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GETTING STARTED 

5

FRONT

1

1-GAIN: 

Up to 30 dB of MakeUp Gain. 

2-RATIO

: Continuously variable from 2:1 to 10:1.

3-ATTACK

: Continuously variable from 0.5 to 300 mS.

4-ATTACK/RELEASE SELECT: 

Three settings to choose the operation mode: FIXED, MANUAL & FIX/MAN. 

FIXED: 

Attack time: 1 mS / Release time: 50 mS.

FIX/MAN: 

This setting combines the release times of fixed and manual mode. The attack time is as in the fixed mode (1 mS).

MANUAL:

 Attack time: from 0.5 mS - 300 mS / Release time: from 0.05 sec to 10 sec.

5-VU  METER  (SELECTOR): 

Knob  to  choose  the  readout  of  the  VU  meter,  either  GAIN  REDUCTION,  INPUT  & 

OUTPUT.

6-VU METER: 

Indicates GAIN REDUCTION, INPUT & OUTPUT (0=+8 dBu).

7-TUBE SATURATION: 

Selects the degree of added saturation from 4 settings varying from none to heavy saturation. 

This is determined by selecting a setting and adjusting the GAIN control to achieve the desired results.

8-THRESHOLD:

 This is really a sensitivity control to determine when the compression starts to take place, continuously 

variable from ´OFF´ to -40 dB. The 

́

OFF 

́

 position completely eliminates the compression from the circuitry (No signal will 

be detected by the sidechain, therefore effectively bypassing the compressor circuit completely).

9- RELEASE: 

Continuously variable from 0.05 to 10 seconds.

10- SC FILTER: 

This is a filter applied only to the control signal to decide if and where the TUBESESSOR will be less or 

more sensitive to certain frequencies. There are 5 choices available: 80, 160, 1K, 3K and 5K. The first two settings are 

great to avoid the compressor being unnecessarily overpowered by lower frequencies, very useful to avoid undesired 

pumping. The 1K and 3K settings can be very helpful when it comes to taming unruly elements of a mix such as loud 

vocals, fuzzy guitars or overly aggressive snares.

11-LINK: 

´OFF´  simply  leaves  the  control  to  the  unit´s  internal  detection,  while  ´ON´  is  used  for  syncing  two  units  for 

stereo use and bases the control off of whichever unit requires more gain reduction at any given moment.

12-BYPASS: 

A Hard Bypass that completely avoids the circuitry.

13- RED JEWEL INDICATOR LIGHT

: Simply indicates that the equipment is ´On´.

14-POWER SWITCH

: Turns the unit on or off.

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Summary of Contents for TUBESESSOR

Page 1: ...USER MANUAL November 2022 Rev 1 0...

Page 2: ...an desirable Not to mention the very high prices asked for this equipment which makes them virtually unobtainable for the great majority Now it s possible to obtain that same sound with a brand new pi...

Page 3: ...all while maintaining total dynamic control but it also has a few tricks up its sleeve The TUBE SATURATION section allows you to add in a taste of attitude with 4 settings varying from CLASSIC no sat...

Page 4: ...ppening Everything you could possibly require to achieve a top notch professional recording TUBESESSOR the optical tube compressor for when you need the sweetest warmest most natural dynamic control p...

Page 5: ...FF to 40 dB The OFF position completely eliminates the compression from the circuitry No signal will be detected by the sidechain therefore effectively bypassing the compressor circuit completely 9 RE...

Page 6: ...an select the correct voltage input according to the country you are in 5 POWER INPUT IEC standard power input connector 6 LINK A Tip Sleeve female connector used to link two TUBESESSORS together for...

Page 7: ...7 Frequency response 20 Hz 0 038 dBu 20 kHz 0 112 dBu dB 0 15 dB from 20 Hz 20 kHz THD 1 kHz 0 dBu input with 0 dBu output 0 02 Phase normalized 1 kHz 0 dBu MEASUREMENTS...

Page 8: ...u 10 dBu 15 dBu 20 dBu Threshold position Frequency response for 20 dB Threshold with Sidechain filter engaged Red 50 Hz Purple 80 Hz Blue 160 Hz Cyan 1 kHz Green 3 kHz Yellow 5 kHz THD N for the four...

Page 9: ...LICATIONS BASS RECORDING 9 MONITOR SPEAKERS THUNDERBOLT COMPUTER OUTPUT AUDIO INTERFACE LINE INPUT AUDIO INTERFACE MONITOR SPEAKERS THUNDERBOLT COMPUTER LINE INPUT AUDIO INTERFACE D I INPUT PREAMP TT...

Page 10: ...PRESSION LINKED 10 MONITOR SPEAKERS THUNDERBOLT COMPUTER LINE INPUT 1 AUDIO INTERFACE CHANNEL LEFT MASTER LINK SLAVE LINK OUTPUT 2 AUDIO INTERFACE OUTPUT 1 AUDIO INTERFACE LINE INPUT 2 AUDIO INTERFACE...

Page 11: ...pedance 20 Frequency Response 20 Hz to 20 kHz 0 15 dB Signal To Noise Ratio 94 dB Noise Floor 75 dBu 1 dBu THD N 1kHz 6 dBu input with full gain and 24 dBu output 1 Dimensions W x H x L 482 mm x 134 m...

Page 12: ...up The signal has decreased significantly after compressing Use the GAIN control to bring the level back up again The compression I am getting is altogether too aggressive for what I am looking for T...

Page 13: ...date The warranty excludes problems due to normal wear abuse shipping damage or failure to use the product in accordance with the specifications Heritage Audio shall not be liable for damages based up...

Page 14: ...RECALL SHEETS 14 Session Title Track Connected Equipment Date Instrument Notes Session Title Track Connected Equipment Date Instrument Notes...

Page 15: ...www heritageaudio com HERITAGE AUDIO C Alfonso G mez 38 3C 28037 Madrid Spain Tel 34 917 266 189 info heritageaudio com...

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