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To convert meters into feet, multiply by 3.281. To convert meters into inches, multiply by 39.37

LENSES

www.hasselblad.com

4/6

Document ID: 3020583/0610

Depth-of-field in meters

           

 

f/4.8             

f/8              

f/16              

f/32

       

 

 

∞ 

35 - ∞ 

20 - ∞ 

10 - ∞ 

5 - ∞ 

 

 

20 m 

13 - 50 

10 - ∞ 

7 - ∞ 

4.5 - ∞

 

 

10 m 

8 - 14 

7 - 19 

5 - 300 

3.5 - ∞ 

 

 

7 m 

5.9 - 8.7 

5.3 - 10.5 

4.3 - 20 

3 - ∞ 

 

 

5 m 

4.4 - 5.8 

4.1 - 6.5 

3.5 - 9.5 

2.7 - 150 

 

 

4 m 

3.6 - 4.5 

3.4 - 4.9 

3 - 6.5 

2.4 - 17 

 

 

3 m 

2.8 - 3.25 

2.65 - 3.5 

2.4 - 4.1 

2 - 7 

 

 

2.5 m 

2.35 - 2.68 

2.25 - 2.8 

2.1 - 3.2 

1.8 - 4.5 

 

 

2 m 

1.9 - 2.11 

1.85 - 2.2 

1.7 - 2.4 

1.5 - 3 

 

 

1.7 m 

1.63 - 1.78 

1.6- 1.83 

1.5 - 2 

1.35 - 2.4 

 

 

1.5 m 

1.45 - 1.56 

1.42 - 1.6 

1.35 - 1.7 

1.2 - 2 

 

 

1.4 m 

1.36 - 1.45 

1.33 - 1.48 

1.25 - 1.58 

1.15 - 1.8 

 

 

1.3 m 

1.26 - 1.34 

1.24 - 1.37 

1.18 - 1.45 

1.1 - 1.65 

 

 

1.2 m 

1.17 - 1.24 

1.15 - 1.26 

1.1 - 1.32 

1.02 - 1.5

HASSELBLAD
FE 4.8/60 - 120 – at 100 mm setting

DEPTH-OF-FIELD DATA

Given distances are calculated for a blur circle diameter of 60 microns and do not include the effect of lens aberrations. 
For very critical photography and great enlargements this blur will be visible. 
For these situations we recommend a conservative use of the DOF data. In such situations the data given for an aper-
ture two f-stops larger should be used (for example, if shooting at f/8, use DOF data for f/4).

Summary of Contents for FE 4.8/60

Page 1: ... 0 10 20 30 40 Image height mm f 4 8 MTF 100 80 60 40 20 0 0 10 20 30 40 Image height mm f 8 MTF MTF Modulation Transfer as a func tion of image height at infinite focus setting Sagittal slit orientation drawn with continuous line and tan gential with dashed White light Spatial frequencies 10 20 and 40 lp mm ENTRANCE PUPIL POSITION 180 mm in front of the film plane at infinite focus setting The entra...

Page 2: ...1 1 3 2 8 1 05 9 1 5 m 1 37 1 65 1 3 1 8 1 15 2 2 1 5 1 4 m 1 29 1 53 1 23 1 65 1 1 2 0 95 4 1 3 m 1 21 1 41 1 15 1 5 1 05 1 8 0 9 3 1 2 m 1 12 1 29 1 08 1 35 1 1 6 0 85 2 5 HASSELBLAD FE 4 8 60 120 at 60 mm setting DEPTH OF FIELD DATA Given distances are calculated for a blur circle diameter of 60 microns and do not include the effect of lens aberrations For very critical photography and great en...

Page 3: ... 0 10 20 30 40 Image height mm f 4 8 MTF 100 80 60 40 20 0 0 10 20 30 40 Image height mm f 8 MTF MTF Modulation Transfer as a func tion of image height at infinite focus setting Sagittal slit orientation drawn with continuous line and tan gential with dashed White light Spatial frequencies 10 20 and 40 lp mm ENTRANCE PUPIL POSITION 169 mm in front of the film plane at infinite focus setting The entra...

Page 4: ...1 78 1 6 1 83 1 5 2 1 35 2 4 1 5 m 1 45 1 56 1 42 1 6 1 35 1 7 1 2 2 1 4 m 1 36 1 45 1 33 1 48 1 25 1 58 1 15 1 8 1 3 m 1 26 1 34 1 24 1 37 1 18 1 45 1 1 1 65 1 2 m 1 17 1 24 1 15 1 26 1 1 1 32 1 02 1 5 HASSELBLAD FE 4 8 60 120 at 100 mm setting DEPTH OF FIELD DATA Given distances are calculated for a blur circle diameter of 60 microns and do not include the effect of lens aberrations For very cri...

Page 5: ... 0 10 20 30 40 Image height mm f 4 8 MTF 100 80 60 40 20 0 0 10 20 30 40 Image height mm f 8 MTF MTF Modulation Transfer as a func tion of image height at infinite focus setting Sagittal slit orientation drawn with continuous line and tan gential with dashed White light Spatial frequencies 10 20 and 40 lp mm ENTRANCE PUPIL POSITION 175 mm in front of the film plane at infinite focus setting The entra...

Page 6: ... 1 75 1 62 1 79 1 55 1 9 1 4 2 15 1 5 m 1 46 1 54 1 44 1 57 1 38 1 65 1 3 1 8 1 4 m 1 37 1 44 1 35 1 46 1 3 1 52 1 2 1 7 1 3 m 1 27 1 33 1 25 1 35 1 21 1 4 1 15 1 55 1 2 m 1 18 1 23 1 16 1 24 1 13 1 29 1 06 1 4 HASSELBLAD FE 4 8 60 120 at 120 mm setting DEPTH OF FIELD DATA Given distances are calculated for a blur circle diameter of 60 microns and do not include the effect of lens aberrations For ...

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