HZ 31 7 MEKANISK Q QMS 6 64 ELEKTRISK Q QES 0 6 SAMLET Q QTS...

Page 37: ...SWLPXP NDSDO NDELQ ED ND ELU WLS RSWLPXP NDELQGHQ GDKD G N JHQHO IUHNDQVD VDKLS RODFDNW U 2SWLPXP NDSDO NDELQGH VXEZRRIHU EHOLUOL ELU DNXVWLN o N HOGH HWPHN LoLQ ED ND ELU WLS RSWLPXP NDELQGHNLQH J UH...

Page 38: ...2 87 5 7 1 g 5 d 3 00 66 6 7 0 9 G hd 8 10 UPV 7 3 5 16 1 7 a 120 1 03 16 2 0 6 6 2 1 d 3 00 2 87 5 d 3 00 66 6 7 0 9 G hd 8 10 UPV 7 3 5 16 1 7 a 120 1 03 16 2 0 6 6 2 1 d 3 00 2 87 5 montaj derinli...

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