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THANK YOU

for choosing a JBL 

Stage subwoofer. These subwoofers 
are designed to suit a broad range of car 
audio applications and can be used in a 
wide variety of enclosure types to produce 
extended, powerful bass in a limited 
amount of vehicle space. To get the most 
performance from your new subwoofer, it 
is strongly recommended that you have a 
qualified professional install your 
subwoofer. Although this manual does 
provide general instructions about 
installing these Stage subwoofers, it does  
not include enclosure construction details 
or exact installation methods for any 
particular vehicle. If you do not feel that 
you have the necessary experience, do not 
attempt the installation yourself, but 
instead ask your authorized JBL dealer 
about professional installation options.

Remember to keep your sales receipt in a 
safe place, along with this manual, so 
that both are available for future 
reference.

W A RNING

Playing loud music in a vehicle can hinder 
your ability to hear traffic and 
permanently damage your hearing. The 
maximum volume levels achievable by JBL 
speakers when combined with high-power 
amplification may exceed safe levels for 
extended listening. Using low volume 
levels is recommended when driving. JBL, 
Inc. accepts no liability for hearing loss, 
bodily injury, or property damage as a 
result of use or misuse of this product.

REPRODUCING 
BASS IN VEHICLES

Depending on the size of your vehicle’s 
interior listening space, reproduced bass 
frequencies below 80Hz will be boosted 
by nearly 12dB per octave as frequency 
decreases. This phenomenon, known as 
the vehicle’s transfer function (or cabin 
gain), plays an important role in shaping 
the subwoofer’s frequency response in 
your vehicle.

SUBWOOFER
ENCLOSURE TYPE S

The subwoofers are designed to perform
best in moderately sized sealed
enclosures, vented enclosures and
prefabricated band-pass enclosures. 
Infinite-baffle mounting is possible, but
the subwoofer’s mechanical power
handling will be reduced because there
will be no volume of air to stiffen the
subwoofer’s suspension and prevent
overexcursion. If you choose infinite-baf-
fle mounting, consider the RMS and peak
power-handling ratings to be half of what
is listed in the specifications in this
manual.

You should choose an enclosure type 
based on the amount of cargo space you 
can devote to the enclosure, the amount 
of power you will use to drive your 
subwoofer(s), and your listening habits.

handling at and above resonance, but
reduced mechanical power handling below
resonance. Since the subwoofer cone and
voice coil don’t move much at resonance, 
airflow across the voice coil is minimized
and thermal power handling is reduced
slightly at resonance.

Vented enclosures provide better
efficiency in the 40Hz – 60Hz range, at
the expense of sound output in the lowest
octave (below 40Hz). The use of an
infrasonic filter is recommended with
vented enclosures. An optimum vented
enclosure for a Stage subwoofer is larger
than an optimum sealed enclosure.

V

ENTED-

E

NCLOSURE 

P

ERFORMANCE 

A

DVANTAGES

• An optimum vented enclosure has

greater efficiency and higher output in
the 40Hz – 60Hz range than an optimum 
sealed enclosure.

• An optimum vented enclosure provides a

greater sensation of bass than an 
optimum sealed enclosure.

• A subwoofer in an optimum vented

enclosure will require less amplifier
power to achieve a given acoustic
output (down to the enclosure’s 
resonance frequency) than in an
optimum sealed enclosure.

V

ENTED-

E

NCLOSURE PERFORMANCE 

TRADE-OFFS

• Reduced output in the lowest octave 

(below 40Hz).

• Reduced mechanical power handling 

below the enclosure’s resonance 
frequency. The use of an electronic 
infrasonic filter is strongly recommend-
ed to reduce the chance of overdriving 
the subwoofer below the enclosure’s 
resonance frequency.

• An optimum vented enclosure will 

always be larger than an optimum 
sealed enclosure.

V

ENTED-

E

NCLOSURE 

C

ONSTRUCTION

Vented-enclosure construction is more 
difficult than the construction of a sealed
enclosure. The enclosure volume and port
dimensions have a specific relationship 
with the physical and electromechanical
characteristics of the subwoofer, 
requiring that the recommended
enclosure volume and port characteris-
tics be strictly observed. As with sealed
enclosures, use medium-density
fiberboard (MDF), glue and screws to
construct the enclosure, and seal all
joints with silicone caulk.

R

ECOMMENDATION

Subwoofers in vented enclosures are
recommended for enthusiasts who prefer
accentuated bass response, for those who
have plenty of cargo space to devote to a
subwoofer enclosure and for those who
will use a less powerful amplifier to drive
their subwoofer. The volume and port

dimensions indicated must be followed
precisely to ensure optimum 
performance.

MOUNTING THE
SUBWOOFER

The subwoofers should be
mounted from the outside of the
enclosure.  Use the included foam
mounting gasket to ensure a leak-free
seal between the subwoofer frame and
the enclosure.

S

EALED 

E

NCLOSURES

The air trapped inside a sealed enclosure 
is compressed when the subwoofer moves
rearward and is rarefied when the 
subwoofer moves forward. In both cases, 
the air inside and outside the box will 
seek equilibrium by pushing and pulling on
the subwoofer cone. The result is a 
stiffer suspension when compared to the 
subwoofer operating in free air. This
means that the subwoofer’s cone will be
harder  to move at low frequencies, a
condition which protects the subwoofer
from  physical overexcursion, but
requires more power than other designs
to achieve a given acoustic output.

S

EALED-

E

NCLOSURE 

P

ERFORMANCE 

A

DVANTAGES

• The in-vehicle performance will have 
  the flattest overall frequency response.
• The in-vehicle response will have the

widest bandwidth. (Usable low-frequency

  response inside the vehicle will be 
  below 20Hz.)
• An optimum sealed enclosure will always
  be smaller than an optimum enclosure of
  another type.

S

EALED-

E

NCLOSURE 

P

ERFORMANCE 

T

RADE-OFFS

• An optimum sealed enclosure will have
  lower overall efficiency than an
  optimum enclosure of another type.
• A subwoofer in an 
  optimum sealed enclosure will require
  more amplifier power to achieve a given
  acoustic output than in an optimum 
  enclosure of another type.

S

EALED-

E

NCLOSURE 

C

ONSTRUCTION

Sealed-enclosure construction is straight-
forward and forgiving of errors in volume 
calculation, but air leaks should be
avoided. Use medium-density fiberboard
(MDF), glue and screws to construct the
enclosure, and seal all joints with silicone
caulk.

R

ECOMMENDATION

Subwoofers in sealed enclosures are
recommended for enthusiasts who prefer
accurate music reproduction and flat
frequency response, for those who have a
smaller space to devote to a subwoofer
enclosure, and for those who have plenty
of amplifier power devoted to driving the
subwoofer. The sealed-enclosure design
indicated in this manual represents the 
best compromise between low-frequency 
extension and flat response.

V

ENTED 

E

NCLOSURES

A vented enclosure acts like a sealed 
enclosure at frequencies above its tuned 
(resonance) frequency. At resonance
(which is defined by the vent), the vent
produces the majority of sound – the
subwoofer cone is nearly stationary while
the air inside the vent vibrates. This
provides greater mechanical power

STAGE 82 / STAGE 102 / STAGE 122

EN

CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3.pdf   3   10/9/2020   3:31:15 PM

Summary of Contents for JBL STAGE 82

Page 1: ...irja Bruksanvisning f r subwoofer Subwoofer Bedienungsanleitung Manual do propriet rio do subwoofer Manuale utente del Subwoofer Manual del propietario del subwoofer Mode d emploi du caisson de graves...

Page 2: ...ru 8 800 700 0467 OOO 2010 000000 MY0000000 M B C Y A 2010 B 2011 C 2012 CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 Pb Hg Cd Cr VI PBB PBDE T JBL INFINITY 12V 288 3004 4006306678 20 CA_JBL_stage 82 10...

Page 3: ...handling below the enclosure s resonance frequency The use of an electronic infrasonic filter is strongly recommend ed to reduce the chance of overdriving the subwoofer below the enclosure s resonanc...

Page 4: ...35 VBOX side view Port fB 50Hz diameter 1 97 50mm VBOX side view SEALED BOX VOLUME INCLUDES DRIVER DISPLACEMENT VBOX side view SEALED BOX VOLUME INCLUDES DRIVER DISPLACEMENT VBOX side view SEALED BOX...

Page 5: ...parleur de graves dans un caisson ferm optimal requerra plus de puissance d amplification pour atteindre une sortie acoustique donn e que dans un caisson optimal d un autre type CONSTRUCTION D UN CAIS...

Page 6: ...LITERS 64 6 LASTICIT DE LA SUSPENSION CMS M N 0 16 MASSE MOBILE CHARGE D AIR MMS GRAMS 154 3 R SONANCE L AIR LIBRE FS HZ 31 7 Q M CANIQUE QMS 6 64 Q LECTRIQUE QES 0 6 Q TOTAL QTS 0 55 HAUTEUR D ENTRE...

Page 7: ...ptima de otro tipo Un subwoofer en una carcasa sellada ptima requerir m s potencia de amplificaci n para lograr el mismo rendimiento ac stico de salida que una CONSTRUCCI N DE UNA CAJA SELLADA La con...

Page 8: ...DO M XIMO XMAX IN 0 45 XMAX MM 11 35 2017 HARMAN International Industries Incorporated Todos los derechos reservados JBL es una marca comercial de HARMAN International Industries Incorporated registra...

Page 9: ...de um amplificador mais potente para produzir o mesmo volume de som que se estivesse um gabinete ideal de outro tipo CONSTRU O DE GABINETES SELADOS Gabinetes selados s o f ceis de construir e a toler...

Page 10: ...Todos os direitos reservados JBL marca registrada da HARMAN International Industries Incorporated registrada nos Estados Unidos e ou em outros pa ses HARMAN International Industries Inc 8500 Balboa B...

Page 11: ...ato ottimale necessiter di maggiore potenza di amplificazione per ottenere un determinata emissione acustica rispetto a un box ottimale di un altro tipo COSTRUZIONE DEL BOX SIGILLATO La costruzione di...

Page 12: ...MASSIMA XMAX IN 0 45 XMAX MM 11 35 2017 HARMAN International Industries Incorporated Tutti i diritti riservati JBL un marchio di fabbrica di HARMAN International Industries Incorporated registrato ne...

Page 13: ...stung ben tigen um das zu erwartende Klangbild zu erreichen als ein Geh use anderer Art KONSTRUKTION EINES GESCHLOSSENEN GEH USES Die Konstruktion eines geschlossenen Geh uses ist im Grunde eine einfa...

Page 14: ...DER SCHWINGSPULE HVC IN 1 21 HVC MM 30 7 MAXIMALE AUSLENKUNG XMAX IN 0 45 XMAX MM 11 35 2017 HARMAN International Industries Incorporated Alle Rechte vorbehalten JBL ist ein Warenzeichen von HARMAN I...

Page 15: ...STAGE 82 STAGE 102 STAGE 122 6WDJH QF RU CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 pdf 15 10 9 2020 3 31 19 PM...

Page 16: ...0 55 HAG IN 0 31 HAG MM 8 00 HVC IN 1 21 HVC MM 30 7 XMAX IN 0 45 XMAX MM 11 35 2017 HARMAN International Industries Incorporated JBL HARMAN International Industries Incorporated HARMAN International...

Page 17: ...sluten l da kr ver mer f rst rkareffekt f r att uppn en viss akustisk uteffekt n en optimalt sluten l da av annan typ KONSTRUKTION AV SLUTEN L DA Konstruktion av sluten l da r enkelt och f rl tande v...

Page 18: ...L TM 13 6 VERENSST MMELSEVOLYM VAS FT3 2 28 VAS LITERS 64 6 VERENSST MMELSED MPNING CMS M N 0 16 R LIG MASSA LUFTBELASTNING MMS GRAMS 154 3 PPEN RESONANS FS HZ 31 7 MEKANISK Q QMS 6 64 ELEKTRISK Q QES...

Page 19: ...telo omaa alemman yleisen tehokkuuden kuin optimaalinen kotelo joka on toisen tyyppinen 1000s tai 1200s Bassokaiutin optimaalisessa suljetussa kotelossa vaatii enemm n vahvistintehoa saavuttaakseen an...

Page 20: ...NENVOIMAKKUUS VAS FT3 2 28 VAS LITERS 64 6 SUSPENSION YHTEENSOPIVUUS CMS M N 0 16 SIIRTOMASSA ILMAKUORMITUS MMS GRAMS 154 3 VAPAAILMARESONANSSI FS HZ 31 7 MEKAANINEN Q QMS 6 64 S HK Q QES 0 6 YHTEENS...

Page 21: ...o osL JQL cia po GDQHJR efektu akustycznego QL optymalna obudowa innego typu STRUKTURA OBUDOWY ZAMKN 7 J Obudowa DPNQL ta cechuje VL prost konstUXNFM i GX tROHUDQFM na E G w obliczeniu SRMHPQR FL FKRF...

Page 22: ...L TM 13 6 OBJ TO EKWIWALENTNA VAS FT3 2 28 VAS LITERS 64 6 ZGODNO ZAWIESZENIA CMS M N 0 16 MASA RUCHOMA CZNIE Z POWIETRZEM MMS GRAMS 154 3 REZONANS W WOLNEJ PRZESTRZENI FS HZ 31 7 DOBRO MECHANICZNA QM...

Page 23: ...alde akoestische output te realiseren dan een optimale behuizing van een ander type GESLOTEN BEHUIZING CONSTRUCTIE Gesloten behuizing constructie is eenvoudig en tolerant voor fouten in volumeberekeni...

Page 24: ...M2 530 93 MOTOR FORCE FACTOR BL TM 13 6 MOTOR FORCE FACTOR VAS FT3 2 28 VAS LITERS 64 6 SUSPENSION NALEVING CMS M N 0 16 MOVING MASS AIR LOAD MMS GRAMS 154 3 FREE AIR RESONANTIE FS HZ 31 7 MECHANISCHE...

Page 25: ...ki efisiensi keseluruhan lebih rendah daripada wadah optimum tipe lainnya Subwoofer dalam wadah tersekat optimum akan memerlukan daya penguatan lebih banyak untuk mencapai keluaran akustik tertentu da...

Page 26: ...FT3 2 28 VAS LITERS 64 6 KESESUAIAN SUSPENSI CMS M N 0 16 MASSA BERGERAK BEBAN UDARA MMS GRAMS 154 3 RESONANSI UDARA BEBAS FS HZ 31 7 Q MEKANIS QMS 6 64 Q ELEKTRIK QES 0 6 TOTAL Q QTS 0 55 KETINGGIAN...

Page 27: ...STAGE 82 STAGE 102 STAGE 122 JBL S t a g e JBL JBL JBL Inc 80H 1 12dB Infinite RMS 20Hz MDF 40Hz 40H 60Hz 40Hz 60Hz 40Hz MDF JP CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 pdf 27 10 9 2020 3 31 22 PM...

Page 28: ...REVC OHMS 3 6 1KHZ LEVC MH 2 3 SD IN2 82 29 SD CM2 530 93 BL TM 13 6 VAS FT3 2 28 VAS LITERS 64 6 CMS M N 0 16 MMS GRAMS 154 3 FS HZ 31 7 Q QMS 6 64 Q QES 0 6 Q QTS 0 55 HAG IN 0 31 HAG MM 8 00 HVC I...

Page 29: ...STAGE 82 STAGE 102 STAGE 122 4UBHF 4UBHF OD E 3 4 FEJVN FOTJUZ JCFSCPBSE _ _ FEJVN FOTJUZ JCFSCPBSE KO CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 pdf 29 10 9 2020 3 31 23 PM...

Page 30: ...5 92 2 QES 0 46 2 QTS 0 42 HAG IN 0 31 HAG MM 8 00 HVC IN 0 8 HVC MM 20 3 XMAX IN 0 24 XMAX MM 6 15 4 REVC OHMS 3 6 LEVC MH 2 3 SD IN2 82 29 SD CM2 530 93 BL TM 13 6 VAS FT3 2 28 VAS LITERS 64 6 CMS M...

Page 31: ...STAGE 82 STAGE 102 STAGE 122 JBL Stage Stage JBL JBL JBL Inc 80Hz 12dB RMS 20Hz MDF 40Hz 60Hz 40Hz Stage 40Hz 60Hz 40Hz MDF CHS CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 pdf 31 10 9 2020 3 31 23 PM...

Page 32: ...46 2 QES 0 37 2 QTS 0 35 HAG IN 0 31 HAG MM 8 00 HVC IN 0 8 HVC MM 20 3 XMAX IN 0 24 XMAX MM 6 15 THIELE SMALL 4 REVC OHMS 3 6 LEVC MH 1 5 SD IN2 56 79 SD CM2 366 44 BL TM 12 4 VAS FT3 1 46 VAS LITERS...

Page 33: ...STAGE 82 STAGE 102 STAGE 122 JBL Stage JBL JBL JBL Inc 80Hz 12dB RMS 20Hz MDF 40Hz 40Hz 60Hz Stage 40Hz 60Hz 40Hz MDF TW CA_JBL_stage 82 102 122_Subwoofer_OM_CR_V3 pdf 33 10 9 2020 3 31 24 PM...

Page 34: ...MS 154 3 FS HZ 31 7 QMS 6 64 QES 0 6 QTS 0 55 HAG IN 0 31 HAG MM 8 00 HVC IN 1 21 HVC MM 30 7 XMAX IN 0 45 XMAX MM 11 35 VBOX 0 35 ft3 10 L fB 50Hz 1 97 50mm 6 7 170mm VBOX VBOX 1 23ft3 35 L VBOX 1 4f...

Page 35: ...rst rkerkraft til at opn et givent akustisk output sammenlignet med et optimalt kabinet af en anden type KONSTRUKTION MED FORSEGLET KABINET Den forseglede kabinetkonstruktion er enkel og tolerant over...

Page 36: ...VOLUMEN VAS FT3 2 28 VAS LITERS 64 6 OPH NGSF JELIGHED CMS M N 0 16 MASSE I BEV GELSE LUFTBELASTNING MMS GRAMS 154 3 RESONANS I FRI LUFT FS HZ 31 7 MEKANISK Q QMS 6 64 ELEKTRISK Q QES 0 6 SAMLET Q QTS...

Page 37: ...SWLPXP NDSDO NDELQ ED ND ELU WLS RSWLPXP NDELQGHQ GDKD G N JHQHO IUHNDQVD VDKLS RODFDNW U 2SWLPXP NDSDO NDELQGH VXEZRRIHU EHOLUOL ELU DNXVWLN o N HOGH HWPHN LoLQ ED ND ELU WLS RSWLPXP NDELQGHNLQH J UH...

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